Harold Knight Expert International Art Authentication Investigations Experts, British art- forgery and fake art detection, paintings studio attribution portrait, painting, pastel, watercolour, oil, landscape, drawing.

 

Harold Knight

Authentication Investigations

 
Enquêteurs d'authentification

Investigadores de autentificación

محققو مصادقة فن كوروت

Ermittler der Kunstauthentifizierung

Harold Knight

 

Investigadores de autenticação da Art

Harold Knight

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艺术真实性调查员

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פיין קונסט אָטאַנטיסיטי ינוועסטאַגייטער

 

Authentication and Attribution Investigators

 
 
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Investigating the Authenticity of Paintings and works of art believed to be by or Attributed to


Harold Knight RA,ROI

(1874-1961)

British Portrait and figure painter

 

 

  The son of architect and sometime painter, William Knight, Harold Knight born in Nottingham, won a travelling scholarship while at the Nottingham Government School of Art and design, allowing him to study at the Academie Julian under Jean-Paul Laurens and Jean-Joseph Benjamin Constant.

 Harold Knight marries Laura JOHNSON, (who was to become Dame Laura Knight, an artist and a national treasure in her own right) She was a fellow student at Nottingham in 1903 and the couple lived and painted mainly in Staithes, a seaside village in the Scarborough Borough of North Yorkshire, but he made several trips to Holland, where Harold became interested in the farming subjects and interiors depicting simple peasant living, handling these works very much in the manner of the realist painters the Hague School of artists.

 They moved to Lamorna, a village near Newlyn on the tip of Cornwall and joined the Stanhope Forbes School. Here they mixed with other great artists including Munnings, Lamorna Birch, the Harveys, the Procters and the Napers. Whilst here, he continued to paint genre subjects, but with a lighter palette and also painted a large number of sitters in Cornwall, including Ella Louise Naper, that he cared deeply for.

 In 1910 he sold his first painting called Prayer and in 1914 he exhibited for the first time at the Paris Salon (Un bohemien). Later, when they finally moved to London, he continued as a portrait painter of the well-known figures in society and politics of the period, and became very successful and in 1925 received a Silver Medal for his portrait of Ethel Bartlett at the Paris Salons. The couple were to become the first husband and wife members of the Royal Academy in its history.


Summary based upon Cornwall Artists Index

 

  Clearly due to his large following and the values of works of art that are available today, the artist was and will still be imitated.

 Adding a signature to a painting either by deletion of a previous one, or the addition of one to a previously unsigned work, is a common place fraud and any attempt at such imitation is clearly a form of criminal deception. Today, paintings are deliberately faked, or more commonly, they can be misrepresented or simply misattributed to a hand. That of course can be either mistakenly or deliberately made and have been effected at any time in the present or the past.


  It must be said, that some of the Harold Knight works that have and do surface in the future will need consideration and investigation to be absolutely certain of both their legitimacy and that a previously given attribution, or the provenance and history associated with it is sound. Or that any description is correct and can truly be relied upon.

* * *

 We are international fine art consultants, authenticity investigators specialising in conducting full investigations into the authenticity of works of art created by artists in all categories, in all regions and from historical eras. We fully scrutinize and track provenance,

confidentially serving both private individuals and corporate clients from around the world for over 45 years.

We can assist and advise you in all fine art related matters, particularly issues of authentication, legitimacy and the attribution of old and modern master works of art. Including the fine works of Harold Knight, his circle and followers, or any paintings or works of art that you are unsure about.

 Some examples of works signed with that name appear below.  No inference or question is made as to their authenticity, moreover they are a cross the board representational view of the types of works offered for sale at auction internationally, some of which will need to be understood and sometimes specifically need to be fully qualified and authenticated.

 

   

 

     
Harold Knight, R.A. Portrait of Florence signed 'Harold Knight' oil on canvas.
Estimate £100,000.00 - £150,000.00
USD 131,609.00 - USD 197,414.00
Sold £458,500.00

Harold Knight, R.A
Miss Gladys on the veranda
signed 'Harold Knight'  oil on canvas

Sold £25,000.00

Harold Knight, R.A.
BOOKS, PORTRAIT OF LAURA KNIGHT
Signed, Harold Knight 1926
oil on canvas Estimate £10,000.00 - £15,000.00

Sold £87,500.00

 
     
Harold Knight, R.A. Morning Sun signed 'Harold Knight' oil on canvas
Sold £111,650.00 USD $188,583.00
HAROLD KNIGHT
When the Cat's Away signed H Knight titled Oil on canvas Sold £15,000.00

Harold Knight, R.A.

Whitesand Bay, Cornwall signed 'Harold Knight'
Sold £18,750.00

 
     
Attributed to Harold Knight attributed Lady on a wooden bridge, oil on canvas, bearing signature
Estimate: £200 - £300 Not Sold
CIRCLE OF HAROLD KNIGHT, THE NEW DRESS Oil on canvas
Sold £800.00
Follower of Harold Knight
Memories oil on canvas GBP 120.00
 
 


 

 


 

 

Harold Knight

ART AND AUTHENTICITY:

 

  Both the duration and direction of any attribution or investigation into the authenticity of a work of art will inevitably vary from project to project, but there are clear and very well defined professional formalities, responsibilities and areas of scrutiny that we can formally assist you with including:

 

Authentication:  Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, complete and formally recognized certification of a work of art.

One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist. By directing detailed and often complicated inquiries, with multilingual capability, full international academic research and any forensic applications that are required.

 

 Attribution: Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or is currently doubted.

 

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its accuracy and legitimacy.


 Scrutiny: Examen minutieux:Identifying fake or faux works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previously given incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are currently , or may be considering litigating or prosecuting the fact. This includes colleagues who are legal professionals and individual private clients.

 Attention: Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

 Appraisal: Évaluation - Valuations, quality and condition reports.

 

 

 

 

 

 

Step one in the Art Authentication and Attribution process.

Harold Knight RA

The Pre-Authentication Assessment

 

    Before you begin any art authenticity, legitimacy, or artist attribution investigation, it is wise to have an impartial preliminary assessment of the viability of the project conducted first. One made to independently and rationally balance any negative issues there may be against the positive elements. You should treat this study as your initial safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

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We will respond to you promptly.

 

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 


 

 

 

ABOUT PAINTING DESCRIPTORS AND AUCTION TERMINOLOGY

Harold Knight RA

 

 

  It is important to clearly understand auction terms that are used in any published descriptor, in order to be cautious of works that may just be painted in the manner of the artist, or even the stylized - would be copies of his works which bear a signature or monogram.

In this case if they were defining the paintings and drawings of the British artist Harold Knight:

 

 Where the name, Harold Knight is given with the first name/s and surname of the artist, usually cited as Harold Knight, then in their qualified and professional opinion they are in no doubt, it is the genuine and authentic item, one painted by the artist himself.

 When Attributed to Harold Knight, or it is similarly written or used as ascribed to or Attrib, [abbreviated,] or ascribed to, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It is only an opinion.

 When Harold Knight; with the term “School of, or Studio of ….” or “Workshop of Harold Knight" or attelier of Harold Knight " is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or a pupil under the principal artists supervision and guidance.

 But if the term Harold Knight circle of, or “Circle of Harold Knight” is specifically used, then in their opinion, it is a work only of the period of the artist, but showing his influence, or someone closely associated with the artist, BUT not necessarily by his pupil or student.

 When the name is given thus; Painted in the “Style of Harold Knight ” or “Follower of Harold Knight is used, this means that in their opinion it is a work of art executed only in the artist’s way, his 'style', but not necessarily by a pupil. Yet it may be contemporary, or nearly contemporary of the artist.

 If the phrase in the “Manner of Harold Knight is used or is defined….” then in their opinion it is also only a work painted in the style of the artist, but of a later date and definitely not by the artist himself.

 When the term “After….Harold Knight "; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist himself or another artist/ printmaker..

 Signed - Harold Knight ; “Dated….” or “Inscribed Harold Knight ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.

 When the term 'bears signature', is used or the name, Harold Knight is specified followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature of Harold Knight /date/or inscription” Then in 'their opinion,' the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 



 

 

 

 

 

SPECIALIST ART AUTHENTICATION LINKS LISTED BY ARTIST

D'AUTHENTIFICATION D'ART PAR ARTISTE

 

 

 

     
APPEL KAREL
BOUVARD  - Famile.
CORNEILLE  Guillaume Beverloo
CROME JOHN
DOU GERRIT
GRIS JUAN
LAM  WILFREDO
MONDRIAN   PIET
PISSARRO CAMILLE
RENOIR PIERRE
SPENLOVE-SPENLOVE FRANK
VAN GOGH VINCENT 
CONYERS BARKER
KLINE FRANZ
PECHSTEIN MAX
MUNNINGS Sir Alfred James
DAUMIER HONORE
EDOUARD MANET

PAUL KLEE

PICASSO USA BRANCUSI  CONSTANTIN
AMOS CASSIOLI
EGON SCHIELE
Pan Tianshou Zao Wou­Ki
YOSHITOMO NARA ANITA MAGSAYSAY-HO
CHEN CHENG-PO
ATSUKO TANAKA
Thomas Sydney Cooper Jackson Pollock
Georges Braque
Andy Warhol
Lucian Freud George Stubbs
Edward Hopper
Jan Gossart
Frederick Edwin Church Edvard Munch
George Romney
James McNeil Whistler
Pieter Brueghel Leonardo Da Vinci
Michelangelo Merisi da Caravaggio
El Greco
George Armfield Mary Cassatt
Cy Twombly
George Morland
Henri Martin Henri Edmond Cross
Pierre Bonnard
Gustave Loiseau
Theo van Rysselburgh Armand Guilllaumin
Emile Bernard
Massimo Campigli
Kees van Dongen Leon de Smet
Victor Brauner
Auguste Herbin
Charles Camoin Moise Kisling
Jean-Pierre Cassigneul
Jean Metzinger
Alfons Walde Alfred Sisley
Andre Lhote
Gustave Caillebotte
Barend Cornelis KOEKKOEK Alfred Stevens
JOAQUÍN SOROLLA
James Ensor
Alexander Archipenko Isaac Israels
Henri Fantin-Latour
Odilon Redon
Hendrik Willem Mesdag Henri Gervex
Paul Sérusier
JAWLENSKI Alexej von
Matthijs Maris Maxime Maufra
John Brett
GRIMSHAW John Atkinson Edward Seago
Jack Butler Yeats
Maximillien Luce
VALADON Suzanne Francis Picabia
Jean Francois Millet
Leon Lhermitte
FLINT Sir William Russell Augustus John
Winston Churchill
Paul Maze
David Cox Snr Myles Birket Foster
Thomas Bush Hardy
Philip Wison Steer
Paul Sandby Edward Lear R.A.
William Henry Hunt
Richard Parkes Bonington
David Roberts RA John Sell Cotman
William Hogarth
John Northcote Nash
Paul Nash John Piper CH
Ben Nicholson
Samuel Peploe
Graham Sutherland Ivon Hitchens
Sir Terry Frost
Dame Laua Knight
John Anthony Park Walter Wm Sickert
Lamorna Birch
Frank Auerbach
William Orpen Robert Bevan
Glyn Philpot
Christopher Wood
Archibald Thorburn William J. Glacken
Helen Allingham
Marcel Dyf
Andreas Schelfhout Anders Zorn
Charles Conder
David Wynfield
Edward Ladell

Horatio Henry Couldery

Dorothea Sharp Thomas Blinks
Henry Herbert La Thangue John William Waterhouse
William Henry Margetson
Jean-Léon Gérôme Jasper Johns
Henri Lebasque Louis Valtat
Benjamin Williams Leader Hector Caffierri  

 

 

ART AUTHENTICATION LINKS BY GENRE

LIENS D'AUTHENTIFICATION D'ART PAR GENRE

 
 

OLD  MASTER  ART

Art Ancien

17-18C EUROPEAN ROCOCO ART

17-18C Rococo Européen

EUROPEAN  ART   AUTHENTICATION

Authentification d'art européen

GERMAN  ART   AUTHENTICATION
Authentification de l'art allemand

ALTARPIECE &  PANEL  PAINTINGS

Retable et peintures de panneaux

IMPRESSIONIST   &  MODERN  ART

Art impressionniste et moderne

BRITISH  ART   AUTHENTICATION

Authentification d'art britannique

FRENCH  ART   AUTHENTICATION

Authentification d'art français

SCOTTISH  ART

Authentification de l'art écossais

Art hollandais et flamand

JUDAICA- Jewish Art

Judaica - Authentification de l'art juif

IRISH ART AUTHENTICATION

Authentification d'art irlandais

AMERICAN ART AUTHENTICATION

Authentification d'art américain

RUSSIAN ART AUTHENTICATION

Authentification d'art russe

SPANISH ART

Authentification d'art espagnol

CUBAN ART

Authentification d'art cubain

CANADIAN ART AUTHENTICATION

Authentification d'art canadien

HUNGARIAN ART

Authentification d'art hongrois

NORDIC - SCANDINAVIAN ART

Art nordique et scandinave

ISRAELI  ART

Authentification d'art israélien

MINIATURE PORTRAITS

ITALIAN ART AUTHENTICATION

Authentification d'art italien

CORNISH ART

INTERNATIONAL PORTRAITURE

 


       

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1871-1884 | 1885- 1888 1889 - 1890 | 1891 - 1893 | 1894 - 1896 | 1897 - 1899 | 1900 - 1903

 

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Harold Knight Expert International Fine Art Authentication Investigations | British and Cornish Art Experts Specializing in Investigating Authenticity and artist Attributions - Landscapes Watercolours and Oils | Provenance investigation specialists

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Harold Knight, Expert Fine Art Authentication Investigations. British Watercolours - Authenticity Investigation Experts - Full Provenance Research and Verification.Services - Forgery Identification and Art Fraud Investigator

Harold Knight Expert International Old Master Fine Art Authentication Investigators - Multilingual Researchers. Fake & Forgery Identification and Art Fraud Investigators. Provenance Backgrounding and Verification Services -