George Armfield Expert, International Art Authentication Investigations, George Armfield , art forgery and fake detection, teriers, ratting, paintings studio attribution painting, oil,

 

 

George Armfield Authentication

 
Enquêteurs d'authentification

Investigadores de autentificación

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Investigadores de autenticação da Art

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  Art Authentication and Attribution Investigators

 
 

 

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Investigating the Authenticity and Attribution of Paintings and Drawings believed to be by or attributed to;

George Armfield Smith

(1808-1893)

AKA: George Smith Armfield and George Armfield. G A Smith

 

 

 

 

  Bristol born George Armfield, son of portrait artist William Armfield Hobday, lived nearly all his life in the capital and made a very good living out of painting domestic animal portraits. Most famous for his paintings of dogs, hounds, gun dogs such as spaniels and particularly terriers, George Armfield nearly always depicted 'ratting', terriers flushing out a bird or chasing a cat. He was a fine British sporting artist, also painting horses, foxes, deer, otters,and rabbits, in a realistic way.

Confusing is that his brother, Edward Armfield, painted in a very similar style, often emulating his subjects and the two are often confused.

 George Armfield began an English sporting painting trend, with many, many artists painting in his style, in his circle and under his influence, all creating works very similar to him. In todays art market, there are no shortages of George Armfield look alike paintings, many with forged and added signatures.  The most common type of fakes we see.

 With failing eyesight in his later life, his general format for paintings changed to much smaller works, usually painted on canvas.

“Terrier Chasing a Rabbit “ and “ study of Dog’s Head” were his first two paintings exhibited at the British Institution in 1839. Continuing on to exhibit at the Royal academy, the British Institution and RSBA.

 

 We are international fine art consultants, specializing in conducting full investigations and scrutiny of the authenticity of works of art created by artists, in all categories, from all regions and historical eras. Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly issues of authenticity, legitimacy and attribution of old and modern master works of art. Including the works of George Armfield and his circle, or paintings or works of art that you are unsure about.

 

 

George Armfield The gamekeeper's parlour Oil on canvas
Sold for US$ 4,000

George Armfield FOX STALKING THREE RABBITS signed G. Armfield and dated 1852 (lower right) oil on canvas

Attributed to George Armfield
Flushing out
Sold for £ 1,920


Price realised: US$22,500

 

Circle of George Armfield
The captured quarry
oil on canvas

Circle of George Armfield,
Spaniels in a stable interior, oil on canvas

£3,000.00

Thomas Holdenborough after George Armfield oil on canvas White terrier ratting in a barn monogrammed and dated 1864

 



Really?

Attributed to Edward Armfield The Harvester's Companions

Circle of George Armfield
A young terrier

GBP 125

 

 

 

  Though both the duration and direction of any attribution investigation will naturally vary from project to project, there are well defined responsibilities, areas of scrutiny and professional formalities that we can assist you with including:

 

Authentication:  Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, full and formally recognised certification of a work of art. One absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications.

 

 Attribution: Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.


 Scrutiny:  Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution:  Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

 Appraisal: Valuations, quality and condition reports.

 

 

 

 

 

 

Step one in the Art Authentication and Attribution process.

George Armfield

The Pre-Authentication Assessment.

 Before you begin any art authenticity, legitimacy, or any artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. One made to independently and rationally balance any negative issues there may be against the positive elements. Treat it as your safety net.

 We will be happy to professionally undertake that study for you as a primary safety net, based upon good quaity images that you supply and all the known facts regarding its acquisition, the history and provenance of the work as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

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We will respond to you promptly.

 

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 

 

 


 

ABOUT PAINTING DESCRIPTORS & TERMINOLOGY.

 

 It is important to understand the auction terms used in any published descriptor and to be cautious of works that may be painted in the style of the artist, or even copies of his works which happen to bear a signature. In this case British genre and sporting artist George Armfield.

If - George Armfield ; Is given with the first name/s and surname of the artist, then in their opinion it is the genuine authentic item, painted by the artist himself.

But if George Armfield ; Is described as “Attributed to ….” Then in their opinion it is 'probably' a work by the artist, at least in part.

George Armfield ; “Studio of ….” or “Workshop of” or "attelier"  Then in their opinion it is a work executed in the studio or workshop of the artist. Possibly by an apprentice or a pupil under the principal artists supervision.

But if the term George Armfield ; “Circle of ….” ids used, then in their opinion it is a work of the period of the artist and showing his influence, or closely associated with the artist BUT not necessarily by his pupil.


George Armfield ; In the “Style of ….” or “Follower of ….”  Means in their opinion it is a work of art executed only in the artist’s style, but not necessarily by a pupil. But it may be contemporary, or nearly contemporary.

George Armfield ; “Manner of ….” In their opinion it's a work in the style of the artist but of a later date and definitely not by the artist.

G Armfield ; “After ….” In their opinion it is a copy (made at any date) of an authentic and original work by the artist.

George Armfield ; “Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark indicates an element of doubt.

George Armfield folowed by; "With signature ….”, “With date ….” or “With inscription….” or “Bears signature/date/inscription” Then in their opinion, the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 

 


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List of Works:

After the Hunt: George Armfield - Painting - oil on canvas
Before the Hunt, George Armfield Painting - oil on canvas
Bone of contention, George Armfield (1872) Painting - oil on canvas
Breakfast Party George Armfield Painting - oil on panel
Dog and fox, Difference of opinion George Armfield (1865)- oil on canvas
George Armfield (1865) Painting - oil on canvas
Dogs and Wild Duck Painting - oil on canvas
Dog with Puppies George Armfield (1864) - oil on canvas
Flushing a Pheasant George Armfield (1869) Painting - oil on canvas
Four Setters George Armfield Painting - oil on canvas
Fox Family in Front of the Burrow George Armfield Painting
The Gamekeeper's Parlour - George Armfield Painting - oil on canvas.
The Great Debate - George Armfield - Painting - oil on panel.
Gundogs in Gameroom George Armfield (1859) Painting - oil on canvas.
Gundogs with Game George Armfield - Painting - oil on canvas.
In the Park - George Armfield - Painting - oil on canvas.
King Charles Spaniel and a Terrier George Armfield - Painting - oil on canvas.
Landscape with Two Spaniels - George Armfield Painting - oil on canvas.
Otter Hunt - George Armfield (1869) Painting - oil on canvas.
Portrait of a Hound in a Stable - George Armfield - oil on canvas.
Putting up a Pheasant
George Armfield (1855) Painting - oil on canvas.
Ratcatchers - George Armfield (1857) Painting - oil on canvas.
Ratters. George Armfield Painting - oil on canvas.
Retrieved - George Armfield (1866) Painting - oil on canvas.
Retrieving the Pheasant . George Armfield - Painting - oil on panel.
Setters with the Day's Catch. George Armfield - Painting - oil on canvas.
A Spaniel and a Terrier. George Armfield - Painting - oil on canvas.
Spaniel Flushing Mallard - George Armfield (1848) Painting - oil on canvas.
Spaniels Flushing a Bird. George Armfield - oil on canvas.
Spaniels Flushing a Pheasant. George Armfield. Painting - oil on canvas.
Spaniels Flushing Game. George Armfield (1851) Painting - oil on board.
Spaniels in a Barn Interior. George Armfield - Painting - oil on canvas.
Spaniels Putting Up a Mallard. George Armfield - Painting - oil on canvas.
Spaniels with the Day's Bag, George Armfield. Painting - oil on canvas.
Stag and Dogs - George Armfield (1858) - oil on canvas.
Terrier George Armfield (1850)
A Terrier and a Hedgehog, George Armfield oil on canvas
A Terrier and a King Charles Spaniel - George Armfield
Terrier Ratting in a Barn - George Armfield - oil on board
Terriers - George Armfield (1840) Painting - oil on canvas
Terriers and Hound - George Armfield - Painting - oil on canvas
Terriers by a Warren - George Armfield -Painting - oil on canvas.
Terriers Chasing a Rabbit George Armfield (1846) Painting - oil on canvas
Terriers Lying in Wait - George Armfield. Painting - oil on canvas
Terriers Rabbiting. George Armfield - Painting - oil on canvas
Terriers Ratting - George Armfield - Painting - oil on canvas
They Got Away - George Armfield Painting - oil on canvas
Three Dogs. George Armfield (1845-1875)
The Whitaker- Painting - oil on canvas
Three Dogs Barking at a Mouse George Armfield
Three Dogs by a Brook - George Armfield
Three Spaniels and a Flying Mallard. George Armfield.
Three Spaniels Chasing a Duck- George Armfield.
Three Spaniels Putting Up a Brace of Mallard- George Armfield
Two Dogs Stalking Their Prey- George Armfield.
Two Hunting Dogs- George Armfield (1850) Painting - oil on canvas
Uploaded Tuesday, 18 February 2014 by member Irene
Two King Charles Spaniels and a Terrier - George Armfield.
Two Setters- George Armfield oil on canvas
Two Setters in a Landscape - George Armfield
Two Spaniels Putting Up a Pheasant - George Armfield (1850-1860) Painting - oil on canvas
Two Sporting Dogs in a Landscape -George Armfield
Two Terriers in a Landscape - George Armfield
Waiting- George Armfield
Waiting for Master- George Armfield - Painting - oil on canvas

 

 

 

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George Armfield Expert Authentication Investigation | Fake & Forgery Detection | British Sporting Dogs, Terriers, animal paintings

 

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