Walter Richard Sickert, Expert, International Art Authentication Investigations, Sickert, art forgery and fake art detection, paintings studio attribution portrait, painting, pastel, watercolour, oil, landscape,

 

Walter Richard Sickert, Authentication Investigations

 
Enquêteurs d'authentification

Investigadores de autentificación

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Walter Richard Sickert

 

Investigadores de autenticação da Art

Walter R Sickert


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Art Authentication & Attribution Investigators

 
 
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Investigating the Authenticity of Paintings and Drawings believed to be by or Attributed to;

Walter Richard Sickert, A.R.A.

(1860-1942)

Painter and printmaker

 

 

 

 

  Walter Sickert was born in Munich and trained as an actor before studying art and was to become one of the most influential and controversial artists of the 20th century. Some even speculated that Sickert was Jack the Ripper, perhaps due to his geographical location, dishevelled appearance, occupation and an irrepressable like of the dark and dubious.

 He often painted music halls and seedy lodging house interiors, nudes, naturally and had a great dislike for professional portraitists, though he painted many himself during his artistic life.

A pupil of the Slade and then James McNeill Whistler in London, training which was particularly gruelling for him and with him, Sickert learnt to paint landscapes and portraits directly from nature. He went on to train in Paris where he became friends with Edgar Degas and many of the Impressionists. Degas was the one key element that inspired him to capture the essence of daily life in the city and Sickert wrote that his works should be like a ‘page torn from the book of life’.

 Sickert settled in London in 1905 and held informal gatherings of artists and collectors at his studio in Camden Town. These led to the formation of the Camden Town Group, whose members chose their subjects from the suburban landscape and modest interiors of the time but painted in bold colours inspired by the Post-Impressionists such as Van Gogh and Gauguin on the continent.

 

 Almost inevitably, he is imitated today, with any attempted imitation clearly an attempt at deception. Undoubtedly this is due to the vastly increasing values of his works of art in recent years. But his style, like that of so many artists evolved and developed.Today, all manner of paintings claiming to be him, either deliberately faked or more commonly misrepresented and misattributed to this hand, be that mistakenly or deliberately, can appear on the open art market.

 It may well be true that there are some works that were either lost, mislaid, or have been with families for aeons and have never surfaced, and are yet to be documented. But it must be said, some of the Walter Richard Sickert works that do appear on the open market will need investigating to be absolutely certain of their legitimacy or given attribution.

 Falsified works, simply effected by the inclusion of a copied signature or easy monogram placed on a work of art that is just a similar or early type, style, or the subject matter of Walter Richard Sickert paintings, or that are applied to a previously unsigned or lesser quality work, such as a student of the arts effort, where an original signature has been deleted and a new one added. It is no wonder that question marks can and sometimes do arise about the authenticity of some of his paintings.

 

* * *

 We are international fine art consultants, specialising in conducting full investigations into the authenticity of works of art created by artists in all categories, all regions and from historical eras, alongside scrutinizing their provenance.

Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly issues of authenticity, legitimacy and the attribution of old and modern master works of art. Including the fine works of Walter Richard Sickert, his circle and followers, or any paintings or works of art that you are unsure about.

 Some examples of Sickerts works and those signed with that name, appear below.

No inference or question is made as to their authenticity, moreover they are a representational view of the types of works offered for sale at auction internationally some of which will need to be understood and sometimes qualified.

 

 

 

Walter Richard Sickert, A.R.A. The Vineyards, Bath
signed 'Sickert.' oil on canvas

GBP £25,000.00

Walter Richard Sickert (1860-1942)
L' Eldorado Oil on canvas

GBP $245,000.00

Walter Richard Sickert, A.R.A.
Belmont, Lansdown Road, Bath
signed 'Sickert' oil on canvas

GBP £18,750.00

     

Walter Richard Sickert, A.R.A.
Santa Maria della Salute
signed 'Sickert' oil on canvas

GBP £145,250.00

Walter Richard Sickert, A.R.A. (1860-1942)
Baccarat - signed and dated 'Sickert 1920'
oil on canvas

GBP £139,650.00

Walter Richard Sickert, A.R.A. Barnet Fair
signed 'Sickert.' oil on canvas

GBP £43,750.00

     
     
Walter Richard Sickert, A.R.A.
Le Puits Salé signed 'Sickert'
pencil and watercolour GBP £8,750.00

Walter Richard Sickert ARA, British 1860-1942- L’Eglise du Pollet, Dieppe; pencil and watercolour on paper, signed and inscribed

Sold £2,000.00

Attributed to Walter Sickert (1860-1942) Pencil Sketch, 'Dieppe' Estimate: £200 - £300
     

Attributed W.R. Sickert, O/B Pastel

Estimate: $600 - $700

Walter Richard Sickert British - Oil on canvas. Featuring a standing girl in blue dress. Signed and attributed. Walter Richard Sickert (British, 1860-1942). Signature on lower left corner.

Estimate: $6,000.00 - $9,000.00

Passed

WALTER RICHARD SICKERT, A.R.A. Study for Glencora (after John Gilbert) £11,250.00

 

     


  Both the duration and direction of any attribution or investigation of authenticity will always vary from project to project, but there are clear and well defined professional formalities, responsibilities and areas of scrutiny that we can assist you with including:

 

Authentication: Authentification: Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, complete and formally recognized certification of a work of art. One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications that are required.

 

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.


 Scrutiny: Examen minutieux: Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

 Appraisal: Évaluation - Valuations, quality and condition reports.

 

 

 

 

 

Step one in the Art Authentication and Attribution process.

Walter Richard Sickert.

The Pre-Authentication Assessment.

 

    Before you begin any art authenticity, legitimacy, or any artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. Made to independently and rationally balance any negative issues there may be against the positive elements. Treat this study as your safety net.

 We will be happy to professionally undertake this for you, based upon good quaity images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

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We will respond to you promptly.

 

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 


 

 

 

ABOUT PAINTING DESCRIPTORS AND TERMINOLOGY

Walter Richard Sickert ARA

 

 

  It is important to understand the auction terms used in any published descriptor and to be cautious of works that may just be painted in the style or manner of the artist, or even the stylized - would be copies of his works which happen to bear a signature or monogram. In this case the paintings and drawings of Walter Richard Sickert.

 

 Where the name, Walter Richard Sickert,is given with the first name/s and surname of the artist, usually as Walter Richard Sickert, then in their professional opinion they are in no doubt, it is the genuine and authentic item, one painted by the artist himself, Walter Richard Sickert .

 When Attributed to Walter Richard Sickert , similarly written or used, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It's only an opinion.

 When Walter Richard Sickert; “Studio of ….” or “Workshop of Walter Richard Sickert" or attelier" is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or even a pupil under the principal artists supervision.

 But if the term Walter Richard Sickert , or “Circle of Walter Richard Sickert ” is used, then in their opinion, it is a work of the period of the artist and showing his influence, or closely associated with the artist, BUT not necessarily by his pupil or student.

 When the name Walter Richard Sickert is given; or Painted in the “Style of Walter Richard Sickert ” or “Follower of Walter Richard Sickert is used, this means that in their opinion it is a work of art executed only in the artist’s 'style', but not necessarily by a pupil. But it may be contemporary, or nearly contemporary of the artist.

 If the phrase in the “Manner of Walter Richard Sickert, is used or is defined….” Then in their opinion it's a work painted in the style of the artist but of a later date and definitely not by the artist himself.

 When the term “After….Walter Richard Sickert "; is the term, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original..

 Walter Richard Sickert ; “Signed…”, “Dated….” or “Inscribed Walter Richard Sickert ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark however, indicates a strong element of doubt.

 When the term Walter Richard Sickert is used followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature Walter Richard Sickert /date/or inscription” Then in their opinion, the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 


 

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Walter Richard Sickert, Expert International Art Authentication Investigators  | Art Expertise Attributions Watercolours Oils | Authenticity British Impressionist, works and Fake Painting & Forgery Detection

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