Investigating the Authenticity of Paintings and Drawings believed to be by or Attributed to;

JEAN-FRANÇOIS MILLET

Jean Francois Millet - J.F Millet

(French, Barbizon 1814-1875)

Pastoral landscapes, peasant farmers, portraits , daily life and genre scenes

 Jean-François Millet was a founding member of the Barbizon school of painters set in rural France and is perhaps best known for his dignified images of peasant labourers.

It is clear that there is no need nor reason for a full biography of Jean Francois Millet to appear here on this page, as it is eloquently and substantially covered by other academic commentators and after all, Millet is amongst the most illustrious artists in the world.

However, we also know that it is unlikely for there to be exceptional material masterpieces by J. F. Millet that are not already housed in the primary museums or wealthy residences around the world. All of which are of exceptional value in the multi- millions of dollars. There are scores of lesser works which do come up for auction quite regularly and we often focus on those and indeed the legitimacy of any that appear to be by Millet that need to be substantiated and proven that are currently not.

 Millet is often quite poorly imitated and that attempt at imitation is undoubtedly due to the vastly increasing values of his works of art. Yet sadly, variations of his paintings, either deliberately faked, simply misrepresented, or misattributed to his hand, be that mistakenly or, deliberately, do appear.

 It may be true to say that there could be works of his that were either lost, mislaid, or have been with families for eons that have never surfaced to date and are yet to be documented. But, some of the Jean François Millet works that do appear on the open market need investigating to be certain of their legitimacy.

 We are international fine art consultants, specializing in conducting full investigations into the authenticity of works of art created by artists in all categories, all regions and from historical eras, alongside scrutinizing their provenance.

Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly issues of authenticity, legitimacy and the attribution of old and modern master works of art. Including the fine works of Jean François Millet, his circle, or any paintings or works of art that you are unsure about.

Some examples of Millets' works signed with that name, appear below.

No inference or question is made as to their authenticity. Moreover they are a representational view of the types of works offered for sale at auction internationally.

Jean-François Millet 1814-1875)

L'Horizon (La plaine) signed

'J F Millet' (lower right) Pastel and crayon noir

over pencil on paper laid down on board.

Sold US$1,985,000.00

JEAN-FRANÇOIS MILLET - 1814-1875)

Petite Bergère Tricotant crayon noir

and pastel on paper stamped with initials J.F.M
Estimate $200,000 — 300,000

Jean-Francois MILLET 1814-1875) Sentier bordé d'arbres plume et encre noire, aquarelle.Path lined with trees. pen and black ink, watercolour

US $12,094.00

Manner of J. F. Millet Oil Painting on Board

Depicting a female figure with raised arms, signed lower left J ? (Manner of Jean Francois Millet) Estimate: $400 - $600

Fine Art Authentication

  Both the duration and direction of any attribution or investigation of authenticity will always vary from project to project, but there are clear and well defined professional formalities, responsibilities and areas of scrutiny that we can assist you with including:

Authentication: Authentification: Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, full and formally recognized certification of a work of art. One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications that are required.

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.

 Scrutiny: Examen minutieux: Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 Appraisal: Évaluation - Valuations, quality and condition reports.

Step one in the Art Authentication and Attribution process.

The Pre-Authentication Assessment

    Sensibly, before you begin any art authenticity, legitimacy, or any artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. Made to independently and rationally balance any negative issues there may be against the positive elements. Treat this study as your safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

CONTACT

We will respond to you promptly.

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

  Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

ABOUT PAINTING DESCRIPTORS AND TERMINOLOGY

  It is important to understand the auction terms used in any published descriptor and to be cautious of works that may just be painted in the style or manner of the artist, or even the stylized - would be copies of his works which happen to bear a signature or monogram. In this case the paintings and drawings of Jean François Millet 1814-1875

 Where the name, Jean François Millet 1814-1875) is given with the first name/s and surname of the artist, usually JEAN-FRANÇOIS MILLET 1814-1875) , then in their professional opinion it is the genuine and authentic item, one painted by the artist himself, Jean François Millet .

 When Attributed to Jean François Millet 1814-1875) is used, then in their opinion it is 'probably' a work by the artist, at least in part. But there is no guarantee. It's only an opinion.

 When Jean François Millet; “Studio of ….” or “Workshop of Jean François Millet "atelier" is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or even a pupil under the principal artists supervision.

 But if the term Jean François Millet, or “Circle of Jean François Millet” is used, then in their opinion, it is a work of the period of the artist and showing his influence, or closely associated with the artist, BUT not necessarily by his pupil or student.

 When the name Jean François Millet is given; or Painted in the “Style of Jean François Millet” or “Follower of Jean François Millet is used, this means that in their opinion it is a work of art executed only in the artist’s 'style', but not necessarily by a pupil. But it may be contemporary, or nearly contemporary of the artist.

 If the phrase in the “Manner of Jean François Millet, is used it is defined….” Then in their opinion it's a work painted in the style of the artist but of a later date and definitely not by the artist himself.

 When the term “After….” Jean François Millet ; is the term, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original..

 Jean François Millet; “Signed…”, “Dated….” or “Inscribed Jean François Millet” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark however, indicates a strong element of doubt.

 When the term Jean François Millet is used followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature Jean François Millet /date/or inscription” Then in their opinion, the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

We can assist and advise you in all fine art related matters.

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Jean François Millet Expert International Art Authentication Investigators | Fake French Painting & Forgery Detection | Expertise Attributions Impressionist Barbizon oils, authenticity, watercolours, Landscapes, portraits, still lives. Florals, pastels

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