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Maurice Utrillo

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Maurice Utrillo

  ART AUTHENTICATION  INVESTIGATIONS

Maurice Utrillo Enquêteurs d'authentification

Maurice Utrillo Investigadores de autentificación

Especialistas em autenticação de belas artes


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Эксперты по аутентификации

изобразительного искусства

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Investigating the Authenticity of Works of art believed to be by or attributed to

Maurice Valadon Utrillo

(1883-1955)

FRENCH

 

 

 A biogrsaphy of Utrillo is unecessary here, as it has been documented eminently by other commentators. However, in recent years a growing number of paintings bearing the name of Maurice Utrillo have appeared presented both in major auctions around the world and more commonly, on internet based platforms that we are all familiar with. And as the values of Utrillo's works of art consistently climb higher, there is a greater need for scrutiny and the absolute confirmation of legitimacy.
So it would naturally follow, that any works of art that do surface from the mists of time will require both a comprehensive and thorough investigation of their backgrounds, with similar scrutiny made to confirm that any previously given attribution is correct, and that a description of a work of art that is seemingly by Maurice Utrillo can truly be relied upon and is sound.

 With such very high values prevailing in the art market and the demand, even for modest works, then attempts at imitation by forgery and at different levels is an obvious but sad consequence.

 The simplest of ploys are commonly adopted by those intending to deceive. One is to add a signature or monogram to an otherwise anonymous work, likely created by a follower, or to one of many student of the arts emulators creating Utrillo product that is similar. This is the most common form of criminal deception and art fraud that we see.

Then apply a forged studio stamp, or a new and persuasive inscription or gallery label to a picture and the con becomes much more convincing.

Though there are undoubtedly other, dare I say it, quite 'talented' artists who deliberately fake works of art for their own gain purportedly by Maurice Utriillo, they take it a step further, as the forgers sometimes also appy faked provenance, accompanying documentation and even COA's. to boltster the deception.

* * *

 We are international fine art consultants and investigators with additional bases in Europe, specializing in conducting full investigations into the authenticity of works of art created by artists in all categories, all regions and all historical eras. We scrutinize and verify provenance and have been confidentially serving and advising both private individuals and corporate clients from around the world for over 45 years.

 We can assist and advise you in all fine art related matters, particularly issues of authenticity and the attribution of any old or modern master works of art, including the works of Maurice Utrillo, his circle, studio, or followers, or any works of art that you are unsure about.

 Some example works of art appear below as interesting illustrations. No inference is made nor is it intended as to the question of their legitimacy. Moreover they are an across the board representational view of the differing types of works that are and may be offered and advertised for sale at auction internationally.

 

 

     

Maurice Utrillo (1883-1955) - Rue du XIII(e) Arrondissementà Paris Signed 'Maurice Utrillo V'
Oil on cradled board Painted circa 1919
Estimate GBP £35,000.00 - GBP £45,000.00
Sold GBP £65,000.00

Maurice Utrillo (1883-1955) LES TROIS MOULINS
Signed Maurice, Utrillo, V and dedicted À Monsieur Bakwin cordialement ; inscribed -Montmartre, 
Oil on canvas Painted circa 1935-38
Sold USD $212,500.00

Maurice Utrillo (1883-1955) LES TROIS

MOULINS DE MONTMARTRE SOUS LA NEIGE
Signed Maurice Utrillo V and dated 1936
Oil on canvas Painted in 1936
Sold GBP £212,500.00

     
     
Maurice Utrillo (1883-1955)
LE CHATEAU DE SAINT-BERNARD (AIN)
Signed Maurice. Utrillo. V.
Oil on canvas Painted circa 1923.
Estimate USD 70,000.00 — 90,000.00
Sold USD $112,500.00
Maurice Utrillo (1883-1955)
La rue Marcadet à Montmartre
Signed 'Maurice. Utrillo. V.'
Oil on canvas
Painted circa 1910-1912
Sold USD $482,500.00

Maurice Utrillo (1883-1955

Rue du Mont-Cenis à Montmartre
Signed 'Maurice. Utrillo.
Oil on canvas Peint vers 1914
Estimate EURO 200,000.00 - EURO 300,000.00
Sold EURO 361,500.00

     
     

Maurice Utrillo (1883-1955)
'Aux Vignobles de France' Boulevard du Montparnasse à Paris Signed and dated

'Maurice, Utrillo, V, Février 1924'
Oil and pencil on paper laid down on canvas
Painted in February 1924
Sold GBP £ 112,500.00

Attributed to Maurice Utrillo
"Le Moulin de la Galette"
Gouache and watercolour on paper
Signed "Maurice. Utrillo. V."
Estimate USD $2,000.00
Maurice Utrillo
Rade de Beaulieu (Alpes-Maritimes)
Signed 'Maurice, Utrillo, V
Oil on canvas Painted circa 1950
Sold USD 37,500.00
     
     

Bears Signature Maurice Utrillo Gouache & Watercolor Painted to depict a French street

scene with windmill and several figures,

signed lower right. Maurice Utrillo(1883-1955)
Estimate $3,000 - $5,000

Bears Signature Maurice Utrillo French

PaintingOil on canvas, mounted to board

French street scene, 20th century

Signed lower right

Remains of gallery label on back

Estimate $3,000 - $6,000

Manner of Maurice Utrillo
Paris Street with Lone Figure
Bears signature Maurice Utrillo V (lr)
Oil on board

Estimate: $1,000 - $2,000
Sold for $687

 

 

 

 

 

Maurice Utrillo  and Fine Art Authentication

 

 

 The duration and the direction of any authenticity investigation or an attribution of a work of art will inevitably vary from project to project. But there are clear and very well defined professional formalities, responsibilities and areas of scrutiny that we can formally assist you with, including:

 

  • Authentication: Authentification:   Conducting comprehensive investigations and in depth research into a work of art with a view to establishing a correct, complete and formally recognized certification. One absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist. Directing detailed and complicated inquiries, with multilingual capability, including any international academic research and forensic applications that are required.

 

  •  Attribution: Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or is currently doubted.

 

  •  Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its accuracy and legitimacy.

  •  Scrutiny: Examen minutieux:Identifying fake or faux works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previously given incorrect attributions.

  •  Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are currently , or may be considering litigating or prosecuting the fact. This includes colleagues who are legal professionals and individual private clients.

  •  Attention: Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

  •  Appraisal: Évaluation - Valuations and condition reports.

 

 

 

 

 

Maurice Utrillo : Step one in the Art Authentication and Attribution Investigation Process.

The Pre-Authentication Assessment

 

    Before you begin any authenticity, legitimacy, or artist attribution investigation, it is wise to have an impartial preliminary assessment of the viability of the project conducted first. One made to independently and rationally balance any negative issues there may be against the positive. You should treat this study as a safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and indeed the possible pitfalls that could lie ahead.

See our FAQ's for details of the process

CONTACT

We will respond to you promptly.

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 

 

 

 

ABOUT A WORK OF ART DESCRIPTOR AND ITS TERMINOLOGY

 

  *It is important to very clearly understand the auction terms that are used in any published descriptor and to be cautious of works that may just be created in the manner of the artist, or those which could be variants of the artists works of art that bear a signature or monogram. In this case as if they were defining the creations of the British artist Maurice Valadon Utrillo.

 

  •  Where the name, Maurice Utrillo (1883-1955) is given with the first name/s and surname of the artist, usually cited as Maurice Utrillo (1883-1955) including his dates, then in their qualified and professional opinion they are in no doubt. It is a genuine and authentic item and one painted by that artist. This is usually fully qualified by its inclusion in any catalogue raissone, or by the guarantee of the opinion given by the appropriate and internationally recognized expert authority on the artist.
  •  When Attributed to Maurice Utrillo (1883-1955) is used, or it is similarly defined as 'ascribed to' or 'Attrib. to ' [abbreviated,] or Attribué à, or ascribed to, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It is only an opinion.
  •  But if the term Maurice Utrillo - circle of, or “Circle of Maurice Utrillo ” is specifically used, then in their opinion, it is a work only of the period of the artist, but showing their influence. Or by someone closely associated with the artist, BUT not necessarily by their pupil or student.
  •  When the name is given thus; Painted in the “Style of Maurice Utrillo ” or “Follower of Maurice Utrillo is used, this means that in their opinion it is a work of art executed only in the artist’s way, their 'style', but not necessarily by a pupil. Yet it may be a contemporary, or nearly a contemporary of the artist.
  •  If the phrase in the “Manner of Maurice Utrillo is used or is defined….” then in their opinion it is also only a work painted in the style of the artist, but of a later date and definitely not by the artist as named.
  •  When the term “After….Maurice Utrillo "; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist or another artist/ printmaker.
  •  Signed - Maurice Utrillo ; “Dated….” or “Inscribed Maurice Utrillo ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.
  •  When the term 'bears signature', is used or the name, Maurice Utrillo is specified followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature of Maurice Utrillo /date/or inscription” Then in 'their opinion,' either the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 

 

 

SOME OTHER SPECIALIST ARES WHICH YOU MAY WISH TO NAVIGTE TO;

ART AUTHENTICATION EXPERTISE BY ARTIST

APPEL KAREL
BOUVARD  - Famile.
CORNEILLE  Guillaume Beverloo
CROME JOHN
DOU GERRIT
GRIS JUAN
LAM  WILFREDO
MATISSE HENRI
MONDRIAN   PIET
PISSARRO CAMILLE
RENOIR PIERRE
SPENLOVE-SPENLOVE FRANK
VAN GOGH VINCENT 
CONYERS BARKER
KLINE FRANZ
PECHSTEIN MAX
MUNNINGS Sir Alfred James
DAUMIER HONORE
EDOUARD MANET
PAUL KLEE
AMOS CASSIOLI

 

 

 

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Utrillo authentication services, Mauruce Utrillo painting authentication, Mauruce Utrillo signature authentication, Utrillo fake identification experts

Expert de l'oeuvrede

 

 

AUTENTICACIÓN DE ARTE UTRILLO, AUTHENTIFICATION D'ART UTRILLO, AUTENTICAÇÃO DA ARTE DE UTRILLO

UTRILLO KUNSTAUTHENTIFIZIERU , ХУДОЖЕСТВЕННАЯ АУТЕНТИФИКАЦИЯ, UTRILLO AUTENTICAZIONE DELL'ARTE

 

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