Tiziano Vecellio ~ Titian Authentication & Attribution - International Investigations || Italian Old Master Painting Specialists || Provenance Investigation & Verification -Fine Art Consultants

Fine Art Authentication

The duration and the direction of any authenticity investigation or an attribution of a work of art will inevitably vary from project to project. But there are clear and very well defined professional formalities, responsibilities and areas of scrutiny that we can formally assist you with, including:

Authentication: Authentification: Conducting comprehensive investigations and in depth research into a work of art with a view to establishing a correct, complete and formally recognized certification. One absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist. Directing detailed and complicated inquiries, with multilingual capability, including any international academic research and forensic applications that are required.

Attribution: Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or is currently doubted.

Confirmation: Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its accuracy and legitimacy.

Scrutiny: Examen minutieux:Identifying fake or faux works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previously given incorrect attributions.

Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are currently , or may be considering litigating or prosecuting the fact. This includes colleagues who are legal professionals and individual private clients.

Attention: Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

Appraisal: Évaluation - Valuations and condition reports.

Step one in the Art Authentication and Attribution process.

The Pre-Authentication Assessment

Before you begin any authenticity, legitimacy, or artist attribution investigation, it is wise to have an impartial preliminary assessment of the viability of the project conducted first. One made to independently and rationally balance any negative issues there may be against the positive. You should treat this study as a safety net.

We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and indeed the possible pitfalls that could lie ahead.

See our FAQ's for details of the process

We will respond to you promptly.

Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

ABOUT A WORK OF ART DESCRIPTOR AND ITS TERMINOLOGY

*It is important to very clearly understand the auction terms that are used in any published descriptor and to be cautious of works that may just be created in the manner of the artist, or those which could be variants of the artists works of art that bear a signature or monogram. In this case as if they were defining the creations of the Italian artist Tiziano Vecellio, called Titian (c. 1485 - 1576)

Where the name, Tiziano Vecellio, called Titian (c. 1485 - 1576) is given with the first name/s and surname of the artist, usually cited as Tiziano Vecellio, called Titian (c. 1485 - 1576) , including his dates, then in their qualified and professional opinion they are in no doubt. It is a genuine and authentic item and one painted by that artist. This is usually fully qualified by its inclusion in any catalogue raissone, or by the guarantee of the opinion given by the appropriate and internationally recognized expert authority on the artist.

When Attributed Tiziano Vecellio, called Titian (c. 1485 - 1576) is used, or it is similarly defined as 'Attrib. to ' [abbreviated,] or Attribué à, or ascribed to, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It is only an opinion.

But if the term Tiziano Vecellio, called Titian - circle of, or “Circle of Tiziano Vecellio, called Titian ” is specifically used, then in their opinion, it is a work only of the period of the artist, but showing their influence. Or by someone closely associated with the artist, BUT not necessarily by their pupil or student.

When the name is given thus; Painted in the “Style of Tiziano Vecellio, called Titian ” or “Follower of Tiziano Vecellio, called Titian is used, this means that in their opinion it is a work of art executed only in the artist’s way, their 'style', but not necessarily by a pupil. Yet it may be a contemporary, or nearly a contemporary of the artist.

If the phrase in the “Manner of Tiziano Vecellio, called Titian is used or is defined….” then in their opinion it is also only a work painted in the style of the artist, but of a later date and definitely not by the artist as named.

When the term “After….Tiziano Vecellio, called Titian "; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist or another artist/ printmaker.

Signed - Tiziano Vecellio, called Titian ; “Dated….” or “Inscribed Tiziano Vecellio, called Titian ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.

When the term 'bears signature', is used or the name, Tiziano Vecellio, called Titian is specified followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature of Tiziano Vecellio, called Titian /date/or inscription” Then in 'their opinion,' either the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

We can assist and advise you in all fine art related matters.



Tiziano Vecellio, called Titian (c. 1485 - 1576) and workshop SAINT MARGARET Signed TITIANV[S] Oil on canvas Sold USD $2,175,000.00	Tiziano Vecellio, called Titian (c. 1485 - 1576) PORTRAIT OF A VENETIAN ADMIRAL, POSSIBLY FRANCESCO DUODO Oil on canvas Estimate GBP £1,000,000.00 -£1,500,000.00 Not Sold	Tiziano Vecellio, called Titian (c. 1485 – 1576) and Studio Agony in the Garden of Gethsemane Oil on canvas Sold USD $2,415,000.00



Tiziano Vecellio, called Titian (c. 1485 - 1576) The Mater Dolorosa Signed '.TITIANVS.F.' Oil on panel Sold USD $912,000.00	Tiziano Vecellio, called Titian (c. 1485 - 1576) The Penitent Magdalen Signed 'TITTIANVS.P' Oil on canvas Sold GBP £704,750.00	Tiziano Vecellio, called Titian (c. 1485 - 1576) Double portrait of Guidobaldo II della Rovere, Duke of Urbino (1514-1574), and his son, Francesco Maria II (1549-1631), Oil on canvas Sold USD $612,500.00



Workshop of Tiziano Vecellio, called Titian PIEVE DI CADORE CIRCA 1485/90 (?) - 1576 VENICE DANAË Oil on canvas Sold USD $275,000.00	Circle of Tiziano Vecellio, called Titian (c. 1485 - 1576) Saint Agnes Oil on canvas Sold USD $43,750.00	Attributed to Tiziano Vecellio, called Titian (c 1485 - 1576) Portrait of a gentleman, half-length, in a fur mantle, holding gloves, his arm resting on a ledge Oil on canvas Sold GBP £289,250.00



Tiziano Vecellio (um 1490-1576), Follower, The Supper at Emmaus, Oil on canvas, fixed on a new stretcher, probably 18th c Estimate: €700 - €800	Manner of Tiziano Vecelli, called Titian (c.1488-1576) Italian. Portrait of a Bearded Man, Dressed in Black with Fur Lapels, Oil on Paper, in a Black with Fur Lapels, Oil on Paper Estimate: £1,000 - £1,500	ATELIER DE TIZIANO VECELLIO, DIT TITIEN (PIEVE DI CADORE 1489- 1576 VENISE) La Vierge et l’Enfant avec saint Jean-Baptiste et une sainte (sainte et l’Enfant avec saint Jean-Baptisteet une sainte (sainte Catherine?) huile sur toile Estimate: €30,000 - €50,000 Not Sold

OTHER ART AUTHENTICATION EXPERTISE LISTED BY ARTIST

APPEL KAREL	AIVAZOVSKY IVAN	BRANCUSI CONSTANTIN	BOUDIN EUGENE
BOUVARD - Famile.	CEZANNE PAUL	CHAGALL MARC	CONSTABLE JOHN
CORNEILLE Guillaume Beverloo	COROT CAMILE	CORTES EDOUARD	COURBET GUSTAVE
CROME JOHN	DE KOONING WILLEM	DEGAS EDGAR	DERAIN ANDRE
DOU GERRIT	DUFY RAOUL	GAINSBOROUGH Thomas	GAUGUIN PAUL
GRIS JUAN	KHALO FRIDA	KIRCHNER ERNST LUDWIG	KRIEGHOFF CORNELIUS
LAM WILFREDO	LEGER FERNAND	LIEBERMAN MAX	L S LOWRY
MATISSE HENRI	MALEVICH KAZIMIR	MIRO JOAN	MODIGLIANI AMADEO
MONDRIAN PIET	MONET CLAUDE	MORISOT BERTHE	PICASSO PABLO
PISSARRO CAMILLE	POPPELMANN PETER	REMBRANDT VAN RIJN	REMINGTON FREDERIC
RENOIR PIERRE	REYNOLDS JOSHUA	ROUSSEAU THEODORE	SOUTINE CHAIM
SPENLOVE-SPENLOVE FRANK	TITIAN / TIZIANO	TURNER J. M. W.	UTRILLO MAURICE
VAN GOGH VINCENT	VLAMINCK MAURICE de	VOUILLARD EDOUARD	WILLS JAMES
CONYERS BARKER	HUGHES Derrick	GAUGUIN INDEXES	FOUJITA LEONARD TSUGUHARU
KLINE FRANZ	ROBERT MOTHERWELL	BILIBIN IVAN	BASQUIAT JEAN-MICHEL
PECHSTEIN MAX	ROUALT GEORGE	BUFFET BERNARD	Sir ARTHUR STREETON
MUNNINGS Sir Alfred James	FRAGONARD Jean Honore	GREUZE Jean Baptiste	HOMER WINSLOW
DAUMIER HONORE	KREGTEN FEDOR van	CSALLOKOZI Farkas Lőrinc	de LEMPICKA TAMARA
EDOUARD MANET	Johannes Molzahn	Johan Barthold Jongkind	Díaz de la Peña
PAUL KLEE	Francisco José de GOYA	Albert MARQUET	de CHIRICO
AMOS CASSIOLI

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Tiziano Vecellio ~ called Titian