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Investigating the Authenticity of Paintings and works of art believed to be by or Attributed to;

Andrea del Verrocchio  and Workshop

Andrea di Michele di Francesco de' Cioni

15C Italian Painter and Sculptor.

(c. 1434/1437–1488)

 All of the believed to be Andrea del Verrocchio, studio or workshop works of art that surface, will need a far deeper investigation of their authenticity to be absolutely certain of both legitimacy, or that a previously given attribution is indeed correct.

The provenance and history associated with a work of art is critical and also  must be scrutinized to determine if it is valid and sound, or that any description of a work of art claiming to be by him is correct and can truly be relied upon.

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 We are international fine art consultants and authenticity investigators specialising in conducting full investigations into the authenticity of works of art created by artists in all categories, in all regions and from historical eras. We fully scrutinize and track provenance,confidentially serving both private individuals and corporate clients from around the world for over 45 years.

 UK and Europe based, we can assist and advise you in all fine art related matters, particularly issues of authentication, legitimacy and the attribution of old master works of art. Including the fine works of Andrea del Verrocchio , his studio, circle or followers, or any works of art that you are unsure about.

 Some examples of works appear below.  No inference or question is made or intended as to their authenticity, moreover they are a cross the board representational view of the types of works offered for sale at auction internationally, some of which will need to be understood and sometimes some will specifically need to be fully qualified and authenticated.

Workshop of Andrea del Verrocchio

FLORENCE 1435 - 1488 VENICE THE

MADONNA AND CHILD tempera on panel

Price realised: £780,450.00
US $1,192,665.00

Estimate: US$80,000 - US$120,000
Price realised: US $842,500.00

Workshop of Andrea del Verrocchio, circa 1470, traditionally attributed to Leonardo da Vinci
DRAPERY STUDY OF A KNEELING FIGURE FACING LEFT

LOT SOLD. £1,762,500 GBP

   The duration and direction of any attribution or investigation into the authenticity of an old master work of art will inevitably vary from project to project, but there are clear and very well defined professional formalities, responsibilities and areas of scrutiny that we can formally assist you with including:

Authentication: Authentification: Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, complete and formally recognized certification of a work of art.

One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist. By directing detailed and often complicated inquiries, with multilingual capability, full international academic research and any forensic applications that are required.

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or is currently doubted.

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its accuracy and legitimacy.

 Scrutiny: Examen minutieux:Identifying fake or faux works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previously given incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are currently , or may be considering litigating or prosecuting the fact. This includes colleagues who are legal professionals and individual private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 Appraisal: Évaluation - Valuations, quality and condition reports.

Andrea del Verrocchio and Studio

Step one in the Art Authentication and Attribution process

The Pre-Authentication Assessment

    Before you start any art authenticity, legitimacy, or artist attribution investigation, it is wise to have an impartial preliminary assessment of the viability of the project conducted first. One made to independently and rationally balance any negative issues there may be against the positive elements. You should treat this study as your initial safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead

See our FAQ's for details of the process

CONTACT US

We will respond to you promptly.

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

  Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

ABOUT A PAINTING DESCRIPTOR AND TERMINOLOGY

  It is important to very clearly understand auction terms that are used in any published descriptor, in order to be cautious of works that may just be painted in the manner of the artist, or even the stylized - would be copies of his works which bear a signature or monogram.

In this case if they were defining the paintings and drawings of the artist Andrea del Verrocchio (c. 1434/1437–1488).

 Were the name, Andrea del Verrocchio (c. 1434/1437–1488) is given with the first name/s and surname of the artist, usually cited as Andrea del Verrocchio, then in their qualified and professional opinion they are in no doubt, it is the genuine and authentic item, one painted by the artist himself.

 When Attributed to Andrea del Verrocchio (c. 1434/1437–1488), or it is similarly written or used as Attrib, [abbreviated,] or ascribed to, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It is only an opinion.

 When Andrea del Verrocchio; with the term “School of, or Studio of ….” or “Workshop of Andrea del Verrocchio" or attelier of Andrea del Verrocchio " is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or a pupil under the principal artists supervision and guidance.

 But if the term Andrea del Verrocchio circle of, or “Circle of Andrea del Verrocchio” is specifically used, then in their opinion, it is a work only of the period of the artist, but showing his influence, or someone closely associated with the artist, BUT not necessarily by his pupil or student.

 When the name is given thus; Painted in the “Style of Andrea del Verrocchio ” or “Follower of Andrea del Verrocchio is used, this means that in their opinion it is a work of art executed only in the artist’s way, his 'style', but not necessarily by a pupil. Yet it may be contemporary, or nearly contemporary of the artist.

 If the phrase in the “Manner of Andrea del Verrocchio is used or is defined….” then in their opinion it is also only a work painted in the style of the artist, but of a later date and definitely not by the artist himself.

 When the term “After….Andrea del Verrocchio "; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist himself or another artist/ printmaker..

 Signed - Andrea del Verrocchio ; “Dated….” or “Inscribed Andrea del Verrocchio ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.

 When the term 'bears signature', is used or the name, Andrea del Verrocchio is specified followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature of Andrea del Verrocchio /date/or inscription” Then in 'their opinion,' the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

We can assist and advise you in all fine art related matters.

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