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Robert Polhill BevanAuthentication Investigations

 
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Robert Polhill Bevan

 

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Robert Polhill Bevan


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Investigating the Authenticity of Paintings and Drawings believed to be by or Attributed to;

Robert Polhill Bevan

(1865-1925)

British

THE CAMDEN TOWN GROUP

 

 

 

 One thing is clear about the artist Robert Polehill Bevan, he was a very methodical artist indeed and for nearly every painting he created, there are a series of sketches, drawings and sometimes watercolours which relate directly to it.

Horses were hugely important to him, as Bevan had spent much of his first thirty years hunting, either in Sussex, on Exmoor in Devon or in Tangiers, where he was Master of the local hunt. He stopped hunting after his marriage to a Polish artist Stanislawa de Karlowska in 1897 but was still drawn to the horse as a subject.

 Bevan came from a wealthy family background and had studied in both London at the Westminster School of Art and in Paris at the Académie Julian where he was introduced to the latest impressionist advances and in the early 1890's he moved and worked in Pont Aven in Brittany, where he met and befriended Paul Gauguin. During his years in France he also met Cézanne and Renoir and from an early stage was heavily influenced by the work of Van Gogh. He spent a goodly amount of time in North Africa and Spain but upon his return to Britain lived a solitary existence on an isolated farmhouse at Hawkridge, on Exmoor in Devon.

 Almost inevitably, he is imitated today, with any attempted imitation clearly being an attempt at a deception. Undoubtedly this is due to the vastly increasing values of his works of art in recent years. But his style, like that of so many artists evolved and developed and so today, all manner of paintings claiming to be his, either deliberately faked or more commonly misrepresented or misattributed to this hand, be that mistakenly or deliberately, can and sometimes do appear on the open art market.

 It may well be true that there are some works that were either lost, mislaid, or have been with families for aeons and have never surfaced, and are yet to be documented. But it must be said, some of the Robert Polhill Bevan works that do appear on the open market will need investigating to be absolutely certain of their legitimacy or given attribution.

 Falsified works, simply effected by the inclusion of a copied signature or easy monogram placed on a work of art that is just a similar or early type, style, or the subject matter of Bevans paintings, or that are applied to a previously unsigned or lesser quality work, such as a student of the arts effort, where an original signature has been deleted and a new one added. It is no wonder that question marks can and sometimes do arise about the authenticity of some of his paintings.

 

* * *

 We are international fine art consultants, specialising in conducting full investigations into the authenticity of works of art created by artists in all categories, all regions and from historical eras, alongside scrutinizing their provenance.

Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly issues of authenticity, legitimacy and the attribution of old and modern master works of art. Including the fine works of Robert Polhill Bevan, his circle and followers, or any paintings or works of art that you are unsure about.

 Some examples of Bevans works and those signed with that name, appear below.

No inference or question is made as to their authenticity, moreover they are a representational view of the types of works offered for sale at auction internationally some of which will need to be understood and sometimes qualified.

 

 

 

 

 

Robert Polhill Bevan (1865-1925)
The smithy, Bolham signed 'BEVAN' +

studio stamp 'BEVAN' oil on canvas

Estimate GBP 20,000 - GBP 30,000

SOLD GBP £71,700.00

Robert Polhill Bevan (1865-1925)
Under the Hammer oil on canvas

Estimate GBP 150,000 - GBP 250,000

SOLD GBP £421,250.00

Robert Polhill Bevan (1865-1925)
Clayhidon Church signed 'Robert Bevan' and inscribed 'Cayhidon (sic)/Devon' (on the artist's label attached to the stretcher), with studio stamp (on the reverse)oil on canvas

Estimate GBP £8,000 - GBP 12,000

SOLD GBP £35,000.00

 
Horse in a Stall Executed circa 1896.

Robert Polhill Bevan (British, 1865-1925)
Charcoal on paper

Estimate: $4,000 - $6,000 Not Sold

Robert Polhill Bevan [1865-1925] Luppit, Devon: signed Robert Bevan bottom left further signed and inscribed as titled in pencil on the reverse of the sheet watercolour, pen and ink drawing

Estimate: £600 - £800

Manner of Robert Polhill Bevan (1865-1925)

oil on canvasboard Hill Farmers

Estimate: £400 - £600

 
Robert Polhill Bevan (British, 1865-1925)
The Smithy at Czeliewy Executed circa 1897
Sold for £ 918.00

Robert Polhill Bevan (1865-1925)
Winchester Road, Hampstead signed 'Robert Bevan'
charcoal and watercolour

£1,875.00

Mending the Boat, pastel and black chalk, unsigned

Attributed to Richard Polhill Bevan (1865-1925)

Estimate: £350 - £450

 

Robert Polhill Bevan (1865-1925) Leader of the pack signed with initials and dated 'RPB/1890' (lower left) oil on canvas

£7,800.00

ROBERT POLHILL BEVAN (1865-1925) Deux personnages sur un chemin à Pont-Aven fusain et mine de plomb sur papier.

E3,600.00

ROBERT POLHILL BEVAN (BRITISH, 1865-1925)
Evening in Culme Valley
studio stamp (lower left under mount),
charcoal and watercolour Sold for £ 1,875.00

 


 

 

 

 

  Both the duration and direction of any attribution or investigation of authenticity will always vary from project to project, but there are clear and well defined professional formalities, responsibilities and areas of scrutiny that we can assist you with including:

 

Authentication: Authentification: Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, complete and formally recognized certification of a work of art. One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications that are required.

 

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.


 Scrutiny: Examen minutieux: Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

 Appraisal: Évaluation - Valuations, quality and condition reports.

 

 

 

 

 

 

Step one in the Art Authentication and Attribution process.

Robert Polhill Bevan

The Pre-Authentication Assessment

 

    Before you begin any art authenticity, legitimacy, or any artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. Made to independently and rationally balance any negative issues there may be against the positive elements. Treat this study as your safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

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We will respond to you promptly.

 

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 


 

 

 

ABOUT PAINTING DESCRIPTORS AND TERMINOLOGY

Robert Polhill Bevan

 

 

  It is important to understand the auction terms used in any published descriptor and to be cautious of works that may just be painted in the style or manner of the artist, or even the stylized - would be copies of his works which happen to bear a signature or monogram. In this case the paintings and drawings of Robert Polhill Bevan.

 

 Where the name, Robert Polhill Bevan is given with the first name/s and surname of the artist, usually as Robert Polhill Bevan then in their professional opinion they are in no doubt, it is the genuine and authentic item, one painted by the artist himself, Robert Polhill Bevan.

When Attributed to Robert Polhill Bevan, or Robert Polhill Bevanis similarly written or used, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It's only an opinion.

 When Robert Polhill Bevan; “Studio of ….” or “Workshop of Robert Polhill Bevan" or attelier" is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or even a pupil under the principal artists supervision.

 But if the term Robert Polhill Bevan, or “Circle of Robert Polhill Bevan” is used, then in their opinion, it is a work of the period of the artist and showing his influence, or closely associated with the artist, BUT not necessarily by his pupil or student.

 When the name Robert Polhill Bevan is given; or Painted in the “Style of Robert Polhill Bevan” or “Follower of Robert Polhill Bevan is used, this means that in their opinion it is a work of art executed only in the artist’s 'style', but not necessarily by a pupil. But it may be contemporary, or nearly contemporary of the artist.

 If the phrase in the “Manner of Robert Polhill Bevanis used or is defined….” Then in their opinion it's a work painted in the style of the artist but of a later date and definitely not by the artist himself.

 When the term “After….Robert Polhill Bevan"; is the term, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original..

Robert Polhill Bevan; “Signed…”, “Dated….” or “Inscribed Robert Polhill Bevan” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark however, indicates a strong element of doubt.

 When the term Robert Polhill Bevan is used followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature Robert Polhill Bevan/date/or inscription” Then in their opinion, the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 



 

 

 

 

 

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Robert Polhill Bevan Expert International Art Authentication Investigators  | Fine Art Expertise Attributions Watercolours and Oils | Authenticity British works and Fake Painting & Forgery Detection

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Robert Polhill Bevan Expert International Fine Art Authentication Investigations. Expressionist Abstract Painting Authenticity Investigation Experts - Auerbach Full Provenance Research and Verification.Services - Forgery Identification and Art Fraud Investigators

 

Robert Polhill BevanExpert, International Art Authentication Investigations, art forgery and fake art detection, paintings studio attribution painting, oil, portrait ,