Louis Bosworth Hurt Expert International Art Authentication Investigations, art forgery and fake art detection, paintings studio attribution highland cattle, painting, pastel, watercolour, oil, landscape,

 

Louis Bosworth Hurt Authentication Investigations

 
Enquêteurs d'authentification

Investigadores de autentificación

محققو مصادقة فن كوروت

Ermittler der Kunstauthentifizierung

Louis Bosworth Hurt

 

Art Authentication & Attribution Investigators

 

Investigadores de autenticação da Art

Louis B Hurt

Арт Следователи

艺术真实性调查员

Kunsoutentiteit ondersoeker

פיין קונסט אָטאַנטיסיטי ינוועסטאַגייטער

 

 

 
 
CONTACT

 

 

EXPERT INTERNATIONAL FINE ART AUTHENTICITY INVESTIGATORS - ARTIST ATTRIBUTION LEGITIMACY ENQUIRIES

SPECIALIST FINE ART RESEARCHERS - PROVENANCE VERIFICATION SERVICES - FAKE AND FORGERY DETECTION

DUE DILIGENCE SCRUTINY - ACQUISITION AND FINE ART ASSET MANAGEMENT

 

EXPERTS INVESTIGATEURS INTERNATIONAUX EN AUTHENTICITÉ DES BEAUX-ARTS - ARTISTES ATTRIBUTION LEGITIMACY CONSULTATIONS

CONSULTORES INTERNACIONALES DE BELLAS ARTES - EXPERTOS DE INVESTIGACIÓNEN AUTENTICACIÓN DE ARTE
DETECCIÓN DE FALSIFICACIÓN - VERIFICACIÓN DE PROCEDENCIA DE DILIGENCIA
INVESTIGADORES DE FRAUDES DE ARTE - ADQUISICIÓN Y GESTIÓN DE ACTIVOS - VALORADORES DE ARTE

 

   
 

 

 

 

Investigating the Authenticity of Paintings and Drawings believed to be by or Attributed to;

Louis Bosworth Hurt

Louis B Hurt

(1856-1929)

British

 

 

 Louis Bosworth Hurt is principally known for his expressive and moody paintings of West Highland cattle in their landscape. Passing storms and dramatic skies, with light that bursts through the clouds and streams flowing down the hills. Highland cattle which are crossing rivers, old drover's roads, the Isles and the seasons all feature in his works. These features and the mountainous landscapes he painted with an inspiring hand is his signature.

 Hurt was born in Ashbourne in Derbyshire Peak district and did paint the Derbyshire moors at times; however it was the wilderness of the northern Highlands that inspired him most. A prolific painter, Hurt exhibited a total of thirteen paintings from 1881 onwards at the Royal Academy in London and twenty-six at the Royal Society of Artists on Suffolk Street.

 There is obviously no necessity for a full biography of the life of Louis Bosworth Hurt here, as it has been documented extremely well by others, excepting that inevitably, he was imitated. As any attempt at imitation is clearly an attempt at deception, particularly when the work is bearing a signature. Due to the vastly increasing values of his works of art in recent years and the quantity of works of art he produced in his lifetime, today, all manner of paintings claiming to be his, either deliberately faked, or more commonly, misrepresented or simply misattributed to this hand, sometimes many years ago, be that mistakenly or deliberately, they do appear on the open art market.

 It could be there are some works that were either lost, mislaid, or have been with families across the world for aeons and have as yet not surfaced, and are still yet to be documented. But it must be said, some of the Bosworth Hurt works that do appear on the open market will need serious investigation and research to be absolutely certain of both their legitimacy or confirmation of a previously given attribution.

 Falsified works however can be effected simply by the inclusion of a copied signature or a monogram placed on a work of art that is just a similar or early type, in his style, or of the the subject matter to that of Hurt. A previous signature which has been deleted from an old painting with a new one added is commonplace. It is no wonder that question marks can and sometimes do arise about the authenticity of some of his paintings and confusion arises as to whether they were just from his studio, or from his circle.

 

* * *

 We are international fine art consultants, specialising in conducting full investigations into the authenticity of works of art created by artists in all categories, all regions and from historical eras, alongside scrutinizing their provenance.

Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly issues of authenticity, legitimacy and the attribution of old and modern master works of art. Including the fine works of Louis Bosworth Hurt, his circle and followers, or any paintings or works of art that you are unsure about.

 Some examples of Hurts works and those signed with that name, appear below.  No inference or question is made as to their authenticity, moreover they are a representational view of the types of works offered for sale at auction internationally some of which will need to be understood and sometimes specifically qualified and authenticated.

 

   

 

Louis Bosworth Hurt (1856-1929)
Cattle in the Highlands signed and dated 'Louis B. Hurt. 1912.'  oil on canvas

Sold GBP £38,240.00

Louis Bosworth Hurt (1856-1929)
The head of Kingairloch
signed and dated 'Louis B. Hurt 1907-8. and inscribed 'KINGAIRLOCH' boil on canvas

GBP £25,000.00

Louis Bosworth Hurt (1856-1929)
Glen Cannichsigned and dated 'Louis B Hurt. 1897'
oil on canvas

GBP £32,900.00

     

LOUIS BOSWORTH HURT (SCOTTISH 1856-1929) MOORLAND AND WANDERING MISTS WITH CATTLE Signed, oil on canvas

Sold for £3,250.00

Louis Bosworth Hurt (1856-1929) Hills of Ross-shire signed 'Louis B. Hurt.' signed again and inscribed 'Hills of Ross shire/Louis B. Hurt/Ivonbrook/Darly Dale' (on a label attached to the stretcher) oil on canvas

Price realised GBP £95,000.00

Description: Attributed to Louis Bosworth Hurt (British, 1856-1929) The Highlands oil on canvas

Estimate: £200 - £400

     
Follower of Louis Bosworth Hurt
Bringing the cattle down to pasture
oil on canvas old GBP £299.00
Manner of Louis Bosworth Hurt
Confrontation: Highland Cattle by a Loch
Oil on canvas  Sold for $468.00
Circle of Louis Bosworth Hurt (1856-1929) British. A Highland River Landscape, with Cattle in the foreground, Oil on Canvas Estimate £100 - £150
     
     


 

  Both the duration and direction of any attribution or investigation of the authenticity of an art work will always vary from project to project, but there are clear and well defined professional formalities, responsibilities and areas of scrutiny that we can assist you with including:

 

Authentication: Authentification: Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, complete and formally recognized certification of a work of art. One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications that are required.

 

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.


 Scrutiny: Examen minutieux: Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

 Appraisal: Évaluation - Valuations, quality and condition reports.

 

 

 

 

 

Step one in the Art Authentication and Attribution process.

Louis Bosworth Hurt

The Pre-Authentication Assessment.

 

    Before you begin any art authenticity, legitimacy, or any artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. Made to independently and rationally balance any negative issues there may be against the positive elements. Treat this study as your safety net.

 We will be happy to professionally undertake this for you, based upon good quaity images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

CONTACT US

CONTACTEZ NOUS

We will respond to you promptly.

 

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 


 

 

 

ABOUT PAINTING DESCRIPTORS AND TERMINOLOGY

Louis Bosworth Hurt

 

 

  It is important to understand the auction terms used in any published descriptor and to be cautious of works that may just be painted in the style or manner of the artist, or even the stylized - would be copies of his works which happen to bear a signature or monogram. In this case the paintings and drawings of Louis Bosworth Hurt.

 

 Where the name, Louis Bosworth Hurt is given with the first name/s and surname of the artist, usually as Louis Bosworth Hurt, then in their professional opinion they are in no doubt, it is the genuine and authentic item, one painted by the artist himself, Louis Bosworth Hurt.

When Attributed to Louis Bosworth Hurt, or Louis Bosworth Hurt is similarly written or used as ascribed to or Attrib, (abbreviated) then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It's only an opinion.

 When Louis Bosworth Hurt ; “School of, or Studio of ….” or “Workshop of Louis Bosworth Hurt " or attelier of Louis Bosworth Hurt " is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or a pupil under the principal artists supervision and guidance.

 But if the term Louis Bosworth Hurt circle of, or “Circle of Louis Bosworth Hurt ” is specifically used, then in their opinion, it is a work only of the period of the artist and showing his influence, or closely associated with the artist, BUT not necessarily by his pupil or student.

 When the name is given; Painted in the “Style of Louis Bosworth Hurt ” or “Follower of Louis Bosworth Hurt is used, this means that in their opinion it is a work of art executed only in the artist’s way, his 'style', but not necessarily by a pupil. But it may be contemporary, or nearly contemporary of the artist.

 If the phrase in the “Manner ofLouis Bosworth Hurt is used or is defined….” then in their opinion it's also only a work painted in the style of the artist but of a later date and definitely not by the artist himself.

 When the term “After….Louis Bosworth Hurt " is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist himself or another artist/ printmaker.

Signed Louis Bosworth Hurt ; “Dated….” or “Inscribed Louis Bosworth Hurt ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.

 When the term 'bears signature', is used or the name, Louis Bosworth Hurt is specified followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature of Louis Bosworth Hurt /date/or inscription” Then in 'their opinion,' the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 


 

TERMS AND CONDITIONS

CONTACT US

 

 

FAQ's

 

CONTACT US


 

 

 

 

 

SPECIALIST ART AUTHENTICATION LINKS LISTED BY ARTIST

D'AUTHENTIFICATION D'ART PAR ARTISTE

 

 

 

     
APPEL KAREL
BOUVARD  - Famile.
CORNEILLE  Guillaume Beverloo
CROME JOHN
DOU GERRIT
GRIS JUAN
LAM  WILFREDO
MONDRIAN   PIET
PISSARRO CAMILLE
RENOIR PIERRE
SPENLOVE-SPENLOVE FRANK
VAN GOGH VINCENT 
CONYERS BARKER
KLINE FRANZ
PECHSTEIN MAX
MUNNINGS Sir Alfred James
DAUMIER HONORE
EDOUARD MANET

PAUL KLEE

PICASSO USA BRANCUSI  CONSTANTIN
AMOS CASSIOLI
EGON SCHIELE
Pan Tianshou Zao Wou­Ki
YOSHITOMO NARA ANITA MAGSAYSAY-HO
CHEN CHENG-PO
ATSUKO TANAKA
Thomas Sydney Cooper Jackson Pollock
Georges Braque
Andy Warhol
Lucian Freud George Stubbs
Edward Hopper
Jan Gossart
Frederick Edwin Church Edvard Munch
George Romney
James McNeil Whistler
Pieter Brueghel Leonardo Da Vinci
Michelangelo Merisi da Caravaggio
El Greco
George Armfield Mary Cassatt
Cy Twombly
George Morland
Henri Martin Henri Edmond Cross
Pierre Bonnard
Gustave Loiseau
Theo van Rysselburgh Armand Guilllaumin
Emile Bernard
Massimo Campigli
Kees van Dongen Leon de Smet
Victor Brauner
Auguste Herbin
Charles Camoin Moise Kisling
Jean-Pierre Cassigneul
Jean Metzinger
Alfons Walde Alfred Sisley
Andre Lhote
Gustave Caillebotte
Barend Cornelis KOEKKOEK Alfred Stevens
JOAQUÍN SOROLLA
James Ensor
Alexander Archipenko Isaac Israels
Henri Fantin-Latour
Odilon Redon
Hendrik Willem Mesdag Henri Gervex
Paul Sérusier
JAWLENSKI Alexej von
Matthijs Maris Maxime Maufra
John Brett
GRIMSHAW John Atkinson Edward Seago
Jack Butler Yeats
Maximillien Luce
VALADON Suzanne Francis Picabia
Jean Francois Millet
Leon Lhermitte
FLINT Sir William Russell Augustus John
Winston Churchill
Paul Maze
David Cox Snr Myles Birket Foster
Thomas Bush Hardy
Philip Wison Steer
Paul Sandby Edward Lear R.A.
William Henry Hunt
Richard Parkes Bonington
David Roberts RA John Sell Cotman
William Hogarth
John Northcote Nash
Paul Nash John Piper CH
Ben Nicholson
Samuel Peploe
Graham Sutherland Ivon Hitchens
Sir Terry Frost
Dame Laua Knight
John Anthony Park Walter Wm Sickert
Lamorna Birch
Frank Auerbach
William Orpen Robert Bevan
Glyn Philpot
Christopher Wood
Archibald Thorburn William J. Glacken
Helen Allingham
Marcel Dyf
Andreas Schelfhout Anders Zorn
Charles Conder
David Wynfield
Edward Ladell Louis Bosworth Hurt
Frederick R Lee
 
             

 

ART AUTHENTICATION LINKS BY GENRE

LIENS D'AUTHENTIFICATION D'ART PAR GENRE

     
       

OLD  MASTER  ART

Art Ancien

17-18C EUROPEAN ROCOCO ART

17-18C Rococo Européen

EUROPEAN  ART   AUTHENTICATION

Authentification d'art européen

GERMAN  ART   AUTHENTICATION
Authentification de l'art allemand

ALTARPIECE &  PANEL  PAINTINGS

Retable et peintures de panneaux

IMPRESSIONIST   &  MODERN  ART

Art impressionniste et moderne

BRITISH  ART   AUTHENTICATION

Authentification d'art britannique

FRENCH  ART   AUTHENTICATION

Authentification d'art français

SCOTTISH  ART

Authentification de l'art écossais

Art hollandais et flamand

JUDAICA- Jewish Art

Judaica - Authentification de l'art juif

IRISH ART AUTHENTICATION

Authentification d'art irlandais

AMERICAN ART AUTHENTICATION

Authentification d'art américain

RUSSIAN ART AUTHENTICATION

Authentification d'art russe

SPANISH ART

Authentification d'art espagnol

CUBAN ART

Authentification d'art cubain

CANADIAN ART AUTHENTICATION

Authentification d'art canadien

HUNGARIAN ART

Authentification d'art hongrois

NORDIC - SCANDINAVIAN ART

Art nordique et scandinave

ISRAELI  ART

Authentification d'art israélien

MINIATURE PORTRAITS

ITALIAN ART AUTHENTICATION

Authentification d'art italien

CORNISH ART

INTERNATIONAL PORTRAITURE

 

     

 

EXPERTISE BY REGION

EXPERTISE PAR REGION

       
UNITED KINGDOM  AUSTRALIA
CANADA MARITIME CANADA
INDIA SOUTH AMERICA
JAPAN SAUDI ARABIA
UNITED ARAB EMIRATES SINGAPORE
USA
ALASKA BOSTON
COLORADO FLORIDA
MASSACHUSETTS MICHIGAN
TEXAS VIRGINIA
INDIANA PENNSYLVANIA
OHIO ARIZONA

 

 

 
 

       

OTHER SITE LINKS

       
ART ADVISORS CURRENT INVESTIGATIONS
INSURANCE TV AND FILM
CATALOGE RAISSONES    

BEYOND WILDENSTEIN - THE  GAUGUIN INDEX

1871-1884 | 1885- 1888 1889 - 1890 | 1891 - 1893 | 1894 - 1896 | 1897 - 1899 | 1900 - 1903

 

Spanish flag   Español

   لعربية    Russian flag Русск  भारत

German flag  Deutsch

Européenne des experts d'authentification art   European   ピカソ認証日本 Melayu   Suid-Afrika

Greek SAUDI

 

FAQ'S

FAQ

PRIVACY POLICY

POLITIQUE DE CONFIDENTIALITÉ

TERMES ET CONDITIONS

CURRENT INVESTIGATIONS

ENQUÊTES ACTUELLES

LISTE DES CLIENTS D'ENTREPRISE

CONTACT US

CONTACTEZ NOUS

 

CONTACTEZ NOUS
                                         ©2019
Copyright 2020. Freemanart:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Louis Bosworth Hurt Expert International Art Authentication Investigators  | Fine Art Experts Specializing in Attributions of Watercolours and Oils | Authenticity specialists - British and Scottish art and Fake Painting & Forgery Detection

Louis Bosworth Hurt , L Bosworth Hurt , landscape , , seascape, paintings, painters, painter, artist, artists, authentication, art , authentication, value, investigations, art authentication investigators, authenticity, international, legitimacy, real, biography, painter, artist, , watercolor, canvas, authenticate, authenticity, investigate, investigators, researchers, research, value, signature, fake, forgery, provenance, figures, international, detection, detective, appraiser, valuer, fine art, art consultant, fine art consultant, evaluate, inspect, examine, forensic, forensics, fakes, identification, faux, attribution, pont aven, pont avon, horses, tattershall, horse race, devon, country, pub, inn, attributions, attribute, studio, pupil, apprentice, circle, follower, copy, after, manner of, portrait, self portrait, drawing, panel, D'après, studio, copy, Landscapes, still life, lives, watercolor, watercolour, watercolours, portraits, auction , value, scotland, scottish, mountain,, cattle, crossing, river, highland, loch, lake, watering, cow, bull.

 

Louis Bosworth Hurt , Expert Fine Art Authentication Investigations. British Watercolours - Authenticity Investigation Experts - Full Provenance Research and Verification.Services - Forgery Identification and Art Fraud Investigators

 

Louis Bosworth Hurt Expert, International Art Authentication Investigations, art forgery and fake art detection, paintings studio attribution painting, oil, portrait ,