Picasso Fake and Forgery Identification and Detection, Picasso art fraud investigators.  Picasso expert art authentication investigation and research specialists. Picasso fine art Consultants

Investigaciones de autenticación de Picasso

تحقيقات مصادقة بيكاسو

Enquêtes sur l'authenticité de Picasso

Indagini sull'autenticità di Picasso

Исследования аутентификации Пикассо

Estudos de Autenticidade de Picasso

पिकासो प्रामाणिकता अध्ययन

PICASSO  AUTHENTICATION  & ATTRIBUTION INVESTIGATION SERVICES

 

 

PICASSO FAKE AND FORGERY DETECTION - IDENTIFICATION & INVESTIGATION

Investigaciones de autenticación de Picasso

تحقيقات مصادقة بيكاسو

Enquêtes sur l'authenticité de Picasso

Indagini sull'autenticità di Picasso

Исследования аутентификации Пикассо

Estudos de Autenticidade de Picasso

पिकासो प्रामाणिकता अध्ययन

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Investigating the Authenticity of Works of Art believed to be by or attributed to;

Pablo Ruiz Picasso

1881-1973

SPANISH

School of Paris Painter, Sculptor, Etcher, Lithographer, Ceramist and Designer

 

 

 Over recent years, due to the massive upsurge in the value of Pablo Picasso's major works of art that have sold at auction, this fact has undoubtedly inflated the values of others, including all of the lesser Picasso art works.

 As a direct result of that rapid financial increase, today Señor Picasso stays well ahead of all other principal artists that have existed, as being one of the most most faked artists that we are regularly tasked to investigate.

 Grandiose masterpieces by Picasso suddenly appearing out of the mists of time would be to say the least, unusual, if not exceptionally rare. Though it is entirely possible that forgotten, or long lost art work may still exist somewhere, from within the thousands of sequence works and projects he undertook.

 Any that do surface, undoubtedly require a fully independent, comprehensive and thorough investigation of their authenticity, but also of their past history and provenance. Because the fakers and the dubious paddlers of fakes, often create their own mythical histories to accompany them and sometimes very adeptly and convincingly too.

Once investigated, researched and a well balanced and accurate case built, the matter can then be presented for the correct and fully internationally accepted authority for corroboration of its authenticity with a greater degree of confidence.

 

 

  Freemanart are international fine art consultants, art authenticity investigators, specialist investigators and researchers, with bases in North America, but most importantly in Europe and the UK, with ease of a access to European archives, so vital in physically accessing.
We have and will conduct investigations into the authenticity of any work of art purportedly by Pablo Picasso as well as those created by other artists working in all genres and eras.

 Confidentially serving and advising both private individuals and corporate clients internationally for over 47 years, we can assist and advise you with all Picasso fine art related matters, including any issues of authenticity that may concern you before you buy or bid at auction. Alongside any works of art that you own that you are unsure about that you believe may be by Picasso.

 

 Over those four and a half decades working in this highly specialized field, we have investigated hundreds of works of art claiming to be by Picasso and for clients all around the world. Across North and South America, from Asia to the the Middle east, Australasia and throughout the continent of Europe. Included are many works that bear the famous Picasso signature, but also unsigned works that are sometimes confusingly created in Picasso's style.

 

 We are often engaged by clients from the international legal fraternity to direct and conduct complex investigations into the legitimacy of paintings and works of art and have helped prosecute some of the most heinous Picasso art fraud cases to date. We are proud to have successfully identified many Picasso fakes and uncovered major Picasso forgery and ponzi schemes and scams for clients all over the world.

 

 Our clients come from all walks of life and include private individuals and collectors. Alongside them, the law firms, auctioneers, national, regional, municipal and corporate art galleries and museums, public and privately curated collections, law enforcement agencies, insurance companies, loss adjusters and fine art dealers.

 

 Our private clients identities remain totally confidential and secure and are never disclosed in accordance with our strict privacy policy.

 

 Some example works of art associated in one way or another with the name of Pablo Ruiz Picasso, that either have been, or are being offered for sale within the public domain appear below as illustrations.

* Please Note: No inference is made, nor is it intended, as to the question of the legitimacy of the believed to be Picasso works illustrated here. Moreover they are an across the board representational view of the many differing types of works that are and may be offered or advertised for sale in the future at auction internationally connected by the name Picasso.

 


 

 

 

 

 

 

 

     
     

Pablo Picasso 1881-1973
La Lettre (La Réponse)
Signed and dated ‘Picasso 23’ dated

'16 Avril-23' (on the stretcher)
Oil on canvas
Painted in Paris, 16 April 1923
Sold USD $25,245,000.00

Pablo Picasso 1881-1973
Femme dans un fauteuil (Françoise)
Signed ‘Picasso’ (lower right); dated ‘29.12.48. 1.1.49.’ (on the reverse)
Oil on canvas
Painted 29 December 1948-1 January 1949
Sold USD $13,327,500.00
Pablo Picasso 1881-1973  Tête d'arlequin
Signed, dated & numbered 'Picasso 20.12.70.IV' Coloured wax crayons on paper
Drawn on 20 December 1970
Sold USD $1,095,000.00
     
     

Pablo Picasso 1881-1973 Femme et

MinotaureDated '19-2-37-'
Pastel and pencil on board
Executed in Paris on 19 February 1937
Sold GBP £1,931,250.00

PABLO PICASSO  1881-1973

ITALIENNE À LA FLEUR
Watercolour on paper
Executed in Rome in 1917
Sold GBP £40,000.00

Pablo Picasso 1881-1973
Femme dans un fauteuil (Dora Maar)
Dated '24.4.42'; dated '24.4.42' (on the stretcher)
Oil on canvasPainted in Paris on 24 April 1942
Sold GBP £19,358,750.00
     
     

Pablo Picasso 1881-1973  Buste d’homme Signed ‘Picasso’ (upper left); dated and numbered ’12.10.68.II’ (on the reverse) Oil on canvas

Painted 12 October 1968

Sold USD $9,355,000.00

Pablo Picasso 1881-1973
Portrait de Dora Maar endormie
Dated 'le 2 mars 37.' (lower right)
Pencil on paper
Drawn on 2 March 1937
Sold USD $2,172,500.00
Pablo Picasso 1881-1973 La villa au palmier
signed 'Picasso' dated and inscribed '4.2.51. Dimanche Vallauris' (on the reverse) Oil on panel
Painted on 4 February 1951
Sold USD $5,037,500.00
     
     

Pablo Picasso Oil on canvas, bears the

signature of Picasso, unframed
Estimate: $50,000 - $55,000

 

Pablo Picasso (1881-1973) (Attributed*): Bullfight, watercolor and ink drawing, signed Picasso

Estimate: $40,000 - $60,000

Oil Painting on Canvas by Pablo Picasso

In our Opinion this Oil Painting on Canvas

is by the artist Pablo Picasso, bearing the Hand

Signature "Picasso, 6.9.40"

on the Upper left corner.

Estimate: $25,000 - $30,000

 

 

 It is worth noting that, under Article 26 of the Spanish Penal Code, a forged, or added Picasso signature appearing on any work of art claiming to be by Picasso, is a criminal act, not a civil misdemeanour. One, under that code, that is punishable under Spanish law and that any perpetrators are liable to prosecution, heavy fines, or even imprisonment.


 

 

 

 

 

 

PICASSO International Fine Art Authentication Investigations

 

 

 The duration and the direction of any Picasso authenticity investigation or confirmation of an attribution of a possible work of art to Picasso's hand, will inevitably vary from project to project. This obviously depends on many unknown factors. But there are clear and very well defined professional formalities, responsibilities and areas of scrutiny that we can formally assist you with, including:

 

  • Authentication: Authentification:  Conducting comprehensive investigations and in depth research into a work of art believed to be by Picasso. Singularly with a view to establishing a correct, complete and formally recognized certification. One absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body and expert on the artist and by directing detailed and thorough inqvestigations, multilingually, including any international academic research and forensic applications that are required.

 

  •  Attribution: Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of any previous Picasso attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or is currently doubted.

 

 

  •  Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art believed to be by Picasso and establishing its accuracy and legitimacy.

 

  •  Scrutiny: Examen minutieux: Identifying fake Picasso and faux Picasso works of art and forgeries. This includes any false supportive accompanying documentation and determining works of art which may be later copies, or previously made incorrect attributions.

 

  •  Prosecution: Poursuite: Investigating alleged  Picasso art fraud and forgeries and assisting and advising those who are currently , or may be considering litigating or prosecuting the fact. This includes colleagues who are legal professionals and individual private clients.

 

  •  Attention: Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

  •  Appraisal: Évaluation - Valuations and condition reports of purported Picasso works of art.

 

 

 

 

 


 

 

Step one in the Picasso Art Authentication and Investigation Process

The Pre-Authentication Assessment

L'évaluation de pré-authentification.

La evaluación previa a la autenticación

 

    

 If you are seriously considering having any work of art authenticated, be it a prospective Picasso or otherwise, we strongly advise all prospective clients, that before you decide to move on with a full investigation of its legitimacy, or seeking the identification and confirmation of an attribution to a particular artist, that a fully impartial, preliminary assessment of the viability of doing so is conducted by us first.

 This opportunity is much the same as a lawyer would address, assess and balance all the elements of a legal case, measuring the prospects of success for you, but well before he would present it in a court of law.

  An assessment like this is a comprehensive study and one made to address all of the positive aspects that would justify continuing with an in depth investigation, by setting them against any obvious issues there may be that could impede and make any future investigation either unwise, unjustified, or impractical to undertake and
is a professional advisory service and one that we offer to all our clients.


  A preliminary assessment of viability can be initiated very effectively, based on the best quality images that you can supply and the full details of work of art in question. Along with the specific details of its original acquisition. We will also address all the known particulars of its history and provenance as is cuyrrently known, alongside examining and scrutinising any accompanying documentation, previous research or analysis that you may have had formerly conducted.

 Having chosen to take this sensible, very well tried and tested route, you should then have a far clearer understanding of the prospects of success in your case, but importantly, as well as recognising any pitfalls that you may face. 
Simply put, view this as your safety net before you move on.

 This is a totally logical and cost effective professional assessment for which there is a modest set fee and is covered extensively in our FAQ's

 

*Please see our FAQ section by clicking the link below which explains this preliminary assessment process in far greater detail.

 

 

CLICK HERE TO  CONTACT US DIRECTLY

Or write to;  picasso (at) freemanart.ca

We will respond to you promptly.

 

 

 If you are concerned about the legitimacy of a claimed to be Picasso work of art see below.

CLICK  Pre-Authentication Assessments LINK

L'évaluation de pré-authentification.

La evaluación previa a la autenticación

 

 

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 


 

 

 

 

 

ABOUT A WORK OF ART AUCTION DESCRIPTOR AND TERMINOLOGY

 

 

  *It is important to very clearly understand the auction terms that are used in any published descriptor and to be VERY cautious of works that may just be created in the manner of an artist, including those which could be variants of the artists works of art that bear a signature or monogram created by another hand. In this case as if they were defining the creations of the Spanish artist Pablo Ruiz Picasso 1881-1973.

 

 

  •  Where the name, Pablo Ruiz Picasso 1881-1973 is given with the first name/s and surname of the artist, usually cited as Pablo Ruiz Picasso 1881-1973, including his dates, then in their qualified and professional opinion, they are in no doubt. It is a genuine and authentic item and one painted by that artist. This is usually fully qualified by its inclusion in any catalogue raissone, or by the guarantee of the opinion given by the appropriate and internationally recognized expert authority on the artist.

 

  •  When Attributed to Pablo Ruiz Picasso 1881-1973 is used, or it is similarly defined as 'ascribed to' or 'Attrib. to ' [abbreviated,] or Attribué à, Picasso, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It is only an opinion.

 

  •  But if the term Pablo Picasso - circle of, or “Circle of Pablo Picasso ” is specifically used, then in their opinion, it is a work only of the period of the artist, but showing their influence. Or by someone closely associated with the artist, BUT not necessarily by their pupil or student.

 

  •  When the name is given thus; Painted in the “style of Pablo Picasso ” or “follower of Pablo Picasso is used, this means that in their opinion, it is a work of art executed only in the artist’s way, their manner or characteristically similar, but not necessarily by a pupil. Yet it may be a contemporary, or nearly a contemporary of the artist.

 

  •  If the phrase in the “Manner of Pablo Picasso is used or is defined….” then in their opinion it is also only a work painted in the style of the artist, but of a later date and definitely not by the artist as named.

 

  •  When the term “After….Pablo Picasso "; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist or another artist/ printmaker.

 

  •  Signed - Pablo Picasso ; “Dated….” or “Inscribed Pablo Picasso ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.

 

  •  When the term 'Bears signature', is used, or the name, Pablo Picasso is specified, followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature of Pablo Picasso /date/or inscription” Then in 'their opinion,' either the signature / date / or inscription etc., is spurious, forged, or has been added by someone else other than the artist himself.

 

 

 

*We can assist and advise you in all fine art related matters*

 

 

 

 

 

 

 

 IF YOU ARE A POTENTIAL PICASSO BUYER, IT IS MORE THAN WISE TO READ LABELS AND INSCRIPTIONS VERY CAREFULLY

 

   During recent years, the Middle East has been functioning fluidly by introducing fake Picasso paintings onto the global art market. Catching up rapidly with its counterpart fakers in South America. Yet going to the extremes that some of these perpetraitors do, particularly when trying to convince would be purchasers that the Picasso they are trying to sell them is real, when all it really is, is a down and out fake, you would have thought that these forgers would get their spelling right?

 To many at first glance, the label illustrated above, may seem to be a legitimate museum label, this one placed convincingly on the back of a painting we investigated claiming to be by Picasso.

Once there, it can become quite a convincing indication of a very respectable back history and provenance. But this is in fact, just another lie that someone wants us to believe.

 But also ask yourself, is it reasonable to believe, that an important international fine art museum such as the Musee d' Orsay in Paris, would sell one of their priceless works of art, particularly one by Picasso from their incredible collection and on a very poorly policed internet auction site?

 

The correct spelling is below - not d' ORDSAY.

 


 

 

 

 

OTHER ART AUTHENTICATION EXPERTISE LINKS - THE ARTIST LISTED BY THEIR PRIMARY NATIONALITY

 

VOIR L'EXPERTISE EN AUTHENTIFICATION D'ART PAR L'ARTISTE

 

 

 

 

 

 

British Artist Authentication

         
ALLINGHAM Helen
AUERBACH Frank
BARKER Thomas of Bath
BELLANY John
BIRCH Lamorna S J
BREANSKI Alfred De Snr
BIRCH Lamorna S J
BOMBERG David
BOYS Shotter Thomas
BLINKS Thomas BONINGTON Richard Parkes
CADELL  Francis C.B.
CONSTABLE John CONDER Charles
DAVIE Alan
DICKSEE Sir Frank
FREUD Lucian
FOSTER Myles Birket
FROST Sir Terry FEDDON Mary
FLINT Sir William Russell
GAINSBOROUGH Thomas
GOUDIE Alexander
GUNN Sir Herbert James
HARDY Heywood
HARDY Thomas Bush
HUGHES Derrick
HOGARTH William
HUNT William Henry
KNIGHT Harold
La THANGUE Henry Herbert
LADELL Edward
LEWIS John Frederick LEE Frederick Richard
LEADER Benjamin Williams
LANYON Peter
LAWRENCE Sir Thomas
LOWRY Laurence Steven
MORLAND George
MOORE Albert Joseph
MUNNINGS Sir Alfred James
NASMYTH Alexande
NEVINSON C.R.W
KNELLER Sir Godfrey JOHN Augustus
GRIMSHAW Atkinson John
NASH John Northcote
OSBOURNE Walter F
ORPEN Sir Willaim
PARK John Anthony
PEPLOE Samuel John
KNIGHT Dame Laura
PHILIPSON Sir Robin
PHILPOT Glyn Warren
ROBERTS David
SANDBY Paul
SICKERT Walter Richard
SEAGO Edward Brian
SMITH Sir Matthew
STANNARD Eloise Harriet
STEER Philip Wilson
STUBBS George
SPENLOVE-SPENLOVE Frank
TADEMA Sir Lawrence Alma SPENCER Sir Stanley
ROSSETTI Dante Gabriel
WATTS George Frederic WEBSTER Walter Ernest
WILSON Richard RA

WILLS James Rev

WOOD Christopher "Kit"
GODWARD John William MILLAIS Sir John Everett
TAYLER Albert Chevallier
RAVILOUS Eric W STANHOPE John Roddam Spencer
LARKIN William
ETTY William BEALE Mary
JOHNSON Cornelius
DAWSON Montague
HERRING Sr John Frederic
HERRING Jnr John Frederic CARMICHAEL John Wilson
SCOTT William RA
SOMERSCALES Thomas Jacques
LUNY Thomas
REDPATH Anne WALLIS Alfred
GILPIN Sawrey
HUNT William Holman BLACKSHAW Basil  (Irish)
SEYMOUR James
EMMS John
SHEPHEARD David LEIGHTON Frederic Lord
MORGAN Frederick
HUGHES Edward Robert
JOHN Gwen
HARVEY Harold TUKE Henry Scott
LANGLEY Walter
ANSDELL Richard RA
NASH Paul ZOFFANY Johan
BRADLEY Helen FELL Sheila R.A.
MINTON John
HILLIER Tristam RA
BRATBY John RA
GRANT Duncan EARL Thomas
COLE George
WARD James R.A
BROWN Ford Madox RAMSAYAllan RA
BELL Vanessa
Charles Edward HALLE
STILLMAN Marie Spartali
Duncan CAMERON George Vicat COLE
Nicholas Matthew CONDY
Dodd PROCTER Tom MOSTYN
Joan GILLCHREST
WILLIAMSON William Henry
WILLIAMS Walter Heath
SCHAFER Henri  
KILPACK Sarah Louisa
   
         
         
         
   
         
BOUVARD  - Family CEZANNE Paul
MONET Claude
PISSARRO Camille RENOIR Pierre
LEPAGE Jules Bastien
DUFY Raoul LEGER Fernand
COURBET Gustave DERAIN Andre
BLANCHE Jacques-Emile
TOULOUSE-LAUTREC Henri de DAUMIER Honore
FRAGONARD Jean Honore ROUAULT Georges
CHASSERIAU Théodore
GUIARD Adlaide Labille ROUSSEAU Theodore
Le BRUN Elisabeth Louise Vigee
MARTIN Henri GUILLAMIN Armand
CAMOIN Charles LHOTE André
LAURENCIN Marie
BONNARD Pierre METZINGER Jean
INGRES Jean-Auguste-Dominique
VLAMINCK  Maurice de MARQUET Albert
DELACROIX Eugene
PENA Díaz de la KISLING Moise
REDON Odilon
VALLAYER-COSTER Anne
LUCE Maximilien PICABIA Francis
ANQUETIN Louis
SEURAT Georges DELAUNAY Robert
LEBASQUE Henri VALTAT Louis
CORBUSIER Le ZADKINE Ossip
PILLEMENT Jean-Baptiste
SIGNAC Paul VERNET Claude Joseph
MIGNARD Pierre CHARDIN Jean Baptiste Simeon
BONHEUR Rosa
SISLEY Alfred GAUGUIN 2
CONSTANT Jean Joseph
DENIS Maurice
QUESNEL François GASCAR Henri
BRETON Jules
BERAUD Jean
CABANEL Alexandre
VOUET Simon LANDELLE Charles
DHURMER Lucien Lévy-
GLEIZES Albert DUFY Jean
TANGUY Yves
Sophie ANDERSON
JACQUE Charles-Emile MOILLON Louyse
MONVE LBernard Boutet de
DORE Gustave
F P SIMON - Baron Gerard
BONNAT Léon MANGUIN Henri
FORAIN Jean-Louis
BOUCHER François
VOLLON Antoine
RAFFAELI Jean-Francois
Pierre Eugène MONTEZIN
MOREAU Gustave
FOUJITA Léonard Tsuguharu  
Henri SCHAFFER
   
         

 

 

Dutch & Flemish Artist Authentication

         
APPEL Karel CORNEILLE Guillaume Beverloo
LELY Sir Peter
REMBRANDT van Rijn GOGH Vincent van
HALS Frans
KOEKKOEK Barend Cornelius GOSSART Jan
BLOEMAERT Abraham
KOONING Willem de ENSOR James
MARIS Matthijs SCHELFHOUT Andreas
WOUTERS Rik
VELDE Peter van de CALVAERT Denys
CLAUS Emile
SNYDERS Frans AELST Pieter Coecke van
SMET Leon de SPILLIAERT Leon
BABUREN Dirck van MIEREVELT Michiel Jansz. van
ROMBOUTS Theodor BRUEGHEL Pieter the Elder
GHEERAERTS Marcus the Younger
KNIPP Henriëtte Ronner
HULK Abraham Snr CUYP Aelbert
RUYSDAEL Salomon van
HULSDONCK Jacob van
HONTHORST Gerrit van
STEEN JAN MEYTENS Martin van (the Younger)
MIEL Jan
FLINCK Govaert
APOL Louis
VRANCX Sebastian HEEM Jan Davidsz. de
Herri met de BLES
Pieter De HOOCH
Adriaen Pietersz. van de VENNE SAFTLEVEN Herman
Peter CLAESZ
Jan MASSYS
Quentin MATSYS
Roelandt SAVERY Jacob van WALSCAPELLE
Jacob Isaacksz. van RUISDAEL
Willem Bastiaan THOLEN
Meindert HOBBEMA
Cornelis van POELENBURG Gerard ter BORCH
David TENIERS II
Hendrick AVERCAMP
Pieter Jansz. SAENREDAM Eglon van der NEER
Pieter CODDE
Eugene VERBOECKHOVEN
Adam De COSTER
Jan SLUIJTERS Emile CLAUS
Joseph van BREDAEL
Sir Anthony van DYCK
Johannes C Karel KLINKENBERG
Johannes VERMEER
Willem Cornelisz DUYSTER
Edward Antoon PORTIELJE
         
         
         
         
TINTORETTO Jacopo
BACHIACCA workshop
VINCI Leonardo da
CIARDI Guglielmo
VERROCCHIO Andrea del
GANDOLFI Gaetano
CAMPIGLI Massimo

TIEPOLO Giandomenico ZUCCARELLI Francesco
GIOTTO di Bondone
GIORDANO Luca BELLINI Gentile
COSIMO Piero di
CARRACCI Annibale
GUARDI Francesco
RENI Guido DOLCI Carlo
FRANCESCHINI Marc Antonio BALLA Giacomo
ROSSELLI Matteo SELLAIO Jacopo del
DOMENICHINI Apollonio
Master Langmatt Foundation
RICCI Sebastiano
CAFFI Ippolito HAYEZ Francesco
GRAMMATICA Antiveduto
FATTORI Giovanni
MORBELLI Angelo DADDI Bernardo
ROSATI Guilio
BALESTRA Antonio
LIBERI Pietro
Nicolò BAMBINI Lorenzo LOTTO
Giorgio MORANDI
Telemaco SIGNORINI
GENTILESCHI Orazio
Bernardino LUINI Vittorio Matteo CORCOS
Carlo CARRA
Sebastiano RICCI Moretto da BRESCIA
Giovanni SEGATINI CAGNACCI Guido
ROSATI Guilio
Nicolò BAMBINI
 
 
 
         
PICASSO Pablo GRIS Juan
SAURA Antonio
MIRO Joan SOROLLA Joaquin
NONELL Isidre
VELAZQUEZ Diego RIBERA Jusepe de
ARELLANO Juan de
CASAS Ramón
SOLANA Jose
CAMARASA Hermenegildo A DE TORRES Julio Romero
BLANCHARD Maria
VARO Remedios
DOMINGUEZ Óscar
GARRETTA Madrazo Raimundo BORES Francisco
MIR Joaquin
RUSINOL Santiago
BERRUGUETE Pedro BARRERA Francisco
Antoni CLAVE (Catalan)
Juan de Valdés LEAL
El GRECO
بابلو بيكاسو،
Darío de REGOYOS
Laureano Barrau BUNOL
Luis Ricardo FALERO
Manuel García y RODRIGUEZ
         
 

German Artist Authentication

         
KIRCHNER Ernst Ludwig LIEBERMANN  Max
HOLBEIN Hans (Younger)
Molzahn Johannes SCHIELE Egon
DÜRER Albrecht
DEXEL Walter CORINTH Lovis
SCHWITTERS Kurt
NOLDE Emil MENZEL Adolph von
BECKMANN Max
OVERBECK Johann F FRIEDRICH Caspar David
GROSZ George
DIX Otto
Ludwig MEIDNER SCHAD Christian
Paula Modersohn-BECKER
Marianne von WEREFKIN
Karl HOFER
Erich HECKEL Edouard  F W  RICHTER
Carl SPITZWEG
         
         
         
         
KLINE Franz REMINGTON  Frederic
NEEL Alice
POLLOCK Jackson CASSATT Mary
REDFIELD Edward Willis
HOPPER Edward TWOMBLY Cy
ROBINSON Theodore
JOHNS Jasper HARING Keith
LAWRENCE Jacob
FRANKENTHALER Helen ARCHIPENKO Alexander
WEBER Max
COPLEY John Singleton SAGE Kay
DU BOIS Guy Pène
WOOD Grant EAKINS Thomas
CHASE Wm Merritt
BRIDGMAN Frederick Arthur
BENSON Frank Weston
DIEBENKORN Richard STILL Clyfford
PEALE Charles Willson
BELLOWS George W
PARRISH Maxfield
MOSES Grandma PRENDERGAST Maurice Brazil
KENT Rockwell
CURRAN Charles Courtney
Willard LeRoy Metcalf
SPRAGUE-PEARCE Charles HENRI Robert
WIGGINS Guy Carleton
SHARP Joseph Henry
WEEKS Edwin Lord
FRIESEKE Frederick Carl TCHELITCHEW Pavel
GOTTLEIB Adolph
STEWART Julius LeBlanc
KNIGHT Daniel Ridgway David PARK
Phillip GUSTON
BURCHFIELD Charles E
HASSAM Frederick C
WEST Benjamin BIRCH Thomas
MORLEY Malcolm (Anglo Am)
AVERY Milton Clark
INNESS George
Lee KRASNER Ernest LAWSON
Albert BIERSTADT
Joseph Christian LEYENDECKER
Edward HICKS
Joseph STELLA Marsden HARTLEY
Edward Henry POTTHAST
David JOHNSON
Henry Ossawa TANNER
Clementine HUNTER Walt KUHN
Thomas COLE
         
         
 
 

Canadian Artist Authentication

 
         
KREIGHOFF Cornelius HARRIS Lawren Stuart
LISMER Arthur JOHNSTON Frank (Franz)
BARKER Conyers THOMSON Tom
MORRICE James Wilson
MACDONALD J E H LEWIS Maud
CULLEN Maurice Galbraith
HOLGATE Edwin Headly PILOT Robert Wakeham
   
         
         
   

Latin American Artist Authentication

 
         
LAM Wilfredo  (Cuban) RODRIGUEZ Mariano (Cuban)
GARCIA Joaquín Torres (Uruguayan)
KAHLO Frida (Mexican) RIVERA Diego (Mexican)
OROZCO Jose (Mexican)
MARTÍNEZ Alfredo (Mexican)
CARREÑO Mario (Cuban)
DARIE Sandu (Cuban/ Rom) SOLDEVILLA Loló  (Cuban)
DR ALT - Gerardo Murillo (MEX)
PONCE de León Fidelio (Cuba)
TAMAYO Rufino ( Mex)
MIJARES Jose María (Cuba) MATTA Roberto (Chilean)
CARRINGTON Leonora (Mex)
RAHON Alice (Mex)
FINI Leonor (Arg)
PORTINARI Candido (Brazil) PETTORUTI Emilio (Arg)
Miguel CABRERA (Mexican)
Armando REVERON  (Venz)
   
   
         
         
         
   
India Artist Authentication
   
       
         
HUSAIN Maqbool Fida SOUZA Francis Newton (Goa)
SHER-GIL Amrita
VARMA Raja Ravi
ROY Jamini GAITONDE Vasudeo S
RAZA Sayed Haider
MEHTA Tyeb      
KUMAR Ram
         
         

China & Far Eastern Artist Authentication

         
Pan TIANSHU  潘天壽; Su Shi Dongpo 東坡
JOYA Jose T (Fillipino)
ANITA MAGSAYSAY-HO FOUJITA Leonard 藤田 嗣治
YOSHITOMO NARA (Japan)
 
 
         
         
 

Russian Artist Authentication

 
         
AIVAZOVSKY  Ivan BILIBIN Ivan
KLIUN Ivan
MALEVICH Kazimir
YUON Konstantin F
SOMOV Konstantin
GONCHAROVA Natalia BAKST Léon
MASHKOV Ilya
SEROV Valentin VENECIANOV Alexei
TCHELITCHEW Pavel ARKHIPOV Abram Efimovich
Isaac Ilich LEVITAN
Ivan Ivanovich SHISHKIN
Vladimir Egorovich MAKOVSKY
Karl Pavlovich BRIULLOV
Filipp MALIAVIN
Viktor VASNETSOV
Ivan CHOULTSE
Konstantin MAKOVSKY
         
         
   
   
 

Other Nationalities

         
WALDE Alfons (Austrian)
STERN Irma (South African)
BRAUNER Victor (Romanian) BRANCUSI Constantin (Romanian)
DAHL Michael (Swedish)
RUSSELL John Peter (Australian)
ERNST Rudolf (Austrian)
HODLER Ferdinand (Swiss)
McCUBBIN Frederick (Australian)
DAHL Johan Christian (Norway) SCHJERFBECK Helene (Finland)
Bahman MOHASSES (Iran)
VOLANAKIS Konstantinos (Gr)
Tom ROBERTS (Australian) EDELFELT Albert (Fin)
FISCHER Paul (Danish)
Peder Severin KROYER (Denmk)
BRACK C John (Austr)
Philip Alexius de LASZLO (Hung) WHITELEY Brett (Australian)
Frits Thaulow (Norg)
Arthur BOYD (Australian)
Albert Tucker (Australian)
Faeq HASSAN فائق حسن (Iraq) Laszlo Moholy-NAGY (Hungarian)
Yohanan SIMON (Israeli)
Emily Kame KNGWARREYE (Oz) Otto FREUNDLICH (Polish)
Frances Hodgkins (New Zealand)
Jean-Etienne LIOTARD (Swiss)
اسماعيل شموط

 

 

 

 

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