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EXPERTS INVESTIGATEURS INTERNATIONAUX EN AUTHENTICITÉ DES BEAUX-ARTS - ARTISTES ATTRIBUTION LEGITIMACY CONSULTATIONS

Investigating the Authenticity of Paintings and Drawings believed to be by or Attributed to;

John Christopher "Kit" Wood

(7 April 1901 – 21 August 1930),

British

 Cornwall and particularly St. Ives feature heavily in the works of Christopher Wood, who like Alfred Wallace used almost skewed images in his compositions.

 A self-taught artist, Christopher Wood studied architecture at Liverpool University. There he met Augustus John, who encouraged him to take up painting seriously. On moving to Paris in 1921,Wood enrolled at the Académie Julian and made the acquaintance of the leading painters of the day, among them Picasso. Between 1922 and 1924, he travelled widely in Europe and North Africa, while attempting to develop a distinctive style of his own, though the works he produced at this period exhibit clear resemblances to those of his fellow Parisian painters - especially Picasso, Pascin and Kisling. In 1926, Wood returned to London where he met Ben and Winifred Nicholson, under whose influence he began to paint more experimentally, developing a direct, simple, faux-naive style that was to became wholly his own. Wood held his first solo exhibition in London in 1927, and painted almost exclusively in Cornwall and Brittany until his death three years later. (Benezet)

  Inevitably, he is imitated today, with any attempted imitation clearly an attempt at a deception. Undoubtedly this is due to the vastly increasing values of his works of art in recent years. But his style, like that of so many artists evolved and developed and so today, all manner of paintings claiming to be his, either deliberately faked or more commonly misrepresented or misattributed to this hand, be that mistakenly or deliberately, can and sometimes do appear on the open art market.

 It may well be true that there are some works that were either lost, mislaid, or have been with families for aeons and have never surfaced, and are yet to be documented. But it must be said, some of the Christopher Wood works that do appear on the open market will need investigating to be absolutely certain of their legitimacy or given attribution.

 Falsified works, simply effected by the inclusion of a copied signature or easy monogram placed on a work of art that is just a similar or early type, style, or the subject matter of Woods paintings, or that are applied to a previously unsigned or lesser quality work, such as a student of the arts effort, where an original signature has been deleted and a new one added. It is no wonder that question marks can and sometimes do arise about the authenticity of some of his paintings.

* * *

 We are British international fine art consultants, specialising in conducting full investigations into the authenticity of works of art created by artists in all categories, all regions and from historical eras, alongside scrutinizing their provenance.

Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly issues of authenticity, legitimacy and the attribution of old and modern master works of art. Including the fine works of Christopher Wood, his circle and followers, or any paintings or works of art that you are unsure about.

 Some examples of Woods works and those signed with that name, appear below.  No inference or question is made as to their authenticity, moreover they are a representational view of the types of works offered for sale at auction internationally some of which will need to be understood and sometimes specifically qualified and authenticated.

GBP £108,500

Christopher Wood 1901-1930 British Oil Landscape Oil on board impressionist harbour scene. Signed and attributed. Christopher Wood (British, 1901-1930) on lower right corner.

Estimate: $2,000 - $4,000 Not sold

  Both the duration and direction of any attribution or investigation of authenticity will always vary from project to project, but there are clear and well defined professional formalities, responsibilities and areas of scrutiny that we can assist you with including:

Authentication: Authentification: Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, complete and formally recognized certification of a work of art. One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications that are required.

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.

 Scrutiny: Examen minutieux: Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 Appraisal: Évaluation - Valuations, quality and condition reports.

Step one in the Art Authentication and Attribution process.

Christopher Wood.

The Pre-Authentication Assessment

    Before you begin any art authenticity, legitimacy, or any artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. Made to independently and rationally balance any negative issues there may be against the positive elements. Treat this study as your safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

We will respond to you promptly.

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

  Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

ABOUT PAINTING DESCRIPTORS AND TERMINOLOGY

Christopher Wood

  It is important to understand the auction terms used in any published descriptor and to be cautious of works that may just be painted in the style or manner of the artist, or even the stylized - would be copies of his works which happen to bear a signature or monogram. In this case the paintings and drawings of Christopher Wood.

 Where the name, Christopher Woodis given with the first name/s and surname of the artist, usually as Christopher Wood, then in their professional opinion they are in no doubt, it is the genuine and authentic item, one painted by the artist himself, Christopher Wood.

 When 'Attributed to Christopher Wood', or Christopher Wood is similarly written or used as ascribed to, then in their opinion it is 'probably' a work by the artist, at least in part but... there is no guarantee. It's only an opinion.

 When Christopher Wood; “Studio of ….” or “Workshop of Christopher Wood" or atelier of the artist " is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or even a pupil under the principal artists supervision.

 But if the term Christopher Wood Circle of , or “ Circle of Christopher Wood” is used, then in their opinion, it is a work of the period of the artist and showing his influence, or possibly by someone closely associated with the artist, BUT not necessarily by his pupil or student.

 When the phrase style of Christopher Wood is used; or Painted in the style of Christopher Wood, or “Follower of Christopher Wood is cited, this means that in their opinion it is a work of art executed only in the artist’s technique, manner or 'style', but not necessarily by a pupil. But it may be contemporary, or nearly a contemporary of the artist.

 If the phrase in the “Manner of Christopher Wood is used or is defined….” Then in their opinion it's a work also only painted in the style of the artist but created at a later date and definitely not by the artist himself.

 When the term “After….Christopher Wood"; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work was created.

 Christopher Wood; “Signed…”, “Dated….” or “Inscribed Christopher Wood” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark however, indicates a strong element of doubt.

 When the term Christopher Wood is used followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature Christopher Wood/date/or inscription” Then in their opinion, the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

We can assist and advise you in all fine art related matters.

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Christopher (Kit) Wood Expert International Art Authentication Investigators  | Fine Art Experts Attributions Watercolours and Oils | Authenticity British and Cornish portrait landscape and still life works and Fake Painting & Forgery Detection

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