Frederic Edwin Church Expert, International Art Authentication Investigations, Hudson River School Landscapes - Frederic Edwin Church art forgery and fake detection,  painting studio attribution

 

 

Frederic Edwin Church Authentication

 
Enquêteurs d'authentification

 

Investigadores de autentificación

محققو مصادقة فن كوروت

Ermittler der Kunstauthentifizierung

 

 

Investigadores de autenticação da Art

Арт Следователи

 

艺术真实性调查员

Kunsoutentiteit ondersoeker

פיין קונסט אָטאַנטיסיטי ינוועסטאַגייטער

Art Authentication and Attribution Investigators

 
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FREEMANART EXPERT INTERNATIONAL FINE ART AUTHENTICITY INVESTIGATORS - ARTIST ATTRIBUTION LEGITIMACY ENQUIRIES

SPECIALIST FINE ART RESEARCHERS - PROVENANCE VERIFICATION SERVICES - FAKE AND FORGERY DETECTION

DUE DILIGENCE SCRUTINY - ACQUISITION AND FINE ART ASSET MANAGEMENT

CONSULTORES INTERNACIONALES DE BELLAS ARTES - EXPERTOS DE INVESTIGACIÓNEN AUTENTICACIÓN DE ARTE
DETECCIÓN DE FALSIFICACIÓN - VERIFICACIÓN DE PROCEDENCIA DE DILIGENCIA
INVESTIGADORES DE FRAUDES DE ARTE - ADQUISICIÓN Y GESTIÓN DE ACTIVOS - VALORADORES DE ARTE

 

     

 

Investigating the Authenticity of Paintings & Drawings believed to be by or attributed to;

Frederic Edwin Church

(1826–1900)

Also known as: Fred Edwin Church, Frederic E. Church

 

 

 One of the greatest American painters of the 19th century, Americans considered him to be the Michaelangelo of landscape painting.

 Church's specialism as an artist were the spectacular landscapes of North and South America that he created, though he travelled extensively to Europe and the Middle East and like Turner, these paintings were dramatic compositions full of incredible light.

 He first settled in the town of Hudson, in New York state, on a farm with magnificent views of the Hudson River and Catskill Mountains.

The youngest artist ever to be elected to the National Academy of Design in 1849, Church became the principal figure of a landscape artists' group known best as the 'Hudson River School'.

 F. E. Church was the only pupil of the founder of the Hudson River school, the British artist Thomas Cole and Church's early works were in the main allegorical. Landscapes capturing history as well as painting the more traditional romanticised landscapes of the Catskil mountains and pastoral American scenes.

 

 We are international fine art consultants specializing in conducting full investigations into the authenticity of works of art created by all artists and categories and from all regions and historical eras.

 Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly those issues of authenticity, legitimacy and attribution of old master works of art, Including the works of Frederic Church and his studio and circle, or paintings you are unsure about.


 

 

 

 

Frederic Church Sunrise, October-December 1862

Hooker and Company Journeying through the Wilderness

from Plymouth to Hartford, in 1636 Frederic Edwin Church - 1846

 

Valley of Santa Isabel in New Grenada Oil on canvas, signed F.E. Church and dated 1875
$5,000,0007,000,000

Attributed to Frederic Church. Est $8,000.00

19th century So. American panoramic oil painting of a sailboat on lake in mountain ravine with exotic foliage. Signed lower left "FE CHURCH".

Titled on plaque "In the Heart of the Andes"

(Presumably taken from the title of his inaugural exh. in 1862)

 

Manner of Frederic Edwin Church

Sold as "F. E. Church. A Morning in the Tropics

Huile sur toile Signé en bas au milieu

$6,000.00


Impressionistic landscape painting by Frederic Edwin Church

(AFTER)Jerusalem, seen from the Mount of Olives

Just a few minor errors !

Jerusalem from the Mount of Olives 1870

Frederic Edwin Church

 

 

 

 

 

Fine Art Authentication

 

We can assist and advise you on :

 

 

Authentication:  Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, full and formally recognized certification of a work of art. One absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications.

 

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.


 Scrutiny:  Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution:  Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

 Appraisal: Valuations, quality and condition reports.

 

 

 We can assist and advise on all Hudson River School artists including: Albert Bierstadt, David Johnson, Thomas Moran, Thomas Cole, Albert Bierstadt, William Mason Brown, John William Casilear, Samuel Colman, Jasper Francis Cropsey, Thomas Doughty, Robert Duncanson, Asher Brown Durand, Sanford Robinson Gifford, James McDougal Hart, William Hart, William Stanley Haseltine, Martin Johnson Heade, Hermann Ottomar Herzog, Thomas Hill, David Johnson, John Frederick Kensett, Jervis McEntee, Thomas Moran, Frederic Remington, Robert Walter Weir and Worthington Whittredge.

 

 

 

Step one in the Art Authentication and Attribution process.

The Pre-Authentication Assessment.

 Before you begin any art authenticity, legitimacy, or any artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. One made to independently and rationally balance any negative issues there may be against the positive elements. Treat it as your safety net.

 We will be happy to professionally undertake that study for you as a primary safety net, based upon good quaity images that you supply and all the known facts regarding its acquisition, the history and provenance of the work as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

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We will respond to you promptly.

 

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 

 

 

 

 

ABOUT AUCTION HOUSE DESCRIPTORS

It is important to understand the auction terms used in any descriptor and be cautious of works that may be painted in the style or even copies of his works which bear a signature.In this case, Frederic Edwin Church

Frederic Edwin Church; The first name/s and surname of the artist. In their opinion it is the genuine authentic item, painted by the artist.


Frederic Edwin Church; “Attributed to ….” That in their opinion it is 'probably' a work by the artist, at least in part.


Frederic Edwin Church; “Studio of ….” or “Workshop of” In their opinion it is a work executed in the studio or workshop of the artist.

Possibly by an apprentice or pupil under his supervision.


Frederic Edwin Church; “Circle of ….” In their opinion it is a work of the period of the artist and showing his influence, or closely associated with the artist but not necessarily by his pupil.


Frederic Edwin Church; “Style of ….” or “Follower of ….” In their opinion it is a work of art executed in the artist’s style, but not necessarily by a pupil. But it may be contemporary or nearly contemporary.

Frederic Edwin Church; “Manner of ….” In their opinion it's a work in the style of the artist but of a later date and not by the artist.

Frederic Edwin Church; “After ….” In their opinion it is a copy (of any date) of an original work by the artist.


Frederic Edwin Church; “Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/or inscribed by the artist. The addition of a question mark indicates an element of doubt.

Frederic Edwin Church; "With signature ….”, “With date ….” or “With inscription….” or “Bears signature/date/inscription” Then in their opinion the signature / date / or inscription has been added by someone else other than the artist.

 

 



 

 

SPECIALIST ART AUTHENTICATION LINKS LISTED BY ARTIST

D'AUTHENTIFICATION D'ART PAR ARTISTE

 

 

 

     
APPEL KAREL
BOUVARD  - Famile.
CORNEILLE  Guillaume Beverloo
CROME JOHN
DOU GERRIT
GRIS JUAN
LAM  WILFREDO
MONDRIAN   PIET
PISSARRO CAMILLE
RENOIR PIERRE
SPENLOVE-SPENLOVE FRANK
VAN GOGH VINCENT 
CONYERS BARKER
KLINE FRANZ
PECHSTEIN MAX
MUNNINGS Sir Alfred James
DAUMIER HONORE
EDOUARD MANET

PAUL KLEE

PICASSO USA BRANCUSI  CONSTANTIN
AMOS CASSIOLI
EGON SCHIELE
Pan Tianshou Zao Wou­Ki
YOSHITOMO NARA ANITA MAGSAYSAY-HO
CHEN CHENG-PO
ATSUKO TANAKA
Thomas Sydney Cooper Jackson Pollock
Georges Braque
Andy Warhol
Lucian Freud George Stubbs
Edward Hopper
Jan Gossart
Frederick Edwin Church      
 

 

ART AUTHENTICATION LINKS BY GENRE

       

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BEYOND WILDENSTEIN - THE  GAUGUIN INDEX

1871-1884 | 1885- 1888 1889 - 1890 | 1891 - 1893 | 1894 - 1896 | 1897 - 1899 | 1900 - 1903

 

 

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Frederic Edwin Church Expert International Art Authentication and Attribution Investigators | Full Provenance Scrutiny & Verification Services- Fake and Forgery Detection | Worldwide Research Services Paintings analysis and forensics

 

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Art Authentication and Attribution Investigation Experts - Provenance research and verification. Forgery Identification. Art Fraud investigators
Biography images

Albert Bierstadt, William Mason Brown, John William Casilear, Samuel Colman, Jasper Francis Cropsey, Thomas Doughty, Robert Duncanson, Asher Brown Durand, Sanford Robinson Gifford, James McDougal Hart, William Hart, William Stanley Haseltine, Martin Johnson Heade, Hermann Ottomar Herzog, Thomas Hill, David Johnson, John Frederick Kensett, Jervis McEntee, Thomas Moran, Frederic Remington, Robert Walter Weir and Worthington Whittredge.