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Art Authentication Investigators

Enquêteurs d'authentification

Investigadores de autentificación

Authentifizierungsforscher der

schönen Künste

 

 

 

Max Liebermann

Especialistas em autenticação de belas artes

محققو أصالة الفنون الجميلة

Эксперты по аутентификации изобразительного искусства

艺术专家

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Investigating the Authenticity of Works of art believed to be by or Attributed to

Max Liebermann

1847 - Berlin - 1935

GERMAN

 

  "The art of drawing is the art of omission" famously said the German artist Max Liebermann. But the art of forging any painters works of art that command high prices is a crime.

 Max Liebermann, is influentially regarded as the German artist who first introduced impressionism to German art and his work is somewhat similar in many respects to the French Impressionist painter Edouard Manet and this sort of work of art is not that difficult to fake. Particularly when there are convincing fake provenances, concocted based on stories of looted and stolen works to support the credibility.

 Liebermann studied at the Weimar School of Art and under Eduard Holbein and Karl Steffeck and whilst living in Paris was hugely influenced by the Barbizon school, particularly Courbet and Millet whose plein-air painting was a new experience. But he also focussed his attention on the great Dutch artist Jozef Israëls for his inspiration.

Subjectively, his paintings take in sporting events and intimate views of his garden which was enormously important to him. As were horses and riders on the beach in Wannsee, southwest of Berlin. He also painted many portraits of members of German high society and of course a number of self-portraits during his career.

 In recent years, an ever growing number of works of art including paintings bearing the name Max Liebermann have been consigned for sale in auctions around the world and as the values of his works of art consistently climb, there is an greater need for the confirmation of legitimacy.

 Works of art that do surface will require both a comprehensive and thorough investigation of their backgrounds and provenance and similar scrutiny given to confirm that any previously given attribution is correct. So too that any description itself of a work of art seemingly by Max Liebermann can truly be relied upon.

* * *

 We are international fine art consultants and investigators with bases in the UK and Europe, specialising in conducting full investigations into the authenticity of works of art created by artists in all categories, from all regions and historical eras. Scrutinize and track provenance and have been confidentially serving and advising both private individuals and corporate clients from around the world for over 45 years.

 We can assist and advise you in all fine art related matters, particularly issues of authenticity and the attribution of any old or modern master works of art, including the works of Max Liebermann, his circle, studio, or followers, or any works of art that you are unsure about.

 Some example works of art appear below as illustrations. Note: No inference is made nor is it intended as to the question of their legitimacy. Moreover they are an across the board representational view of the differing types of works that are and may be offered and advertised for sale at auction internationally.

 

 

     
Max Liebermann 1847 - Berlin - 1935
GÄRTNERIN VOR DEN BLUMENSTAUDEN AM GÄRTNERHÄUSCHEN NACH OSTEN (GARDENER IN FRONT OF THE FLOWER GARDENS AT THE GARDENER'S COTTAGE TO THE EAST)
Signed M Liebermann Oil on panel
Sold USD $300,000.0

Max Liebermann 1847 - Berlin - 1935
ZWEI REITER IN EINER ALLEE (TWO RIDERS IN

AN ALLEY)
Signed M Liebermann and dated 1919 
Oil on board Painted in 1919
Sold USD $156,250.00

Max Liebermann 1847 - Berlin - 1935
Gartenlokal an der Havel
Signed twice 'M Liebermann'
Oil on canvas Painted in 1934
Sold USD $782,500.00
     
     
Max Liebermann 1847 - Berlin - 1935
ZWEI REITER AM STRAND NACH LINKS - STUDIE (TWO RIDERS ON THE BEACH TURNED TO THE LEFT - STUDY) Signed twice M. Liebermann
Oil on canvas Painted circa 1900-01
Sold GBP £284,750.00
Max Liebermann 1847 - Berlin - 1935
Blumentöpfe vor dem Haus
Signed 'M Liebermann'
Oil on panel Painted in 1926
Sold GBP £409,250.00
Max Liebermann 1847 - Berlin - 1935
Die Enkelin im Korbsessel nach rechts
With the stamped signature 'Max Liebermann'
Oil on canvas Painted in 1920
Sold GBP £47,000.00
     
     
Attributed to MAX LIEBERMANN
Picnic in the Park
Oil on board
Manner of Max Liebermann
Pariser Platz and Brandenburg Gate in Berlin
Gouache on canvas, signed
Inscribed verso and dated 1882
Sold GBP £200.00

Attr. To Max Liebermann, Belgian Scenic Pastel

Signed lower right

Estimate: $600 - $1,200

 

     

 

 

 

 

 

Fine Art Authentication

 

 The duration and the direction of any authenticity investigation or an attribution of a work of art will inevitably vary from project to project. But there are clear and very well defined professional formalities, responsibilities and areas of scrutiny that we can formally assist you with, including:

 

  • Authentication: Authentification:   Conducting comprehensive investigations and in depth research into a work of art with a view to establishing a correct, complete and formally recognized certification. One absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist. Directing detailed and complicated inquiries, with multilingual capability, including any international academic research and forensic applications that are required.

 

  •  Attribution: Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or is currently doubted.

 

 

  •  Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its accuracy and legitimacy.

 

  •  Scrutiny: Examen minutieux:Identifying fake or faux works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previously given incorrect attributions.

 

  •  Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are currently , or may be considering litigating or prosecuting the fact. This includes colleagues who are legal professionals and individual private clients.

 

  •  Attention: Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

 

  •  Appraisal: Évaluation - Valuations and condition reports.

 

 

 

 

 

 

Step one in the Art Authentication and Attribution process.

The Pre-Authentication Assessment

 

    Before you begin any authenticity, legitimacy, or artist attribution investigation, it is wise to have an impartial preliminary assessment of the viability of the project conducted first. One made to independently and rationally balance any negative issues there may be against the positive. You should treat this study as a safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and indeed the possible pitfalls that could lie ahead.

See our FAQ's for details of the process

 

 

CONTACT

We will respond to you promptly.

 

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 


 

 

 

 

 

OTHER  ART AUTHENTICATION EXPERTISE LISTED BY ARTIST

       
APPEL KAREL
BRANCUSI   CONSTANTIN
BOUVARD  - Famile.
CORNEILLE  Guillaume Beverloo
CROME JOHN
DOU GERRIT
GRIS JUAN
LAM  WILFREDO
MATISSE HENRI
MONDRIAN   PIET
PISSARRO CAMILLE
RENOIR PIERRE
SPENLOVE-SPENLOVE FRANK
VAN GOGH VINCENT 
CONYERS BARKER
KLINE FRANZ
PECHSTEIN MAX
MUNNINGS Sir Alfred James
DAUMIER HONORE
EDOUARD MANET
PAUL KLEE
AMOS CASSIOLI

 

 

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