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EXPERTS INVESTIGATEURS INTERNATIONAUX EN AUTHENTICITÉ DES BEAUX-ARTS - ARTISTES ATTRIBUTION LEGITIMACY CONSULTATIONS

Investigating the Authenticity of Paintings and Drawings believed to be by or Attributed to;

Helen Mary Elizabeth Allingham, R.W.S.

(British, 1848-1926)

Watercolourist

  Helen Allingham's charming watercolour paintings were extremely popular during her lifetime and they continue to enchant us today. Her vision was of an idyllic rural England and her picturesque country cottages contributed greatly to the popular romantic conception of the Victorian era. Children, fresh faced young women, cottage gardens strewn with flowers and perfect country views are her signature and she influenced and encouraged a huge following 'of kind' artists and emulators.

She was the first woman to be elected as a full member of the Royal Watercolour Society in 1890, continuing to exhibit with the Society regularly until her death in 1926.

 Clearly there is no necessity for a full biography of Helen Allinghams life to be written here as it has been well documented by other commentators, excepting to repeat that inevitably, she is imitated today, with any attempted imitation clearly an attempt at deception. Undoubtedly this is due to the vastly increasing values of her works of art in recent years and the quantity she produced in her lifetime. So today, all manner of paintings claiming to be hers, either deliberately faked or more commonly misrepresented or misattributed to this hand, be that mistakenly or deliberately, sometimes do appear on the open art market.

 It may well be true that there are some works that were either lost, mislaid, or have been with families for aeons and have never surfaced, and are yet to be documented. But it must be said, some of the Helen Allingham works that do appear on the open market will need investigating to be absolutely certain of their legitimacy or given attribution.

 Falsified works are simply effected by the inclusion of a copied signature or easy monogram placed on a work of art that is just a similar or early type, style, or the subject matter of Allinghams where the old signature has been deleted and a new one added. It is no wonder that question marks can and sometimes do arise about the authenticity of some of her paintings.

* * *

 We are international fine art consultants, specialising in conducting full investigations into the authenticity of works of art created by artists in all categories, all regions and from historical eras, alongside scrutinizing their provenance.

Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly issues of authenticity, legitimacy and the attribution of old and modern master works of art. Including the fine works of Helen Allingham , the artists circle and followers, or any paintings or works of art that you are unsure about.

 Some examples of Allinghams works and those signed with that name, appear below.  No inference or question is made as to their authenticity, moreover they are a representational view of the types of works offered for sale at auction internationally some of which will need to be understood and sometimes specifically qualified and authenticated.

Helen Mary Elizabeth Allingham, R.W.S.

(British, 1848-1926)
A Kentish Cottage
watercolour with scratching out, signed 'H. Allingham' Sold GBP £12,000.00

PRICE REALIZED GBP 15,000

Attributed to Helen Allingham (1848-1926)
watercolour,Woman standing beside a stream, initialled Estimate £600-800 Not sold

Helen Allingham (1848 - 1926) United Kingdom, watercolour painting. Depicts a girl in red shawl

with a basket all in a forest. Signed lower left

Estimate: $500 - $1,500  Passed

Helen Allingham RWS (British, 1848-1926), 'Butterburr Leaves', inscribed in pencil 'July 78 (Shere)' and inscribed with name, date and title verso, watercolour sketch
Hammer Price: £240.00

  Both the duration and direction of any attribution or investigation of the authenticity of an art work will always vary from project to project, but there are clear and well defined professional formalities, responsibilities and areas of scrutiny that we can assist you with including:

Authentication: Authentification: Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, complete and formally recognized certification of a work of art. One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications that are required.

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.

 Scrutiny: Examen minutieux: Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 Appraisal: Évaluation - Valuations, quality and condition reports.

Step one in the Art Authentication and Attribution process.

Helen Mary Elizabeth Allingham

The Pre-Authentication Assessment

    Before you begin any art authenticity, legitimacy, or any artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. Made to independently and rationally balance any negative issues there may be against the positive elements. Treat this study as your safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

CONTACT US

We will respond to you promptly.

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

  Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

ABOUT PAINTING DESCRIPTORS AND TERMINOLOGY

Helen Mary Elizabeth Allingham

  It is important to understand the auction terms used in any published descriptor and to be cautious of works that may just be painted in the style or manner of an artist, or even the stylized - would be copies of works which happen to bear a signature or monogram that supports it. In this case the paintings and drawings of Helen Mary Elizabeth Allingham.

 Where the name, Helen Allingham is given with the first name/s and surname of the artist, usually as Helen Allingham then in their professional opinion they are in no doubt, it is the genuine and authentic item, one painted by the artist, Helen Allingham.

When Attributed to Helen Allingham, or Helen Allingham is similarly written or used, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It's only an opinion.

 When Helen Allingham ; “Studio of ….” or “Workshop of Helen Allingham " or atelier" is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or even a pupil under the principal artists supervision.

 But if the term Helen Allingham, or “Circle of Helen Allingham ” is used, then in their opinion, it is a work of the period of the artist and showing his influence, or closely associated with the artist, BUT not necessarily by his pupil or student.

 When the name Helen Allingham is given; or Painted in the “Style of Helen Allingham ” or “Follower of Helen Allingham is used, this means that in their opinion it is a work of art executed only in the artist’s 'style', but not necessarily by a pupil. But it may be a contemporary, or nearly a contemporary of the artist.

 If the phrase in the “Manner of Helen Allingham is used and defined….” Then in their opinion it's a work painted in the style of the artist but of a later date and definitely not by the artist.

 When the term “After….Helen Allingham "; is used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original.

Helen Allingham ; “Signed…”, “Dated….” or “Inscribed Helen Allingham ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark however, indicates a strong element of doubt.

 When the term Helen Allingham is used followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature Helen Allingham /date/or inscription” Then in their opinion, the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

We can assist and advise you in all fine art related matters.

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