Helen Allingham Expert International Art Authentication Investigations, Glakens art forgery and fake art detection, paintings studio attribution portrait, painting, pastel, watercolour, oil, landscape,

 

Helen Allingham Authentication Investigations

 
Enquêteurs d'authentification

Investigadores de autentificación

محققو مصادقة فن كوروت

Ermittler der Kunstauthentifizierung

Helen Allingham

 

Investigadores de autenticação da Art

Helen Allingham

Арт Следователи

艺术真实性调查员

Kunsoutentiteit ondersoeker

פיין קונסט אָטאַנטיסיטי ינוועסטאַגייטער

 

Art Authentication & Attribution Investigators

 
 
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ARTIST  ATTRIBUTION  ANALYSTS  -   HISTORY AND PROVENANCE  VERIFICATION   -  FAKE AND   FORGERY  DETECTION 

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EXPERTS INVESTIGATEURS INTERNATIONAUX EN AUTHENTICITÉ DES BEAUX-ARTS - ARTISTES ATTRIBUTION LEGITIMACY CONSULTATIONS

 

EXPERTS INVESTIGATEURS INTERNATIONAUX EN AUTHENTICITÉ DES BEAUX-ARTS - ARTISTES ATTRIBUTION LEGITIMACY CONSULTATIONS

ESPERTI INTERNAZIONALI INDAGINI SULL'AUTENTICAZIONE DELL'ARTE FINE - ATTRIBUZIONE DELL'ARTISTA E RICHIESTE DI LEGITTIMITÀ RICERCATORI SPECIALI DELL'ARTE FINE -

SERVIZI DI VERIFICA DELLA PROVENIENZA - RILEVAMENTO DI FALSI E FORGERIA DUE DILIGENCE SCRUTINY - ACQUISIZIONE E GESTIONE DEL PATRIMONIO FINE ART

 

   
 

 

 

 

Investigating the Authenticity of Paintings and Drawings believed to be by or Attributed to;

Helen Mary Elizabeth Allingham, R.W.S.

(British, 1848-1926)

Watercolourist

 

  Helen Allingham's charming watercolour paintings were extremely popular during her lifetime and they continue to enchant us today. Her vision was of an idyllic rural England and her picturesque country cottages contributed greatly to the popular romantic conception of the Victorian era. Children, fresh faced young women, cottage gardens strewn with flowers and perfect country views are her signature and she influenced and encouraged a huge following 'of kind' artists and emulators.

She was the first woman to be elected as a full member of the Royal Watercolour Society in 1890, continuing to exhibit with the Society regularly until her death in 1926.

 Clearly there is no necessity for a full biography of Helen Allinghams life to be written here as it has been well documented by other commentators, excepting to repeat that inevitably, she is imitated today, with any attempted imitation clearly an attempt at deception. Undoubtedly this is due to the vastly increasing values of her works of art in recent years and the quantity she produced in her lifetime. So today, all manner of paintings claiming to be hers, either deliberately faked or more commonly misrepresented or misattributed to this hand, be that mistakenly or deliberately, sometimes do appear on the open art market.

 It may well be true that there are some works that were either lost, mislaid, or have been with families for aeons and have never surfaced, and are yet to be documented. But it must be said, some of the Helen Allingham works that do appear on the open market will need investigating to be absolutely certain of their legitimacy or given attribution.

 Falsified works are simply effected by the inclusion of a copied signature or easy monogram placed on a work of art that is just a similar or early type, style, or the subject matter of Allinghams where the old signature has been deleted and a new one added. It is no wonder that question marks can and sometimes do arise about the authenticity of some of her paintings.

 

* * *

 We are international fine art consultants, specialising in conducting full investigations into the authenticity of works of art created by artists in all categories, all regions and from historical eras, alongside scrutinizing their provenance.

Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly issues of authenticity, legitimacy and the attribution of old and modern master works of art. Including the fine works of Helen Allingham , the artists circle and followers, or any paintings or works of art that you are unsure about.

 Some examples of Allinghams works and those signed with that name, appear below.  No inference or question is made as to their authenticity, moreover they are a representational view of the types of works offered for sale at auction internationally some of which will need to be understood and sometimes specifically qualified and authenticated.

 

   

 

Helen Mary Elizabeth Allingham, R.W.S.

(British, 1848-1926)
A Kentish Cottage
watercolour with scratching out, signed 'H. Allingham' Sold GBP £12,000.00

Helen Mary Elizabeth Allingham, R.W.S.

'Cottage at Bothenhampton, Dorset'

PRICE REALIZED GBP 15,000

Helen Allingham, RWS (British, 1848-1926)
Buckinghamshire house at Penstreet
signed 'H.Allingham' (lower right)
watercolour Sold for GBP £ 16,800
 

Attributed to Helen Allingham (1848-1926)
watercolour,Woman standing beside a stream, initialled Estimate £600-800 Not sold

Helen Allingham (1848 - 1926) United Kingdom, watercolour painting. Depicts a girl in red shawl

with a basket all in a forest. Signed lower left

Estimate: $500 - $1,500  Passed

Helen Mary Elizabeth Allingham, R.W.S....Portrait of a young girl with flushed cheeks

Sold GBP $6,250

 

 

 

 

Helen Allingham RWS (British, 1848-1926), 'Butterburr Leaves', inscribed in pencil 'July 78 (Shere)' and inscribed with name, date and title verso, watercolour sketch
Hammer Price: £240.00

Helen Allingham, RWS (British, 1848-1926)
Nestlers signed 'H Allingham' (lower right)
watercolour with scratching out

Sold for £ 6,875

Circle of Helen Allingham - Study of a Lady wearing a White Bonnet and Blue Dress with White Pinafore, standing by an Open Cottage Door with Knitting in her Hands, late 19th/early 20th Century watercolour, bears initials HA

 

 

 


 

 

 

  Both the duration and direction of any attribution or investigation of the authenticity of an art work will always vary from project to project, but there are clear and well defined professional formalities, responsibilities and areas of scrutiny that we can assist you with including:

 

Authentication: Authentification: Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, complete and formally recognized certification of a work of art. One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications that are required.

 

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.


 Scrutiny: Examen minutieux: Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

 Appraisal: Évaluation - Valuations, quality and condition reports.

 

 

 

 

 

 

Step one in the Art Authentication and Attribution process.

Helen Mary Elizabeth Allingham

The Pre-Authentication Assessment

 

    Before you begin any art authenticity, legitimacy, or any artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. Made to independently and rationally balance any negative issues there may be against the positive elements. Treat this study as your safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

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We will respond to you promptly.

 

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 


 

 

 

ABOUT PAINTING DESCRIPTORS AND TERMINOLOGY

Helen Mary Elizabeth Allingham

 

 

  It is important to understand the auction terms used in any published descriptor and to be cautious of works that may just be painted in the style or manner of an artist, or even the stylized - would be copies of works which happen to bear a signature or monogram that supports it. In this case the paintings and drawings of Helen Mary Elizabeth Allingham.

 

 Where the name, Helen Allingham is given with the first name/s and surname of the artist, usually as Helen Allingham then in their professional opinion they are in no doubt, it is the genuine and authentic item, one painted by the artist, Helen Allingham.

When Attributed to Helen Allingham, or Helen Allingham is similarly written or used, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It's only an opinion.

 When Helen Allingham ; “Studio of ….” or “Workshop of Helen Allingham " or attelier" is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or even a pupil under the principal artists supervision.

 But if the term Helen Allingham, or “Circle of Helen Allingham ” is used, then in their opinion, it is a work of the period of the artist and showing his influence, or closely associated with the artist, BUT not necessarily by his pupil or student.

 When the name Helen Allingham is given; or Painted in the “Style of Helen Allingham ” or “Follower of Helen Allingham is used, this means that in their opinion it is a work of art executed only in the artist’s 'style', but not necessarily by a pupil. But it may be a contemporary, or nearly a contemporary of the artist.

 If the phrase in the “Manner of Helen Allingham is used and defined….” Then in their opinion it's a work painted in the style of the artist but of a later date and definitely not by the artist.

 When the term “After….Helen Allingham "; is used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original.

Helen Allingham ; “Signed…”, “Dated….” or “Inscribed Helen Allingham ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark however, indicates a strong element of doubt.

 When the term Helen Allingham is used followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature Helen Allingham /date/or inscription” Then in their opinion, the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 



 

 

 

 

 

SPECIALIST ART AUTHENTICATION LINKS LISTED BY ARTIST

D'AUTHENTIFICATION D'ART PAR ARTISTE

 

 

 

     
APPEL KAREL
BOUVARD  - Famile.
CORNEILLE  Guillaume Beverloo
CROME JOHN
DOU GERRIT
GRIS JUAN
LAM  WILFREDO
MONDRIAN   PIET
PISSARRO CAMILLE
RENOIR PIERRE
SPENLOVE-SPENLOVE FRANK
VAN GOGH VINCENT 
CONYERS BARKER
KLINE FRANZ
PECHSTEIN MAX
MUNNINGS Sir Alfred James
DAUMIER HONORE
EDOUARD MANET

PAUL KLEE

PICASSO USA BRANCUSI  CONSTANTIN
AMOS CASSIOLI
EGON SCHIELE
Pan Tianshou Zao Wou­Ki
YOSHITOMO NARA ANITA MAGSAYSAY-HO
CHEN CHENG-PO
ATSUKO TANAKA
Thomas Sydney Cooper Jackson Pollock
Georges Braque
Andy Warhol
Lucian Freud George Stubbs
Edward Hopper
Jan Gossart
Frederick Edwin Church Edvard Munch
George Romney
James McNeil Whistler
Pieter Brueghel Leonardo Da Vinci
Michelangelo Merisi da Caravaggio
El Greco
George Armfield Mary Cassatt
Cy Twombly
George Morland
Henri Martin Henri Edmond Cross
Pierre Bonnard
Gustave Loiseau
Theo van Rysselburgh Armand Guilllaumin
Emile Bernard
Massimo Campigli
Kees van Dongen Leon de Smet
Victor Brauner
Auguste Herbin
Charles Camoin Moise Kisling
Jean-Pierre Cassigneul
Jean Metzinger
Alfons Walde Alfred Sisley
Andre Lhote
Gustave Caillebotte
Barend Cornelis KOEKKOEK Alfred Stevens
JOAQUÍN SOROLLA
James Ensor
Alexander Archipenko Isaac Israels
Henri Fantin-Latour
Odilon Redon
Hendrik Willem Mesdag Henri Gervex
Paul Sérusier
JAWLENSKI Alexej von
Matthijs Maris Maxime Maufra
John Brett
GRIMSHAW John Atkinson Edward Seago
Jack Butler Yeats
Maximillien Luce
VALADON Suzanne Francis Picabia
Jean Francois Millet
Leon Lhermitte
FLINT Sir William Russell Augustus John
Winston Churchill
Paul Maze
David Cox Snr Myles Birket Foster
Thomas Bush Hardy
Philip Wison Steer
Paul Sandby Edward Lear R.A.
William Henry Hunt
Richard Parkes Bonington
David Roberts RA John Sell Cotman
William Hogarth
John Northcote Nash
Paul Nash John Piper CH
Ben Nicholson
Samuel Peploe
Graham Sutherland Ivon Hitchens
Sir Terry Frost
Dame Laua Knight
John Anthony Park Walter Wm Sickert
Lamorna Birch
Frank Auerbach
William Orpen Robert Bevan
Glyn Philpot
Christopher Wood
Archibald Thorburn William J. Glacken
Helen Allingham
 
 
             

 

ART AUTHENTICATION LINKS BY GENRE

LIENS D'AUTHENTIFICATION D'ART PAR GENRE

     
       

OLD  MASTER  ART

Art Ancien

17-18C EUROPEAN ROCOCO ART

17-18C Rococo Européen

EUROPEAN  ART   AUTHENTICATION

Authentification d'art européen

GERMAN  ART   AUTHENTICATION
Authentification de l'art allemand

ALTARPIECE &  PANEL  PAINTINGS

Retable et peintures de panneaux

IMPRESSIONIST   &  MODERN  ART

Art impressionniste et moderne

BRITISH  ART   AUTHENTICATION

Authentification d'art britannique

FRENCH  ART   AUTHENTICATION

Authentification d'art français

SCOTTISH  ART

Authentification de l'art écossais

Art hollandais et flamand

JUDAICA- Jewish Art

Judaica - Authentification de l'art juif

IRISH ART AUTHENTICATION

Authentification d'art irlandais

AMERICAN ART AUTHENTICATION

Authentification d'art américain

RUSSIAN ART AUTHENTICATION

Authentification d'art russe

SPANISH ART

Authentification d'art espagnol

CUBAN ART

Authentification d'art cubain

CANADIAN ART AUTHENTICATION

Authentification d'art canadien

HUNGARIAN ART

Authentification d'art hongrois

NORDIC - SCANDINAVIAN ART

Art nordique et scandinave

ISRAELI  ART

Authentification d'art israélien

MINIATURE PORTRAITS

ITALIAN ART AUTHENTICATION

Authentification d'art italien

CORNISH ART

INTERNATIONAL PORTRAITURE

 

     

 

EXPERTISE BY REGION

EXPERTISE PAR REGION

BEYOND WILDENSTEIN - THE  GAUGUIN INDEX

1871-1884 | 1885- 1888 1889 - 1890 | 1891 - 1893 | 1894 - 1896 | 1897 - 1899 | 1900 - 1903

 

 

FAQ'S

FAQ

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Helen Allingham Expert International Art Authentication Investigators  | Fine Art Experts Specializing in Attributions Watercolours and Oils | Authenticity specialists British art and Fake Painting & Forgery Detection

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Helen Allingham, Expert Fine Art Authentication Investigations. British Watercolours - Authenticity Investigation Experts - Full Provenance Research and Verification.Services - Forgery Identification and Art Fraud Investigators

 

Helen Allingham Expert, International Art Authentication Investigations, art forgery and fake art detection, paintings studio attribution painting, oil, portrait ,