Nicolas de Staël Expert International Art Authentication Investigations Experts, Scottish art- forgery and fake art detection, paintings studio attribution portrait, painting, pastel, watercolour, oil, landscape, drawing.

Nicolas de Staël

Authentication Investigations

 
Enquêteurs d'authentification

Investigadores de autentificación

محققو مصادقة فن كوروت

Ermittler der Kunstauthentifizierung

Nicolas de Staël

Investigadores de autenticação da Art

Nicolas de Staël

Арт Следователи

艺术真实性调查员

Kunsoutentiteit ondersoeker

פיין קונסט אָטאַנטיסיטי ינוועסטאַגייטער

 

Authentication & Attribution Investigators

 
 
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EXPERTS INVESTIGATEURS INTERNATIONAUX EN AUTHENTICITÉ DES BEAUX-ARTS - ARTISTES ATTRIBUTION LEGITIMACY CONSULTATIONS

 

EXPERTS INVESTIGATEURS INTERNATIONAUX EN AUTHENTICITÉ DES BEAUX-ARTS - ARTISTES ATTRIBUTION LEGITIMACY CONSULTATIONS

ESPERTI INTERNAZIONALI INDAGINI SULL'AUTENTICAZIONE DELL'ARTE FINE - ATTRIBUZIONE DELL'ARTISTA E RICHIESTE DI LEGITTIMITÀ RICERCATORI SPECIALI DELL'ARTE FINE -

SERVIZI DI VERIFICA DELLA PROVENIENZA - RILEVAMENTO DI FALSI E FORGERIA DUE DILIGENCE SCRUTINY - ACQUISIZIONE E GESTIONE DEL PATRIMONIO FINE ART

 

 

 

 

 

 

Investigating the Authenticity of Paintings and works of art believed to be by or Attributed to;

Nicolas de Staël

Russian-born French painter

B; Saint Petersburg, 1914 - D: Antibes, 1955

 

 

  Modern abstract figure and landscape artist dramatically influenced by André Lanskoy whose created highly textured, impasto surfaces.

  Any of the believed to be Nicolas de Staël works of art that come to light, are likely to need a far deeper investigation of their authenticity to be absolutely certain of legitimacy, or that a previously given attribution is correct.

The provenance and history associated with a work of art is critical and must be scrutinized and the facts established to determine if it too is valid.. Or indeed that any description of a work of art claiming to be by the artist is correct and can truly be relied upon.

 When an artists works are highly sought after and make substantial sums in the art market, it is a simple ploy to add a signature, monogram, or forged studio stamp, an inscription, or gallery label to a previously anonymous work. One of a similar type, form, manner or style of the artist that was created by a follower and this is the most common form of forgery and criminal deception we see.

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 We are international fine art consultants and authenticity investigators specialising in conducting full investigations into the authenticity of works of art created by artists in all categories, regions and from historical eras. We scrutinize and track provenance, confidentially serving and advising both private individuals and corporate clients from around the world for over 45 years.

 We can assist and advise you in all fine art related matters, particularly issues of authentication, legitimacy and the attribution of old and modern master works of art. Including the fine works of Nicolas de Staël, the studio, circle or followers, or any works of art that you are unsure about.

 Some examples of paintings appear below.  No inference is made nor intended as to questioning authenticity, moreover they are a cross the board representational view of the types of works offered for sale at auction internationally, some of which will need to be understood and sometimes specifically need to be fully qualified and authenticated.

 

   

 

     

Nicolas de Staël (1914-1955) Parc des

Princes (Les grands footballeurs) signé 'Staël' (en bas à gauche); signé de nouveau, daté et titré 'PARC DES PRINCES Staël 1952' (au revers) huile sur toile

Sold €20,000,000.00 US $22,149,865.00

Nicolas de Staël (1914-1955) Nu Debout stamped

with the artist's signature 'Staël' (on the reverse) oil on canvas Sold $12,125,000.00

Nicolas de Staël (1914-1955) Agrigente signed 'Staël' (lower left); signed, titled and dated 'Agrigente Août 1953 Staël' (on the reverse) oil on canvas £8,382.842.00
 

     

Nicolas de Staël (1914-1955) Selinunte

signed ‘Staël’ (upper left); signed, titled and dated ‘SELINUNTE Staël 1954’oil on canvas Painted in 1953 £2,882,500.00

NICOLAS DE STAËL (1914-1955) Barques dans le Port (Boats in the Harbour) signed ‘Staël’ oil on canvas £2,411.250.00

Nicolas de Staël 1914 - 1955 BOL GRIS
signed Staël  oil on canvas

SOLD. 275,000 EUR

 
     

NICOLAS de STAEL 1914-1955 [circle of]

signed oil Untitled Composition, oil on canvas, bears a signature lower right date unknown, Estimate: AUD $10,000 - AUD15,000  Passed

NICOLAS DE STAEL Abstract Gouache on paper,

featuring nude body, signed and attributed.

Nicolas de Stael on the lower left corner

Estimate: $4,000 - $6,000 Not Sold

After Nicolas de Staël, Russian/French 1914-1955- Landscape; oil on canvas £40.00
 
 
 
 

 

 

 

  

 Fine Art Authentication

 

The duration and direction of any attribution or investigation into the authenticity of a work of art will inevitably vary from project to project, but there are clear and very well defined professional formalities, responsibilities and areas of scrutiny that we can formally assist you with including:

 

Authentication: Authentification: Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, complete and formally recognized certification of a work of art.

One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist. By directing detailed and often complicated inquiries, with multilingual capability, full international academic research and any forensic applications that are required.

 

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or is currently doubted.

 

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its accuracy and legitimacy.


 Scrutiny: Examen minutieux:Identifying fake or faux works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previously given incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are currently , or may be considering litigating or prosecuting the fact. This includes colleagues who are legal professionals and individual private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

 Appraisal: Évaluation - Valuations, quality and condition reports.

 

 

 

 

Step one in the Art Authentication and Attribution process.

The Pre-Authentication Assessment

 

    Before you begin any art authenticity, legitimacy, or artist attribution investigation, it is wise to have an impartial preliminary assessment of the viability of the project conducted first. One made to independently and rationally balance any negative issues there may be against the positive elements. You should treat this study as your initial safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

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We will respond to you promptly.

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 


 

 

ABOUT A PAINTINGS DESCRIPTOR AND ITS TERMINOLOGY

 

  It is important to very clearly understand the auction terms that are used in a published descriptor and to to be cautious of works that may just be painted in the manner of the artist, or being confused by stylized - would be copies of works which bear a signature or monogram.

In this case the paintings and drawings of the artist Nicolas de Staël (1914-1955).

 

  •  Were the name, Nicolas de Staël (1914-1955)is given with the first name/s and surname of the artist, usually cited as Nicolas de Staël (1914-1955), then in their qualified and professional opinion they are in no doubt, it is the genuine and authentic item, one painted by the artist himself.
  •  When Attributed to Nicolas de Staël (1914-1955) or it is similarly written or used as Attrib, [abbreviated,] or Attribué à, or ascribed to, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It is only an opinion.
  •  When Nicolas de Staël (1914-1955); with the term “School of, or Studio of ….” or “Workshop of Nicolas de Staël" or attelier of Nicolas de Staël " is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or if there was a pupil training under the principal artists supervision and guidance.
  •  But if the term Nicolas de Staël circle of, or “Circle of Nicolas de Staël” is specifically used, then in their opinion, it is a work only of the period of the artist, but showing his influence, or someone closely associated with the artist, BUT not necessarily by his pupil or student.
  •  When the name is given thus; Painted in the “Style of Nicolas de Staël ” or “Follower of Nicolas de Staël is used, this means that in their opinion it is a work of art executed only in the artist’s way, his 'style', but not necessarily by a pupil. Yet it may be contemporary, or nearly contemporary of the artist.
  •  If the phrase in the “Manner of Nicolas de Staëlis used or is defined….” then in their opinion it is also only a work painted in the style of the artist, but of a later date and definitely not by the artist himself.
  •  When the term “After…. Nicolas de Staël "; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist himself or another artist/ printmaker..
  •  Signed - Nicolas de Staël ; “Dated….” or “Inscribed Nicolas de Staël ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.
  •  When the term 'bears signature', is used or the name, Nicolas de Staël is specified followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature of Nicolas de Staël /date/or inscription” Then in 'their opinion,' the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 



 

 

 

 

 

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Jean-Léon Gérôme Jasper Johns
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Sir Lawrence Alma-Tadema Arthur Wardle
Spencer Gore Sir Robin Philipson
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Nicolas de Staël Expert International and Art Authentication Investigations | Modern French Painting Experts Specializing in Investigating Authenticity and the Verification of Artist Attributions | Provenance Investigation specialists

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