Richard Parkes Bonington Expert, International Art Authentication Investigations, Bonington, art forgery and fake art detection, paintings studio attribution painting, pastel, watercolour, oil, landscape,

 

Richard Parkes Bonington Authentication Investigations

 
Enquêteurs d'authentification

Investigadores de autentificación

محققو مصادقة فن كوروت

Ermittler der Kunstauthentifizierung

Parkes Bonington

 

Investigadores de autenticação da Art

Richard Parkes Bonington


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Art Authentication & Attribution Investigators

 
 
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Investigating the Authenticity of Paintings and Drawings believed to be by or Attributed to;

Richard Parkes Bonington

(Arnold, Nottinghamshire 1802-1828 London)

R P Bonington

 

 

 The only son of a Nottingham drawing master and stationer, the talented Richard Bonington learned watercolour painting from his father and exhibited paintings at the Liverpool Academy at age 11.

 There is no need for a full biography of his life here as it is very well recorded by other commentators, however;  Bonington was to have a huge impact on watercolour painting in Britain and Europe in his artistic future, but this was a product of the times. The collecting craze for his works in the 1830's was purely a symptom of the development of art collecting, a romantic era fascination with all things British. His romantic style spawned numerous forgeries and imitators of his seascapes, costume studies and scenes of Venice.

Such painters associated with Bonington's style include a direct imitator Thomas Shotter Boys (1803-1874), as well as many followers who sometimes rise above the level of an artists imitators: in this case the "late topographers" James Duffield Harding (1797-1863), James Holland (1799-1870) and William Callow (1812-1908).

 Richard Parkes Boningtons' exquisite paintings are often poorly imitated today, with the attempted imitation or the attempt at deception undoubtedly due to the vastly increasing values of his works of art in recent years.

With so many variations of paintings claiming to be his, either deliberately faked or more commonly misrepresented or just misattributed to his hand, be that mistakenly or deliberately, appearing on the art market.

 It may indeed be true that there are some works of his that were either lost, mislaid, or have been with families for eons that have never surfaced to date and are yet to be documented. But it must be said, some of the Boningtons' works that do appear on the open market will need investigating to be certain of their legitimacy.

 Falsified works however, simply effected by the inclusion of a copied signature or monogram placed on a work of art that is just a similar or early type, style, or the subject matter of Richard Parkes Boningtons' paintings, or applied to a previously unsigned or lesser quality work, such as a student of the arts effort, where an original signature has been deleted and a new one added. It is no wonder that question marks can and sometimes do arise about the authenticity of some of his paintings.

* * *

 We are international fine art consultants, specializing in conducting full investigations into the authenticity of works of art created by artists in all categories, all regions and from historical eras, alongside scrutinizing their provenance.

Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly issues of authenticity, legitimacy and the attribution of old and modern master works of art. Including the fine works of Bonington, his circle and followers, or any paintings or works of art that you are unsure about.

 Some examples of Richard Parkes Bonington works and those signed with that name, appear below. No inference or question is made as to their authenticity, moreover they are a representational view of the types of works offered for sale at auction internationally which need to be understood and sometimes qualified.

 

 

 

     

Richard Parkes Bonington
A coastal landscape with fisherfolk, a beached

boat beyond

SOLD £2,490,500.00 US $3,874,321.00

Richard Parkes Bonington (1802-1828)

The harbour, Le Havre signed 'R P Bonington.'

pencil and watercolour with scratching out

SOLD £93,600.00 US $133,329.00

ATTRIBUTED TO RICHARD PARKES BONINGTON
"SHIPPING OFF THE COAST OF FRANCE"
Inscribed with artist''s initials bottom left,

watercolor on paper laid down to card

Estimate: $3,000 - $5,000

 
     
Richard Parkes Bonington (British, 1802-1828) The Count of Palatino in the costume of a Palikar oil on canvas SOLD.£71,700.00 $133,229.00

Circle of Richard Parkes Bonington

"Dans les Environs du Havre" watercolour

Sold for: £220.00

RICHARD PARKES BONINGTON - The Remonstrance: an old woman admonishing two children.Watercolor over pencil, heightened with bodycolour and gum arabic Sold $ 21,250.00
 
     

Richard Parkes Bonington (1802-1828)

The Rialto Bridge, Venice, Italy with collector's stamp 'R.P. Bonington/Col. J. Lewis Brown' pencil
SOLD £7,500.00 US $11,153.00

ATTRIBUÉ À RICHARD PARKES BONINGTON

View of the port of Venice Watercolor Estimate:

Est €2,000.00 - €3,000.00

Style of Richard Parkes Bonington (1802-1828) British. A Scene on The Grand Canal, Venice, Watercolour, Est £200 - £400

 

 

 


 

 

  Both the duration and direction of any attribution or investigation of authenticity will always vary from project to project, but there are clear and well defined professional formalities, responsibilities and areas of scrutiny that we can assist you with including:

 

Authentication: Authentification: Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, complete and formally recognized certification of a work of art. One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications that are required.

 

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.


 Scrutiny: Examen minutieux: Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

 Appraisal: Évaluation - Valuations, quality and condition reports.

 

 

 

 

 

 

Step one in the Art Authentication and Attribution process.

Richard Parkes Bonington

The Pre-Authentication Assessment

 

    Sensibly, before you begin any art authenticity, legitimacy, or any artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. Made to independently and rationally balance any negative issues there may be against the positive elements. Treat this study as your safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

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We will respond to you promptly.

 

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 


 

 

 

ABOUT PAINTING DESCRIPTORS AND TERMINOLOGY

Richard Parkes Bonington

 

 

  It is important to understand the auction terms used in any published descriptor and to be cautious of works that may just be painted in the style or manner of the artist, or even the stylized - would be copies of his works which happen to bear a signature or monogram. In this case the paintings and drawings of Richard Parkes Bonington.

 

 Where the name, Richard Parkes Bonington is given with the first name/s and surname of the artist, usually as Richard Parkes Bonington, then in their professional opinion they are in no doubt, it is the genuine and authentic item, one painted by the artist himself, Richard Parkes Bonington.

 When Attributed to Richard Parkes Bonington, similarly written or used, then in their opinion it is 'probably' a work by the artist, at least in part. But there is no guarantee. It's only an opinion.

 When Richard Parkes Bonington; “Studio of ….” or “Workshop of Richard Parkes Bonington" or attelier" is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or even a pupil under the principal artists supervision.

 But if the term Richard Parkes Bonington, or “Circle of Richard Parkes Bonington” is used, then in their opinion, it is a work of the period of the artist and showing his influence, or closely associated with the artist, BUT not necessarily by his pupil or student.

 When the name Richard Parkes Bonington is given; or Painted in the “Style of Richard Parkes Bonington” or “Follower of Richard Parkes Bonington is used, this means that in their opinion it is a work of art executed only in the artist’s 'style', but not necessarily by a pupil. But it may be contemporary, or nearly contemporary of the artist.

 If the phrase in the “Manner of Richard Parkes Bonington, is used it is defined….” Then in their opinion it's a work painted in the style of the artist but of a later date and definitely not by the artist himself.

 When the term “After….Richard Parkes Bonington"; is the term, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original..

 Richard Parkes Bonington; “Signed…”, “Dated….” or “Inscribed Richard Parkes Bonington” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark however, indicates a strong element of doubt.

 When the term Richard Parkes Bonington is used followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature Richard Parkes Bonington/date/or inscription” Then in their opinion, the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 



 

 

 

 

 

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Richard Parkes Bonington   Expert International Art Authentication Investigators | Expertise Attributions Watercolours Oils, Authenticity | Landscape Still life Fake Painting & Forgery Detection

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