AUTHENTICATION
de Vlaminck Authentication Investigators
Enquêteurs d'authentification
Investigadores de autentificación
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AUTHENTICATION
de Vlaminck Authentication Investigators
Enquêteurs d'authentification
Investigadores de autentificación
|
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FREEMANART INTERNATIONAL FINE ART CONSULTANTS - ART AUTHENTICATION INVESTIGATIONS AND RESEARCH EXPERTS ARTIST ATTRIBUTION ANALYSTS - HISTORY AND PROVENANCE VERIFICATION - FAKE AND FORGERY DETECTION ART FRAUD INVESTIGATORS - DUE DILIGENCE SCRUTINY - ACQUISITION AND FINE ART ASSET MANAGEMENT EXPERTS INVESTIGATEURS INTERNATIONAUX EN AUTHENTICITÉ DES BEAUX-ARTS - ARTISTES ATTRIBUTION LEGITIMACY CONSULTATIONS
EXPERTS INVESTIGATEURS INTERNATIONAUX EN AUTHENTICITÉ DES BEAUX-ARTS - ARTISTES ATTRIBUTION LEGITIMACY CONSULTATIONS ESPERTI INTERNAZIONALI INDAGINI SULL'AUTENTICAZIONE DELL'ARTE FINE - ATTRIBUZIONE DELL'ARTISTA E RICHIESTE DI LEGITTIMITÀ RICERCATORI SPECIALI DELL'ARTE FINE - SERVIZI DI VERIFICA DELLA PROVENIENZA - RILEVAMENTO DI FALSI E FORGERIA DUE DILIGENCE SCRUTINY - ACQUISIZIONE E GESTIONE DEL PATRIMONIO FINE ART
Investigating the Authenticity of Works of art believed to be by or attributed t Maurice de Vlaminck
(French, 1876-1958)
At the beginning of the twentieth century, Maurice de Vlaminck was one of the most important figures of modern art in France. Hugely influenced by van Gogh and Cézanne, he was never trained as an artist and at that time would not even dream of becoming a professional painter in his own right. However in 1901, a lifelong friend, the Fauvist, Andre Derain, who he had first met on a train journey, introduced him to Henri Mattise whilst attending the biggest van Gogh exhibition in Paris to date. The impressive and hugely influencing exhibition left him awestruck and it would be a meeting which would change de Vlaminck's life. Still sticking to reality, still life paintings, houses, villages, townscapes and landscapes, his painting style changed dramatically. However, he was now a pioneer of his own making, using bright and vibrant colours, often applied without mixing them and used straight from the tube. Applied in wide, thick daubs of brush strokes which became his own signature style. It was Henri Matisse who was responsible for bringing de Vlaminck to the attention of the art loving public and his career flourished with the help of successful art dealer Amboise Vollard. A huge critic of abstract art and particularly Picasso and Cubism for which he had no time, Maurice de Vlaminck's popularity grew. As did the value of his paintings. De Vlaminck's full biography is well presented and recorded elsewhere and it is quite unnecessary to repeat it. Alas, his works and vibrant style are not difficult to imitate and many fakes have appeared on the market and undoubtedly still will. Works of art that do come to light will require both a comprehensive and thorough investigation of their backgrounds and similar scrutiny made for confirmation that any previously given attribution is correct. So too that any description of a work of art seemingly by Maurice de Vlaminck can truly be relied upon. * * * We are international fine art consultants and investigators based in the UK, specialising in conducting full investigations into the authenticity of works of art created by artists in all categories, from all regions and historical eras. Scrutinize and track provenance and have been confidentially serving and advising both private individuals and corporate clients from around the world for over 45 years. We can assist and advise you in all fine art related matters, particularly issues of authenticity and the attribution of any old or modern master works of art, including the works of Maurice de Vlaminck, his circle, or followers, or any works of art that you are unsure about.
Some example works of art appear below as illustrations. Note: No inference is made nor is it intended as to the question of their legitimacy. Moreover they are an across the board representational view of the differing types of works that are and may be offered and advertised for sale at auction internationally.
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| Maurice de Vlaminck (1876 - 1958) RUEIL, LE GARAGE À BATEAUX Signed Vlaminck Oil on canvas Painted in 1906 Sold USD $2,895,000.00 |
Maurice de Vlaminck (1876 - 1958) PAYSAGE AU BOIS MORT (RAMASSEUR DE BOIS MORT)Signed Vlaminck Oil on canvasPainted in 1906 Sold USD $16,669,500.00 |
Maurice de Vlaminck (1876 - 1958) PÊCHEUR À CHATOU Signed Vlaminck (on the reverse) Oil on canvas Painted in 1906 Sold USD $17,637,500.00 |
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| Maurice de Vlaminck (1876 - 1958) VASE DE FLEURS Signed Vlaminck Oil on canvas Sold USD $62,500.00 |
Maurice de Vlaminck (1876 - 1958) Le Port Signed 'Vlaminck' Oil on canvas Sold USD $912,500.00 |
Maurice de Vlaminck (1876 - 1958) Les barques Oil on canvas Painted in 1905 Estimate USD 3,000,000.00 - 4,000,000.00 Sold USD $6,088,000.00 |
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| Maurice de Vlaminck (1876 - 1958) RUE SOUS LA NEIGE Signed Vlaminck Gouache on paper Sold GBP £16,250.00 |
Maurice de Vlaminck (1876 - 1958) Vase de fleurs Signed 'Vlaminck' Oil on canvas Sold USD $122,500.00 |
Maurice de Vlaminck (1876 - 1958) Rue de village Signed 'Vlaminck' Oil on canvas Estimate GBP £30,000.00 - £40,000.00 Sold GBP £51,650.00 |
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Bears Signature Maurice de Vlaminck (French, 1876-1958) Medium: Oil on board Signed lower right |
Manner of Maurice de Vlaminck laid down on card Sold for $875 |
MAURICE DE VLAMINCK French 1867-1958 OOB Estimate 3,000.00 - 5,000.00 USD Passed |
Fine Art Authentication
The duration and the direction of any authenticity investigation or an attribution of a work of art will inevitably vary from project to project. But there are clear and very well defined professional formalities, responsibilities and areas of scrutiny that we can formally assist you with, including:
Step one in the Art Authentication and Attribution process.
The Pre-Authentication Assessment
Before you begin any authenticity, legitimacy, or artist attribution investigation, it is wise to have an impartial preliminary assessment of the viability of the project conducted first. One made to independently and rationally balance any negative issues there may be against the positive. You should treat this study as a safety net. We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you. You will then have a far better understanding of the prospects and indeed the possible pitfalls that could lie ahead. See our FAQ's for details of the process
We will respond to you promptly.
Nous serons heureux d'entreprendre cette étude
d'une manière professionnelle pour vous que nous considérons comme votre
principal filet de sécurité.
Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce. Entonces tendrá una mejor comprensión.
ABOUT A WORK OF ART DESCRIPTOR AND ITS TERMINOLOGY
*It is important to very clearly understand the auction terms that are used in any published descriptor and to be cautious of works that may just be created in the manner of the artist, or those which could be variants of the artists works of art that bear a signature or monogram. In this case as if they were defining the creations of the French artist Maurice de Vlaminck (1876 - 1958)
We can assist and advise you in all fine art related matters.
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ART AUTHENTICATION EXPERTISE LISTED BY ARTIST
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| APPEL KAREL | |||
| BOUVARD - Famile. | |||
| CORNEILLE Guillaume Beverloo | |||
| CROME JOHN | |||
| DOU GERRIT | |||
| GRIS JUAN | |||
| LAM WILFREDO | |||
| MATISSE HENRI | |||
| MONDRIAN PIET | |||
| PISSARRO CAMILLE | |||
| RENOIR PIERRE | |||
| SPENLOVE-SPENLOVE FRANK | |||
| VAN GOGH VINCENT | WILLS JAMES REV |
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| CONYERS BARKER | |||
| KLINE FRANZ | |||
| PECHSTEIN MAX | |||
| MUNNINGS Sir Alfred James | |||
| DAUMIER HONORE | |||
| EDOUARD MANET | |||
| PAUL KLEE | |||
SOME SPECIALIST ARES WHICH YOU MAY WISH TO NAVIGTE TO;
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| OLD MASTER ART | EUROPEAN ART AUTHENTICATION
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GERMAN ART AUTHENTICATION
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| ALTARPIECE & PANEL PAINTINGS | IMPRESSIONIST & MODERN ART | ||
| BRITISH ART AUTHENTICATION | FRENCH ART AUTHENTICATION | ||
| WEST COUNTRY & DEVON ART | CORNISH ART | AMERICAN ART AUTHENTICATION |
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| RUSSIAN ART AUTHENTICATION | SPANISH ART | CANADIAN ART AUTHENTICATION |
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| HUNGARIAN ART | NORDIC - SCANDINAVIAN ART | IRISH ART AUTHENTICATION |
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| PORTRAITS & MINIATURES | ISRAELI ART | ||
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| CURRENT INVESTIGATIONS | ||
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