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EXPERTS INVESTIGATEURS INTERNATIONAUX EN AUTHENTICITÉ DES BEAUX-ARTS - ARTISTES ATTRIBUTION LEGITIMACY CONSULTATIONS

Investigating the Authenticity of Paintings and Drawings believed to be by or Attributed to;

Edward Ladell

British 1821-1886

Painter of Still Lifes

 There is clearly no necessity for a full biography of the life of Edward Ladell to be produced here, it has been documented extremely well by others, excepting to say that inevitably, he was imitated and he himself imitated those he admired so much from the Dutch Golden age.

 Ladell was regarded as perhaps the finest British painter of still life subjects in his era, producing a vast number of astonishingly realistic and elaborate imagery. However they are consistent, he was commercially successful after all, having repeatedly exhibited at the RA for 30 years between 1856 and 86. So his trade mark usage of the exotic, the polished fruit, flowers, caskets, birds nests, goblets, and crystal glasses, domes or decanters, usually displayed on a marble top covered with oriental rugs or another elaborate form of drapery are common and expected. His wife Ellen Ladell however was taught by him and also painted in an exacting and mimicking manner. Her works are not as prized, though they can easily be confused and there simply must have been studio collaborations between them for eager patrons.

 As any attempt at imitation is an attempt at deception when the work bears a falsified signature. Due to the vastly increasing values of his works of art in recent years and the quantity of works of art he produced in his lifetime, today, all manner of paintings claiming to be his, either deliberately faked, or more commonly, misrepresented, or simply misattributed to this hand, sometimes many years ago, be that mistakenly or deliberately, they do appear on the open art market.

 It may well be true that there are still some works that were either lost, mislaid, or have been with families across the world for aeons and have never surfaced, still yet to be documented. But it must be said, some of the Edward Ladell works that do appear on the open market will need seriously investigating to be absolutely certain of both their legitimacy or a previously given attribution.

 Falsified works can be effected simply by the inclusion of a copied signature or a monogram such as he used placed upon a work of art that is just a similar or early type, style, or the subject matter to that of Ladell. A previous signature which has been deleted from an old painting with a new one added is common. It is no wonder that question marks can and sometimes do arise about the authenticity of some of his paintings and confusion as to whether they were just from his studio, by his pupils or from his circle.

* * *

 We are international fine art consultants, specialising in conducting full investigations into the authenticity of works of art created by artists in all categories, all regions and from historical eras, alongside scrutinizing their provenance.

Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly issues of authenticity, legitimacy and the attribution of old and modern master works of art. Including the fine works of Edward Ladell, his circle and followers, or any paintings or works of art that you are unsure about.

 Some examples of Ladells works and those signed with that name, appear below.  No inference or question is made as to their authenticity, moreover they are a representational view of the types of works offered for sale at auction internationally some of which will need to be understood and sometimes specifically fully qualified and authenticated.

Edward Ladell (1821-1886)
Red grapes, raspberries, peaches, white

currants and hazelnuts, with an ivory casket

and roemer to the side, on a marble ledge

signed with monogram oil on canvas 

Estimate GBP 6,000 - GBP 8,000 
Sold GBP £21,875.00

Edward Ladell (BRITISH, 1821-1886)

Still life with fruit, leaves and a glass of wine on a ledge signed with monogram  oil on canvas

£50,400.00

Edward Ladell (British, 1821 - 1886),

"Still Life Grapes and Plums"

Oil on Board Estimate: $4,000 - $6,000

Circle of Edward Ladell (1821-1886) British.

Still Life of Fruit, a Decanter and Glass on a

Table, Oil on Canvas,

Estimate: £120 - £180

  Both the duration and direction of any attribution or investigation of the authenticity of an art work will always vary from project to project, but there are clear and well defined professional formalities, responsibilities and areas of scrutiny that we can assist you with including:

Authentication: Authentification: Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, complete and formally recognized certification of a work of art. One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications that are required.

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.

 Scrutiny: Examen minutieux: Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 Appraisal: Évaluation - Valuations, quality and condition reports.

Step one in the Art Authentication and Attribution process.

Edward Ladell

The Pre-Authentication Assessment

    Before you begin any art authenticity, legitimacy, or any artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. Made to independently and rationally balance any negative issues there may be against the positive elements. Treat this study as your safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

We will respond to you promptly.

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

  Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

ABOUT PAINTING DESCRIPTORS AND TERMINOLOGY

Edward Ladell

  It is important to understand the auction terms used in any published descriptor and to be cautious of works that may just be painted in the style or manner of the artist, or even the stylized - would be copies of his works which happen to bear a signature or monogram. In this case the paintings and drawings of Edward Ladell.

 Where the name, Edward Ladell is given with the first name/s and surname of the artist, usually as Edward Ladell, then in their professional opinion they are in no doubt, it is the genuine and authentic item, one painted by the artist himself, Edward Ladell.

When Attributed to Edward Ladell, or Edward Ladell is similarly written or used as ascribed to or Attrib, abbreviated, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It's only an opinion.

 When Edward Ladell; “School of, or Studio of ….” or “Workshop of Edward Ladell " or atelier of Edward Ladell" is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or a pupil under the principal artists supervision and guidance.

 But if the term Edward Ladell - circle of, or “Circle of Edward Ladell” is specifically used, then in their opinion, it is a work only of the period of the artist and showing his influence, or closely associated with the artist, BUT not necessarily by his pupil or student.

 When the name is given; Painted in the “Style of Edward Ladell” or “Follower of Edward Ladell is used, this means that in their opinion it is a work of art executed only in the artist’s way, his 'style', but not necessarily by a pupil. But it may be contemporary, or nearly contemporary of the artist.

 If the phrase in the “Manner of Edward Ladell is used or is defined….” then in their opinion it's also only a work painted in the style of the artist but of a later date and definitely not by the artist himself.

 When the term “After….Edward Ladell"; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist himself or another artist/ printmaker..

Signed Edward Ladell; “Dated….” or “Inscribed Edward Ladell” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.

 When the term 'bears signature', is used or the name, Edward Ladell is specified followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature of Edward Ladell/date/or inscription” Then in 'their opinion,' the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

We can assist and advise you in all fine art related matters.

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