FRIDA KHALO
Authentication Investigators Enquêteurs d'authentification Investigadores de autentificación Especialistas em autenticação de belas artes |
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FRIDA KHALO
Эксперты по аутентификации изобразительного искусства 艺术专家
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INTERNATIONAL FINE ART CONSULTANTS - ART AUTHENTICATION INVESTIGATION & RESEARCH EXPERTS ARTIST ATTRIBUTION ANALYSTS - PROVENANCE VERIFICATION - FAKE & FORGERY DETECTION - ART FRAUD INVESTIGATORS DUE DILIGENCE SCRUTINY - ACQUISITION & FINE ART ASSET MANAGEMENT
EXPERTS INVESTIGATEURS INTERNATIONAUX EN AUTHENTICITÉ DES BEAUX-ARTS - ARTISTES ATTRIBUTION LEGITIMACY CONSULTATIONS ESPERTI INTERNAZIONALI INDAGINI SULL'AUTENTICAZIONE DELL'ARTE FINE - ATTRIBUZIONE DELL'ARTISTA E RICHIESTE DI LEGITTIMITÀ RICERCATORI SPECIALI DELL'ARTE FINE - SERVIZI DI VERIFICA DELLA PROVENIENZA - RILEVAMENTO DI FALSI E FORGERIA DUE DILIGENCE SCRUTINY - ACQUISIZIONE E GESTIONE DEL PATRIMONIO FINE ART
Investigating the Authenticity of Works of art believed to be by or Attributed to Magdalena Carmen Frida Kahlo y Calderón
Frida Kahlo 1907–1954 Mexican
"My paintings carry with them the message of pain"
Frida Kahlo's vivid surrealist and always symbolic self-portraits, have given rise to her being described as one of the world's most distinctive and prolific artists. But Frida Kahlo is also Mexico's most famous woman painter and easily the most expensive artist that Latin America has ever produced. Yet with that high level of success comes notoriety and her art is rapidly becoming some of the most faked art in the world. In recent years, an ever growing number of works of art including paintings bearing the name Frida Kahlo have been consigned for sale in auctions around the world and as the values of her works of art consistently climb, there is a greater need for the confirmation of legitimacy. Works of art that do surface will require both a comprehensive and thorough investigation of their backgrounds and provenance and similar scrutiny given to confirm that any previously given attribution is correct. So too that any description itself of a work of art seemingly by Frida Kahlo can truly be relied upon. With such very high values of her paintings prevailing in the art market and the wide demand even for even modest works, then attempts at imitation by forgery and at different levels, from the excellent fakes to the patently foolish, is an obvious but sad consequence. Simple ploys adopted by those intending to deceive, is to add a signature or monogram to an otherwise anonymous work of art, of a similar subject or style that of an artist. Often we see applied forged studio or collector stamps, a new and persuasive inscription, or an added gallery label on the back of a picture and the work itself and need only to be one of a vaguely similar type to that of the artist that is claiming to be by for it to be passed off as legitimate. Bogus provenance and even faked supportive documentation is not unusual. * * * We are international fine art consultants and investigators with bases in the UK and Europe, specialising in conducting full investigations into the authenticity of works of art created by artists in all categories, regions and historical eras. We scrutinize and track provenance and have been confidentially serving and advising both private individuals and corporate clients from around the world for over 45 years. We can assist and advise you in all fine art related matters, particularly issues of authenticity and the attribution of any old or modern master works of art, including the works of Frida Kahlo, her circle, studio, or followers, or any works of art that you are unsure about. Some example works of art appear below as illustrations below. Note: No inference is made nor is it intended as to the question of their legitimacy. Moreover they are an across the board representational view of the differing types of works that are and may be offered and advertised for sale at auction internationally.
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| Frida Kahlo (1907-1954) Dos desnudos en el bosque (La tierra misma) Two nudes in the forest (The earth itself) Signed and dated 'FRIDA KAHLO 1939' Oil on metalPainted in 1939 Sold USD $8,005,000.00 |
Frida Kahlo (1907-1954) Portrait of a Lady in White Oil on canvas Painted circa 1929 Sold USD $5,836,500.00 |
Frida Kahlo (1907-1954) NIÑA CON COLLAR Oil on canvas Painted in 1929 Sold USD $1,812,500.00 |
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| Frida Kahlo (1907-1954) ROOTS Oil on metal Signed and dated 1943 Sold USD $5,616,000.00 |
Frida Kahlo (1907-1954) View of Central Park Signed and dated 'Frida Kahlo 1932' Watercolour and pencil on paper Drawn in 1932 Sold USD $83,650.00 |
Frida Kahlo (1907-1954) SURREALIST DRAWING, FRIDA Coloured pencil on paper Executed circa 1940 Sold USD $48,000.00 |
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FRIDA KAHLO Mexican 1907-1954 Pastel on Paper COA. featuring portrait of Frida Kahlo. Signed and attr Frida Kahlo (Mexican 1907-1954). Signed on the white ribbon near the green bird " Frida Kahlo ~ Mexico 1941 SOLD $8,000.00 |
Frida Khalo watercolor on paper.Signed on bottom right.Dated 1944. Estimate: $4,000 - $5,000
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Frida Kahlo (Mexican 1910-1954) Self-Portrait with Curly Hair - oil on tin Painted in 1935. Price realised: US$1,351,500.00 |
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Frida Kahlo (1907-1954) was a Mexican painter who painted many self - portraits. Inspired by Mexican popular culture she employed a native folk art style to explore questions of identity, post-colonialism, gender, class and race in Mexico- (attrib. -coa)-Oil on canvas Estimate: $12,000 - $35,000
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Frida Kahlo Mexican (1907-1954) Self Portrait Description: Mixed media on paper Estimate: $4,000 - $6,000 |
FRIDA KAHLO Oil on Canvas SIGNED PAINTING
Estimate: $1,000 - $2,000 |
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FRIDA KAHLO Mexican 1907-1954 Mixed Media COA Mixed media on paper, framed. Featuring self-portrait. Accompanied with certificate of authenticity. Signed and attr. Frida Kahlo (Mexican, 1907-1954) and dated 1930 Est: $10,000 - $20,000 Sold: $4,250 |
Frida Kahlo (1907-1954) Self-Portrait with Thorn Necklace and Hummingbird 1940 Location Harry Ransom Center, Austin, Texas, Austin |
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Fine Art Authentication
The duration and the direction of any authenticity investigation or an attribution of a work of art will inevitably vary from project to project. But there are clear and very well defined professional formalities, responsibilities and areas of scrutiny that we can formally assist you with, including:
Step one in the Art Authentication and Attribution process. The Pre-Authentication Assessment
Before you begin any authenticity, legitimacy, or artist attribution investigation, it is wise to have an impartial preliminary assessment of the viability of the project conducted first. One made to independently and rationally balance any negative issues there may be against the positive. You should treat this study as a safety net. We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you. You will then have a far better understanding of the prospects and indeed the possible pitfalls that could lie ahead. See our FAQ's for details of the process
We will respond to you promptly.
Nous serons heureux d'entreprendre cette étude
d'une manière professionnelle pour vous que nous considérons comme votre
principal filet de sécurité.
Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce. Entonces tendrá una mejor comprensión.
We can assist and advise you in all fine art related matters.
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OTHER ART AUTHENTICATION EXPERTISE LISTED BY ARTIST
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| APPEL KAREL | |||
| BOUVARD - Famile. | |||
| CORNEILLE Guillaume Beverloo | |||
| CROME JOHN | |||
| DOU GERRIT | |||
| GRIS JUAN | |||
| LAM WILFREDO | |||
| MATISSE HENRI | |||
| MONDRIAN PIET | |||
| PISSARRO CAMILLE | |||
| RENOIR PIERRE | |||
| SPENLOVE-SPENLOVE FRANK | |||
| VAN GOGH VINCENT | WILLS JAMES REV |
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| CONYERS BARKER | |||
| KLINE FRANZ | |||
| PECHSTEIN MAX | |||
| MUNNINGS Sir Alfred James | |||
| DAUMIER HONORE | |||
| EDOUARD MANET | |||
| PAUL KLEE | |||
| AMOS CASSIOLI | |||
OTHER SPECIFIC EXPERTISE YOU MAY WISH TO NAVIGATE TO
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| OLD MASTER ART | EUROPEAN ART AUTHENTICATION
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GERMAN ART AUTHENTICATION
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| ALTARPIECE & PANEL PAINTINGS | IMPRESSIONIST & MODERN ART | ||
| BRITISH ART AUTHENTICATION | FRENCH ART AUTHENTICATION | ||
| WEST COUNTRY & DEVON ART | CORNISH ART | AMERICAN ART AUTHENTICATION |
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| RUSSIAN ART AUTHENTICATION | SPANISH ART | CANADIAN ART AUTHENTICATION |
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| HUNGARIAN ART | NORDIC - SCANDINAVIAN ART | IRISH ART AUTHENTICATION |
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| PORTRAITS & MINIATURES | ISRAELI ART | ||
POLITIQUE DE CONFIDENTIALITÉ |
TERMES ET CONDITIONS |
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Frida Kahlo - Art authentication experts | researchers and investigations | Identification of Frida Kahlo fakes forgeries and attributions .
Frida Kahlo - International art authentication research and investigation experts.- Identification of Frida Kahlo fakes and forgeries and attribution inquiries. Expertos internacionales en investigación e investigación en autenticación de arte.- Identificación de falsificaciones y falsificaciones de Frida Kahlo y consultas de atribución. Kahlo, Frida Kahlo, Khalo, Freda, Karlo, Frida Kahlo painting, portrait, self portrait, monkey, Frida Kahlo landscape, Frida Kahlo oil, Frida Kahlo authentication, authentication, authentification, Kahlo authentification, Expert, de l'oeuvrede, Frida Kahlo, art authentication, Frida Kahlo signature authentication, painter, artist, forgery, fraud, signature, fake, fake painting, oil, fake, faked, authenticating, authenticators, expert, arte, COA, copy, copie, Experto, Frida Kahlo, autenticación de arte, autenticación de firma, pintor, artista, falsificación, fraude, firma, falso, pintura falsa, aceite, falso, falso, autenticación, autenticación, autenticadores, expertos, atribución
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Avant d'entreprendre une
enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il
est plus que prudent de procéder à une évaluation impartiale de sa faisabilité.
Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui
peuvent exister contre le positif.