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Investigating the Authenticity of Paintings believed to be by

George Stubbs

British Sporting Artist

(1724-1806)

  George Stubbs is arguably the greatest painter of horses in British art history. Not only painting horse portraits but also incorporating them wonderfully into the typical Gainsboroughesque British landscape. Though Stubbs was classified in his lifetime as a sporting painter, astonishingly, he was never allowed to become a full member of the Royal Academy.

  His sporting and racing paintings included many of the noblemen who founded the Jockey Club and like Thomas Gainsborough, he later painted scenes of peasant life and made studies of wild and exotic animals. These included dogs, monkeys, rhinoceros, tigers, cheetas, and zebra, lions and giraffes. The ‘lion and horse’ theme, in particular, being one he often returned to.

Stubbs's life and biography is well covered and eloquently so elsewhere and need not be repeated here.

Save as to say, his paintings are as exceptional as they are valuable.

His most expensive painting to date, a 1765 picture called; Gimcrack on Newmarket Heath, with a Trainer, a Stable-Lad, and a Jockey,

Sold for £22,441,250 million GBP.

 We are fine art consultants specialising in conducting international investigations into the authenticity of works of art created by all artists and categories and from all regions and historical eras.

Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly authenticity and legitimacy, including the works of George Stubbs and his circle, or those paintings you are unsure about, claiming to be by him;

Authentication:  Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, full and formally recognized certification of a work of art. One absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications.

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. The re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.

 Scrutiny:  Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution:  Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 Appraisal: Valuations, quality and condition reports.

Molly Long-Legs’ with Her Jockey 1762.

By George Stubbs (original)

ATTRIBUTED to George Stubbs, ARA
A black Spaniel in a landscape

US$ 39,040 (£ 29,961)

Studio of George Stubbs

"Shark" with his trainer Price in a river

Estimate: $45,000 - $55,000

Step one in the Art Authentication process

George Stubbs

The Pre-Authentication Assessment.

 Before you begin any art authenticity, legitimacy, or artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. One made to independently and rationally balance any negative issues there may be against the positive elements. Treat it as your safety net.

 We will be happy to professionally undertake that study for you as a primary safety net, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

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  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

  Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 It is important to understand the auction terms used in any descriptor and be cautious of works painted in his style or even copies of his works which bear a signature.

George Stubbs; The first name/s and surname of the artist. In their opinion it is the genuine authentic item, painted by the artist

George Stubbs; “Attributed to ….” In their opinion it is probably a work by the artist, at least in part

George Stubbs; “Studio of ….” or “Workshop of” In their opinion it is a work executed in the studio or workshop of the artist, possibly by an

apprentice or pupil under his supervision

George Stubbs; “Circle of ….” In their opinion it is a work of the period of the artist  and showing his influence, or closely associated with the artist but not necessarily by his pupil.

George Stubbs; “Style of ….” or “Follower of ….” In their opinion it is a work of art executed in the artist’s style, but not necessarily by a pupil. But it may be contemporary or nearly contemporary.

George Stubbs; “Manner of ….” In their opinion it's a work in the style of the artist but of a later date and not by the artist.

George Stubbs; “After ….” In their opinion it is a copy (of any date) of a work by the artist

George Stubbs; “Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/or inscribed by the artist. The addition of a question mark indicates an element of doubt.

George Stubbs; "With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/date/or inscription has been added by someone other than the artist.

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