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Investigating the Authenticity of Paintings and Drawings believed to be by or Attributed to;

Myles Birket Foster

Birket Foster

(1825-1899)

British Engraver, book illustrator and watercolourist

  It is written that without contradiction, the dainty watercolours of Myles Birket Foster, appealed to the majority of the British public more than the works of any other artist. In fact, Birket Foster produced scenes from nature with an exactness that the most uninitiated in art are able to understand and appreciate.

 Children and picturesque sunny country landscapes, rustic cottages and charming domestic scenes are what he is best known for.

There are very few large landscapes by comparison to the huge number of paintings he created, as he nearly always worked on a small and detailed scale and there are only a random but select number of fruit and flower paintings which he loved to paint.

 Myles Birket Foster searched the whole of the British Isles for the ideals and pastorals he painted, especially the Northern counties and his native Northumberland, though he travelled often to the continent, to Brittany, the Rhine valley and to Venice and the Italian lakes. All held a great charm for him, even venturing as far afield as Spain and Morocco.

 Myles Birket Foster was born in North Shields in 1825, the youngest of seven siblings and displayed great talent as an artist at the very young age of five, later apprenticing as a die and wood engraver, perhaps giving him the patience and exactitude he was to display in his paintings. Foster was a great admirer of Tuner and Clarkson Stanfield and it is these artists who profoundly influenced his works.

Preferring to work directly onto cardboard (Chalon-boards) which were very convenient to pack for his travels which he rarely undertook on his own, preferring the company of Edmond Evans and Robert Dudley, a fellow artist, he worked with a very fine brush with watercolour as dry as he could render it.

Never using professional models for his work, his early stand-ins, relatives and friends all his other images are without doubt, all of those he met on his travels.

  Birket Foster was massively prolific artist, producing large numbers of direct commissions for his works and the majority sold were direct to dealers purchased straight from his studio. So popular he became, that there were often great rushes to buy works he had painted made by art dealers.

It is said that Myles Birket Foster, never went anywhere without a sketch book in his pocket and thank goodness he did.

 Quite poorly imitated, this often attempted imitation is undoubtedly due to the vastly increasing values of his works of art in recent years, with variations of paintings claiming to be his own, either deliberately faked or simply misrepresented and misattributed to his hand, be that mistakenly or more commonly, deliberately, appearing on the art market.

 It may indeed be true that there are works of his that were either lost, mislaid, or have been with families for eons that have never surfaced to date and are yet to be documented. But it must be said, some of the Myles Birket Fosters' works that do appear on the open market will need investigating to be certain of their legitimacy.

 Falsified works, by the inclusion of a copied signature placed on a work of art that is just similar early type, style, or subject matter to Hardys' paintings. Or one applied to a previously unsigned or lesser quality work, such as a student of the arts emulated effort, where an original signature has been deleted. It is no wonder that question marks can and do, arise about the authenticity of some paintings.

 We are international fine art consultants, specializing in conducting full investigations into the authenticity of works of art created by artists in all categories, all regions and from historical eras, alongside scrutinizing their provenance.

Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly issues of authenticity, legitimacy and the attribution of old and modern master works of art. Including the fine works of Myles Birket Foster, his circle, or any paintings or works of art that you are unsure about.

 Some examples of Myles Birket Foster works and those signed with that name, appear below. No inference or question is made as to their authenticity, moreover they are a representational view of the types of works offered for sale at auction internationally which need to be understood and sometimes qualified.

Myles Birket Foster, R.W.S. (1825-1899)
The Meet signed with monogram 'BF' pencil, watercolour and bodycolour with gum arabic

SOLD GBP £240,250.00  US$345,260.00

MYLES BIRKET FOSTER, The beach at Menton signed with monogram

SOLD £2,500.00 US $4,953.00

  Both the duration and direction of any attribution or investigation of authenticity will always vary from project to project, but there are clear and well defined professional formalities, responsibilities and areas of scrutiny that we can assist you with including:

Authentication: Authentification: Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, complete and formally recognized certification of a work of art. One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications that are required.

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.

 Scrutiny: Examen minutieux: Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 Appraisal: Évaluation - Valuations, quality and condition reports.

Step one in the Art Authentication and Attribution process.

Myles Birket Foster

The Pre-Authentication Assessment

    Sensibly, before you begin any art authenticity, legitimacy, or any artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. Made to independently and rationally balance any negative issues there may be against the positive elements. Treat this study as your safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

CONTACT US

We will respond to you promptly.

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

  Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

ABOUT PAINTING DESCRIPTORS AND TERMINOLOGY

Myles Birket Foster

  It is important to understand the auction terms used in any published descriptor and to be cautious of works that may just be painted in the style or manner of the artist, or even the stylized - would be copies of his works which happen to bear a signature or monogram. In this case the paintings and drawings of Myles Birket Foster.

 Were the name, Myles Birket Foster is given with the first name/s and surname of the artist, usually as Myles Birket Foster, R.W.S. Birmingham 1783 - 1859, then in their professional opinion it is the genuine and authentic item, one painted by the artist himself, Myles Birket Foster.

When Attributed to Myles Birket Foster, similarly written is used, then in their opinion it is 'probably' a work by the artist, at least in part. But there is no guarantee. It's only an opinion.

 When Myles Birket Foster; “Studio of ….” or “Workshop of Myles Birket Foster "or atelier" is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or even a pupil under the principal artists supervision.

 But if the term Sir Myles Birket Foster, or “Circle of Myles Birket Foster” is used, then in their opinion, it is a work of the period of the artist and showing his influence, or closely associated with the artist, BUT not necessarily by his pupil or student.

 When the name Myles Birket Foster is given; or Painted in the “Style of Myles Birket Foster” or “Follower of Myles Birket Foster is used, this means that in their opinion it is a work of art executed only in the artist’s 'style', but not necessarily by a pupil. But it may be contemporary, or nearly contemporary of the artist.

 If the phrase in the “Manner of Myles Birket Foster, is used it is defined….” Then in their opinion it's a work painted in the style of the artist but of a later date and definitely not by the artist himself.

 When the term “After….” Myles Birket Foster; is the term, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original..

Myles Birket Foster; “Signed…”, “Dated….” or “Inscribed Myles Birket Foster” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark however, indicates a strong element of doubt.

 When the term Myles Birket Foster is used followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature Myles Birket Foster /date/or inscription” Then in their opinion, the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

We can assist and advise you in all fine art related matters.

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Myles Birket Foster Expert International Art Authentication Investigators | Fake Painting & Forgery Detection | Expertise Attributions watercolours oils, authenticity,

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