Suzanne Valadon Expert, International Art Authentication Investigations, Suzanne Valadon . art forgery and fake art detection, SValadon paintings studio attribution painting, oil, portrait, French

 

Suzanne Valadon Authentication

 
Enquêteurs d'authentification

Investigadores de autentificación

محققو مصادقة فن كوروت

Ermittler der Kunstauthentifizierung

Suzanne Valadon

 

Investigadores de autenticação da Art

Suzanne Valadon

Арт Следователи

艺术真实性调查员

Kunsoutentiteit ondersoeker

פיין קונסט אָטאַנטיסיטי ינוועסטאַגייטער

 

Authentication & Attribution Investigators

 

 
 
CONTACT

 

EXPERT INTERNATIONAL FINE ART AUTHENTICITY INVESTIGATORS - ARTIST ATTRIBUTION LEGITIMACY ENQUIRIES

SPECIALIST FINE ART RESEARCHERS - PROVENANCE VERIFICATION SERVICES - FAKE AND FORGERY DETECTION

DUE DILIGENCE SCRUTINY - ACQUISITION AND FINE ART ASSET MANAGEMENT

 

EXPERTS INVESTIGATEURS INTERNATIONAUX EN AUTHENTICITÉ DES BEAUX-ARTS - ARTISTES ATTRIBUTION LEGITIMACY CONSULTATIONS

CONSULTORES INTERNACIONALES DE BELLAS ARTES - EXPERTOS DE INVESTIGACIÓNEN AUTENTICACIÓN DE ARTE
DETECCIÓN DE FALSIFICACIÓN - VERIFICACIÓN DE PROCEDENCIA DE DILIGENCIA
INVESTIGADORES DE FRAUDES DE ARTE - ADQUISICIÓN Y GESTIÓN DE ACTIVOS - VALORADORES DE ARTE

 

   

 

 

 

Investigating the Authenticity of Paintings and Drawings believed to be by or Attributed to;

Suzanne Valadon

1865 - 1938

French

Symbolist and Post-Impressionist Artist

 

 

 Suzanne Valadon was an eccentric live-wire who personified and was idealized on the canvases of Pierre-Auguste Renoir and even Henri de Toulouse-Lautrec accurately captured her mockingly cynical side. But, as if to prove a hard earned point, she also later became a boundary breaking artist in her own right.

 Born Marie-Clémentine Valadon in the village of Bessines-sur-Gartempe, Haute-Vienne in 1865, she was the daughter of an unmarried femme de blanchisserie and together the pair arrived in Paris and settled in Montmartre. By the age of nine, she had taught herself to draw, and at 15, became an artists model herself, but had grown up in poverty.

 Valadon began painting in earnest, full-time in 1896, concentrating on vibrant still lifes, flower subjects, portraits and landscapes.

With Edgar Degas as her biggest supporter, Valadon’s confidence grew and he persuaded her to exhibit at the prestigious Société Nationale des Beaux-Arts, where she became the first woman artist to be admitted to the exhibition.

The rest of her life story is history and is very well covered and documented elsewhere, so a biography is hardly necessary here.

 However, today,she is often poorly imitated, most likely due to the vastly increasing values of her works of art and sadly variations of her paintings are often faked.  It's probably true to say that there may indeed be works that were either lost, mislaid, or have been with families for eons that have never surfaced to date and are yet to be discovered and documented. But it has to be said, some of the Susan Valladon works that do appear of the open market are either misattributed to her hand, mistakenly or more commonly, deliberately.

 Falsified works, simply with the inclusion of a copied signature or a monogram, placed on a work of art of a similar type, style, or subject matter to her own paintings, or one applied to a previously unsigned or lesser work. Even a student of the arts emulated effort, (where an original signature has been deleted,) is no wonder that question marks can and do so often arise about the authenticity of some Suzanne Valadon paintings.

 We are international fine art consultants, specializing in conducting full investigations into the authenticity of works of art created by artists in all categories, all regions and from historical eras, alongside scrutinizing their provenance. Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly issues of authenticity, legitimacy and the attribution of old and modern master works of art. Including the fine works of Suzanne Valadon , her circle, or any paintings or works of art that you are unsure about.

Some examples of Suzanne Valadons' works and those signed with that name, appear below.

 

 

Suzanne Valadon NATURE MORTE AU BOUQUET DE FLEURS ET À LA CORBEILLE DE FRUITS Signed Suzanne Valadon and dated 1920 (upper right) Oil on board

US $62,500.00

Suzanne Valadon- CATHERINE NUE ALLONGÉE SUR UNE PEAU DE PANTHÈRE
Signed Suzanne Valadon and dated 1923 inscribed J.P.F., titled L'Endormie, signed Suzanne Valadon 12, rue Cortot. Paris. 18ème and dated 1923 (on the reverse)Oil on canvas
SOLD. 218,500.00 USD

Suzanne Valadon L' Acrobate ou La Roue signed 'Suzanne Valadon' oil on canvas

US $95,860.00

     

Suzanne Valadon L'Aulne dans la prairie signed

and dated 'Suzanne Valadon 1922' signed, dated and inscribed 'L'Aulne dans la prairie Suzanne Valadon 12, rue Cortot, Paris 18é arr. 1922.' (on the reverse) oil on canvas US $16,531.00

Suzanne Valadon  Jeune fille nue assise s'essuyant le pied signed 'Suzanne Valadon' black crayon and pencil on paper US $22,641.00

 

Suzanne Valadon (1865-1938) Pencil Drawing; Original pencil drawing on paper, Untitled. Writing on verso. Signed lower left

Estimate: $400 - $800

     

 

 

SUZANNE VALADON OIL PAINTING ON CANVAS PORTRAIT.Oil painting on canvas depicting a portrait of a woman in the manner of Suzanne Valadon (French, 1865-1938). Signed lower left.

Estimate: $300 - $500

Attributed to Suzanne Valadon
Nature Morte aux Tulipes. Bears signature S. Valadon Oil on panel Sold for $4,687.00

French Post-Impressionist Mixed Suzanne Valadon

media on paper, framed. Study, featuring a bathing nude. Attributed to Suzanne Valadon (French, 1865-1938) Est: $3,000 - $5,000

Not Sold

     
 

 

 

 

 


 

  Both the duration and direction of any attribution or investigation of authenticity will always vary from project to project, but there are clear and well defined professional formalities, responsibilities and areas of scrutiny that we can assist you with including:

 

Authentication: Authentification: Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, full and formally recognized certification of a work of art. One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications that are required.

 

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.


 Scrutiny: Examen minutieux: Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

 Appraisal: Évaluation - Valuations, quality and condition reports.

 

 

 

 

Step one in the Art Authentication and Attribution process.

Suzanne Valadon

The Pre-Authentication Assessment.

 

    Sensibly, before you begin any art authenticity, legitimacy, or any artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. Made to independently and rationally balance any negative issues there may be against the positive elements. Treat this study as your safety net.

 We will be happy to professionally undertake this for you, based upon good quaity images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

CONTACT US

CONTACTEZ NOUS

We will respond to you promptly.

 

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 


 

 

 

ABOUT PAINTING DESCRIPTORS AND TERMINOLOGY

Suzanne Valadon;

 

  It is important to understand the auction terms used in any published descriptor and to be cautious of works that may just be painted in the style or manner of the artist, or even the stylized - would be copies of his works which happen to bear a signature or monogram. In this case the paintings and drawings of Suzanne Valadon.

 

 Where the name Suzanne Valadon given with the first name/s and surname of the artist, usually John Brett, then in their professional opinion it is the genuine and authentic item, one painted by the artist himself, Suzanne Valadon.

 Attributed to Suzanne Valadon, then in their opinion it is 'probably' a work by the artist, at least in part. But there is no guarantee. It's only an opinion.

 When Suzanne Valadon; “Studio of ….” or “Workshop of Suzanne Valadon "attelier" is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or even a pupil under the principal artists supervision.

 But if the term Suzanne Valadon, or “Circle of Suzanne Valadon ” is used, then in their own opinion, it is a work of the period of the artist and showing their influence, or closely associated with the artist, BUT not necessarily by a pupil or student.

 When the name Suzanne Valadon is given; or Painted in the “Style of Suzanne Valadon” or “a Follower of Suzanne Valadon is used, this means that in their opinion it is a work of art executed only in the artist’s 'style', but not necessarily by a pupil. But it may be contemporary, or nearly a contemporary of the artist.

 If the phrase in the “Manner of Suzanne Valadon , is used it is defined….” Then in their opinion it's a work painted in the style of the artist but of a later date and definitely not by the artist himself.

 When the term After Suzanne Valado ; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by this artist. This also applies to prints made 'after' an original though.

 “Signed…”, “Dated….” or “Inscribed” Suzanne Valadon;Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark however, indicates a strong element of doubt.

 When the term Suzanne Valadon is used followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature of Suzanne Valadon /date/inscription” Then in their opinion, the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 


 

TERMS AND CONDITIONS

CONTACT US

 

 

FAQ's

 

CONTACT US


 

 

 

 

 

SPECIALIST ART AUTHENTICATION LINKS LISTED BY ARTIST

D'AUTHENTIFICATION D'ART PAR ARTISTE

 

 

 

     
APPEL KAREL
BOUVARD  - Famile.
CORNEILLE  Guillaume Beverloo
CROME JOHN
DOU GERRIT
GRIS JUAN
LAM  WILFREDO
MONDRIAN   PIET
PISSARRO CAMILLE
RENOIR PIERRE
SPENLOVE-SPENLOVE FRANK
VAN GOGH VINCENT 
CONYERS BARKER
KLINE FRANZ
PECHSTEIN MAX
MUNNINGS Sir Alfred James
DAUMIER HONORE
EDOUARD MANET

PAUL KLEE

PICASSO USA BRANCUSI  CONSTANTIN
AMOS CASSIOLI
EGON SCHIELE
Pan Tianshou Zao Wou­Ki
YOSHITOMO NARA ANITA MAGSAYSAY-HO
CHEN CHENG-PO
ATSUKO TANAKA
Thomas Sydney Cooper Jackson Pollock
Georges Braque
Andy Warhol
Lucian Freud George Stubbs
Edward Hopper
Jan Gossart
Frederick Edwin Church Edvard Munch
George Romney
James McNeil Whistler
Pieter Brueghel Leonardo Da Vinci
Michelangelo Merisi da Caravaggio
El Greco
George Armfield Mary Cassatt
Cy Twombly
George Morland
Henri Martin Henri Edmond Cross
Pierre Bonnard
Gustave Loiseau
Theo van Rysselburgh Armand Guilllaumin
Emile Bernard
Massimo Campigli
Kees van Dongen Leon de Smet
Victor Brauner
Auguste Herbin
Charles Camoin Moise Kisling
Jean-Pierre Cassigneul
Jean Metzinger
Alfons Walde Alfred Sisley
Andre Lhote
Gustave Caillebotte
Barend Cornelis KOEKKOEK Alfred Stevens
JOAQUÍN SOROLLA
James Ensor
Alexander Archipenko Isaac Israels
Henri Fantin-Latour
Odilon Redon
Hendrik Willem Mesdag Henri Gervex
Paul Sérusier
JAWLENSKI Alexej von
Matthijs Maris Maxime Maufra
John Brett
GRIMSHAW John Atkinson Edward Seago
Suzanne Valadon
YEATS Jack Butler

 

ART AUTHENTICATION LINKS BY GENRE

LIENS D'AUTHENTIFICATION D'ART PAR GENRE

     
       

OLD  MASTER  ART

Art Ancien

17-18C EUROPEAN ROCOCO ART

17-18C Rococo Européen

EUROPEAN  ART   AUTHENTICATION

Authentification d'art européen

GERMAN  ART   AUTHENTICATION
Authentification de l'art allemand

ALTARPIECE &  PANEL  PAINTINGS

Retable et peintures de panneaux

IMPRESSIONIST   &  MODERN  ART

Art impressionniste et moderne

BRITISH  ART   AUTHENTICATION

Authentification d'art britannique

FRENCH  ART   AUTHENTICATION

Authentification d'art français

SCOTTISH  ART

Authentification de l'art écossais

Art hollandais et flamand

JUDAICA- Jewish Art

Judaica - Authentification de l'art juif

IRISH ART AUTHENTICATION

Authentification d'art irlandais

AMERICAN ART AUTHENTICATION

Authentification d'art américain

RUSSIAN ART AUTHENTICATION

Authentification d'art russe

SPANISH ART

Authentification d'art espagnol

CUBAN ART

Authentification d'art cubain

CANADIAN ART AUTHENTICATION

Authentification d'art canadien

HUNGARIAN ART

Authentification d'art hongrois

NORDIC - SCANDINAVIAN ART

Art nordique et scandinave

ISRAELI  ART

Authentification d'art israélien

MINIATURE PORTRAITS

ITALIAN ART AUTHENTICATION

Authentification d'art italien

CORNISH ART

INTERNATIONAL PORTRAITURE

 

     

 

EXPERTISE BY REGION

EXPERTISE PAR REGION

       
UNITED KINGDOM  AUSTRALIA
CANADA MARITIME CANADA
INDIA SOUTH AMERICA
JAPAN SAUDI ARABIA
UNITED ARAB EMIRATES SINGAPORE
USA
ALASKA BOSTON
COLORADO FLORIDA
MASSACHUSETTS MICHIGAN
TEXAS VIRGINIA
INDIANA PENNSYLVANIA
OHIO ARIZONA

 

 

 
 

       

OTHER SITE LINKS

       
ART ADVISORS CURRENT INVESTIGATIONS
INSURANCE TV AND FILM
CATALOGE RAISSONES    

BEYOND WILDENSTEIN - THE  GAUGUIN INDEX

1871-1884 | 1885- 1888 1889 - 1890 | 1891 - 1893 | 1894 - 1896 | 1897 - 1899 | 1900 - 1903

 

Spanish flag   Español

   لعربية    Russian flag Русск  भारत

German flag  Deutsch

Européenne des experts d'authentification art   European   ピカソ認証日本 Melayu   Suid-Afrika

Greek SAUDI

 

FAQ'S

FAQ

PRIVACY POLICY

POLITIQUE DE CONFIDENTIALITÉ

TERMES ET CONDITIONS

CURRENT INVESTIGATIONS

ENQUÊTES ACTUELLES

LISTE DES CLIENTS D'ENTREPRISE

CONTACT US

CONTACTEZ NOUS

 

CONTACTEZ NOUS
                                         ©2019
Copyright 2020. Freemanart:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Suzanne Valadon Expert International Art Authentication Investigators | Fake IFrench Painting & Forgery Detection | Expertise Attributions oils, authenticity watercolours, impressionist

Suzanne Valadon, S Valadon, Valadon, painting, portrait, abstract, French, authentication, value, investigations, investigation, art authentication investigators, authenticity, international, legitimacy, real, biography, painter, artist, Watercolour, watercolor, canvas, authenticate, authenticity, investigate, investigators, researchers, research, value, signature, fake, forgery, provenance, figures, international, detection, detective, appraiser, valuer, fine art, art consultant, fine art consultant, evaluate, inspect, examine, forensic, forensics, fakes, identification, faux, attribution, attributions, attribute, studio, pupil, apprentice, circle, follower, copy, after, manner of, portrait, self portrait, drawing, panel, D'après,  portrait, paintings, painters, painter, artist, artists, authentication, art, NATURE MORTE, still life, fleurs, flowers, nude, dancers, drawing,

Suzanne Valadon Expert, International Art Authentication Investigations,Suzanne Valadon art forgery and fake art detection, A Jawlensky paintings studio attribution painting, oil, portrait , abstract