Emily Carr Expert International Art Authentication Investigations Experts Canadian art and artist attributions, art forgery fake art detection, group of seven paintings  landscape , oil, drawing.

Emily Carr

Fine Art Authentication Investigations

 
Enquêteurs d'authentification

Investigadores de autentificación

محققو مصادقة فن كوروت

Ermittler der Kunstauthentifizierung

Emily Carr

AUTHENTICATION AND ATTRIBUTION INVESTIGATION

Investigadores de autenticação da Art

Emily Carr

Арт Следователи

艺术真实性调查员

 

Kunsoutentiteit ondersoeker

פיין קונסט אָטאַנטיסיטי ינוועסטאַגייטער

 
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ESPERTI INTERNAZIONALI INDAGINI SULL'AUTENTICAZIONE DELL'ARTE FINE - ATTRIBUZIONE DELL'ARTISTA E RICHIESTE DI LEGITTIMITÀ

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DUE DILIGENCE SCRUTINY - ACQUISIZIONE E GESTIONE DEL PATRIMONIO FINE ART

 

 

Investigating the Authenticity and Attributions of works of art believed to be by;

Emily Carr

(1871 - 1945)

Canadian

 

 

   Emily Carr trained after the death of both her parents at the California School of Design, spending more than three years in San Francisco. Pressing on with her art education she did further training, this time in traditional watercolour style in England and moved to France to be heavily influence by the Post-Impressionists of Brittany.

 Throughout her career, she had turned to the modes of painting that were prevalent and developing at the time and tried most, but never settled in one, instead, developing her own unique manner and handling.

 She had been and was hugely committed to documenting the First Nations cultures of British Columbia where she was born and where most of her creative output was made and of course, her most famous works created.

Great totems, dark forests and swirling atmospheric landscapes are her signatures.

 Her work is highly regarded and collectible today, thus it's valuable and getting more and more rare. So it's important to reflect on the fact that long lost paintings, or those recently discovered that are actually painted by Emily Carr, are going to be few and far between. Though it's not impossible for them to appear, as they may be tucked away with Canadian families for decades and are only now resurfacing.

 More commonly however, paintings that do appear are attributed to an artists hand, as well as those that are contributed from within their circle of influence, or those created by an artists followers. These in themselves are artists of all standards and calibres, who are simply working in an artists way and at any time in the past and with this brings a risk. You must ask, is the attribution to a specific artist and a description of a work itself, reliable and sound?

 It is important to be able to distinguish between those works actually executed by an artist such as Emily Carr, compared to those either 'claiming' to be by the artist, or rather that we are told are by them.

There are scholarly academic attributions  of course, the poorly informed guesses and the deliberate attempts of deception by forgery. 

This unfortunately is fairly common and includes the adding of signatures, monograms or inscriptions to otherwise anonymous works of art. They are effected in the main in a generally similar manner to a particular artist and clearly devised to impress a potential, gullible purchaser. 

And this is the most common form of art fraud we see.

 But as the values of her works are high, there are always the excellent attempts at mimicking an artist by directly forging new variants of their works to identify. These are usually executed over the top of an old pot boiler or amateur painting, bought at auction cheaply and convincingly from the artists era and cleaned off with solvents.

* * *

 As an international specialist fine art consultancy, with bases in Canada, but also the UK and Europe to undertake our Old and Modern master research work archivally, we have been confidentially serving both private individuals and corporate clients around the world for over 45 years.

 In so doing, investigating both single works of art and complete collections for clients and conducting in-depth authentication and legitimacy investigations and inquiries, as well as full academic and forensic investigations with multilingual archival research into the origins of all works of art from different geographical regions and periods. We also scrutinize and research the provenance and ownership lineage for verification purposes.

 We are able to assist and advise you in all fine art related matters, particularly issues of Canadian art authenticity and attributions, including the works of Emily Carr, her circle, or those of her followers. Frankly, any works of art that you need to learn about.

 Some example paintings , associated with this name appear below as illustrations. 

Note: No inference is made, nor is it intended as to the question of legitimacy here. Moreover these are an across the board representational view of the differing types of works that are and may in the future be offered and advertised for sale at auction internationally.

 

 

 

 

     
Emily Carr (1871 - 1945)
SUNLIGHT IN THE FOREST
Signed lower left EMILY CARR
Oil on canvas
Sold CAD $750,000.00
Emily Carr (1871 - 1945)
CANAL IN BRITTANY
Signed  Oil on board
Sold CAD $140,500.00
Emily Carr (1871 - 1945)
WOMAN KNITTING - REPOSE #3
Signed, dated 1911
Watercolour
Sold CAD $117,500.00
     
     
Emily Carr (1871 - 1945)
FOREST INTERIOR
Signed M E CARR
Oil on paper, mounted on board
Sold CAD $71,500.00
Emily Carr (1871 - 1945)
The Crazy Stair (aka The Crooked Staircase)
Oil on canvas
Sold CAD $3,393,000.00 at Heffels auction in 2013 a record price for a Carr.
Emily Carr (1871 - 1945)
BRITISH COLUMBIA LANDSCAPE
Signed and dated l.l. Emily Carr 194
Oil on paper laid down on plywood
Sold CAD $359,000.00
     
     
Emily Carr (1871 - 1945)
A Forest Landscape
Charcoal
Sold CAD $26,400.00
Attributed to Emily Carr (1871 - 1945)
The Lions
Watercolour on paper
Sold CAD $2,091.00
After Emily Carr (1871-1945)
Indian Church
Serigraph
Sold CAD $185.00
     
     

Emily Carr 1871-1945 Canada Ink Landscape ca. 1911
Description
Pen and ink on paper, featuring landscape sketch, with sticker and attr. Emily Carr (Canadian, 1871-1945) on verso, dated 1911, with sticker of George Rowney & Co, London,

Estimate 500.00 - 1,000.00 USD

Price Realized 175.00 USD

EMILY CARR Canadian 1871-1945 Oil ca.1908

Oil on board, framed, featuring forest landscape and walking woman, signed and attr. Emily Carr

Estimate: $3,000 - $5,000 WAS NOT SOLD

 

CARR, Emily, (Canadian, 1871-1945): Wilderness Landscape by Stream, Oil/Canvasboard, 10" x 14", signed lower right M.E. Carr

Estimate: $6,000 - $8,000

     
     
     

 

 

 

 

 

Fine Art Authentication Investigation

 

 

   The duration and the direction of any authenticity investigation or inquiry into an attribution of a work of art will inevitably vary from project to project. But there are clear and very well defined professional formalities, responsibilities and areas of scrutiny that we can formally assist you with, including:

 

  • Authentication: Authentification:   Conducting comprehensive investigations and in depth research into a work of art, with a view to establishing a correct, complete and formally recognized certification. One absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or given expert on that artist. Directing detailed and complicated inquiries, with multilingual capability, including any international academic research and forensic applications that are required.

 

  •  Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or is currently formally doubted.

 

  •  Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its accuracy and own legitimacy.

  •  Scrutiny: Examen minutieux:  Identifying fake or faux works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previously given, incorrect attributions.

  •  Prosecution: Poursuite:  Investigating alleged art fraud and forgery and assisting and advising those who are currently, or may be considering litigating or prosecuting the fact. This includes colleagues who are legal professionals and individual private clients.

  •  Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating well balanced future family distribution.

 

  •  Appraisal: Évaluation -  Valuations and condition reports.

 

 

 

 

 

 

 

 

Step one in the Art Authentication and Attribution process.

The Pre-Authentication Assessment

   L'évaluation de pré-authentification. La evaluación previa a la autenticación

 

 

 We strongly advise clients before embarking on a full investigation of legitimacy or an artist or studio attribution inquiry, that it is wise to have an impartial preliminary assessment conducted first. One made to balance any issues that may be present that could make the longer term exercise unviable.

 This is a professional advisory service that we provide, based upon the images you supply, the full details of work of arts acquisition, its history and provenance as is known to you, along with sight of any documentation, previous research or analysis that you may have had formerly conducted on it. You should then have a far better understanding of both the prospects or any pitfalls we might face, before making a decision.

This is a logical and cost effective professional review and advisory for which there is a modest set fee.

Our FAQ section covers this in more detail, or:

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ABOUT A WORK OF ARTS DESCRIPTOR AND TERMINOLOGY

 

  *It is very important to clearly understand the auction terms that are commonly used in any published descriptor and to be cautious of works that may just be created in the 'manner of' the artist, or those which could be variants of the artists works of art that 'bear a signature' or monogram. In this case as if they were defining the creations of the Canadian artist; Emily Carr (1871 - 1945)

  •  Where the name, Emily Carr (1871 - 1945), is given with the first name/s and surname of the artist, usually cited as, Emily Carr (1871 - 1945) including her dates to be specific, then in their qualified and professional opinion, they are in no doubt. It is a genuine and authentic item and one painted by that artist. This is usually fully qualified by its inclusion in any catalogue raissone, or by the guarantee of the opinion given by the appropriate and internationally recognized expert authority on the artist.
  •  When Emily Carr (1871 - 1945) is the term used, or it is similarly defined as Attrib. to ' [abbreviated,] or Attribué à, or ascribed to, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It is only an opinion that it 'possibly' may be by him.
  •  But if the term Emily Carr (1871 - 1945) - circle of, entourage, or “Circle of Emily Carr ” is specifically used, then in their opinion, it is a work only of the period of the artist, but showing their influence. Or by someone closely associated with the artist, BUT not necessarily by their pupil or student.
  •  When the name is given thus; Painted in the “Style of Emily Carr ” or “Follower of Emily Carr is used, this means that in their opinion it is a work of art executed only in the artist’s way, their 'style', but not necessarily by a pupil. Yet it may be a contemporary, or nearly a contemporary of the artist.
  •  If the phrase in the “Manner Emily Carr is used or is defined….” then in their opinion it is also only a work painted in the style of the artist, but of a later date and definitely not by the artist as named.
  •  When the term “After….Emily Carr "; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist or another artist/ printmaker.
  •  Signed - Emily Carr ; “Dated….” or “Inscribed Emily Carr ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.
  •  When the term 'Bears signature', is used or the name, Emily Carr is specified followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature of Emily Carr /date/or inscription” Then in 'their opinion,' either the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

 

We can assist and advise you in all fine art related matters.



 

 

 

 

 

SPECIALIST ART AUTHENTICATION LINKS LISTED BY ARTIST

D'AUTHENTIFICATION D'ART PAR ARTISTE

 

 

 

     
APPEL KAREL
BOUVARD  - Famile.
CORNEILLE  Guillaume Beverloo
CROME JOHN
DOU GERRIT
GRIS JUAN
LAM  WILFREDO
MONDRIAN   PIET
PISSARRO CAMILLE
RENOIR PIERRE
SPENLOVE-SPENLOVE FRANK
VAN GOGH VINCENT 
CONYERS BARKER
KLINE FRANZ
PECHSTEIN MAX
MUNNINGS Sir Alfred James
DAUMIER HONORE
EDOUARD MANET

PAUL KLEE

PICASSO USA BRANCUSI  CONSTANTIN
AMOS CASSIOLI
EGON SCHIELE
Pan Tianshou Zao Wou­Ki
YOSHITOMO NARA ANITA MAGSAYSAY-HO
CHEN CHENG-PO
ATSUKO TANAKA
Thomas Sydney Cooper Jackson Pollock
Georges Braque
Andy Warhol
Lucian Freud George Stubbs
Edward Hopper
Jan Gossart
Frederick Edwin Church Edvard Munch
George Romney
James McNeil Whistler
Pieter Brueghel Leonardo Da Vinci
Michelangelo Merisi da Caravaggio
El Greco
George Armfield Mary Cassatt
Cy Twombly
George Morland
Henri Martin Henri Edmond Cross
Pierre Bonnard
Gustave Loiseau
Theo van Rysselburgh Armand Guilllaumin
Emile Bernard
Massimo Campigli
Kees van Dongen Leon de Smet
Victor Brauner
Auguste Herbin
Charles Camoin Moise Kisling
Jean-Pierre Cassigneul
Jean Metzinger
Alfons Walde Alfred Sisley
Andre Lhote
Gustave Caillebotte
Barend Cornelis KOEKKOEK Alfred Stevens
JOAQUÍN SOROLLA
James Ensor
Alexander Archipenko Isaac Israels
Henri Fantin-Latour
Odilon Redon
Hendrik Willem Mesdag Henri Gervex
Paul Sérusier
JAWLENSKI Alexej von
Matthijs Maris Maxime Maufra
John Brett
GRIMSHAW John Atkinson Edward Seago
Jack Butler Yeats
Maximillien Luce
VALADON Suzanne Francis Picabia
Jean Francois Millet
Leon Lhermitte
FLINT Sir William Russell Augustus John
Winston Churchill
Paul Maze
David Cox Snr Myles Birket Foster
Thomas Bush Hardy
Philip Wison Steer
Paul Sandby Edward Lear R.A.
William Henry Hunt
Richard Parkes Bonington
David Roberts RA John Sell Cotman
William Hogarth
John Northcote Nash
Paul Nash John Piper CH
Ben Nicholson
Samuel Peploe
Graham Sutherland Ivon Hitchens
Sir Terry Frost
Dame Laua Knight
J A Park Walter Wm Sickert
Lamorna Birch
Frank Auerbach
William Orpen Robert Bevan
Glyn Philpot
Christopher Wood
Archibald Thorburn William J. Glacken
Helen Allingham
Marcel Dyf
Andreas Schelfhout Anders Zorn
Charles Conder
Edward Ladell

Horatio Henry Couldery

Dorothea Sharp Thomas Blinks
Henry Herbert La Thangue John William Waterhouse
William Henry Margetson
Jean-Léon Gérôme Jasper Johns
Henri Lebasque Louis Valtat
Benjamin Williams Leader Hector Caffierri
Sir Lawrence Alma-Tadema Arthur Wardle
Spencer Gore Sir Robin Philipson
Heywood Hardy Mary Fedden
Joan Mitchell Sigmar Polke
Alexander Calder Helen Frankenthaler
Per Kirkeby John Duncan Fergusson
Roderic O'Coner Giovanni Boldini
Bernardo Bellott Alexander Nasmyth
Giandomenico Tiepolo Francesco Zuccarelli
Francisco de Zurbarán Giovanni Battista Salvi- Sassoferrato
Guido Reni Sir Thomas Lawrence
Peter van de Veld Guido Cagnacci
Nicolas Poussin Claude Lorraine
Ludovico Carracci John Martin
Frans Snyders Pieter Coecke van Aels
Jean-Antoine Watteau Ferdinand Bol
Orazio Gentileschi Bartolomé Esteban Murillo
Marcantonio Franceschini Ramón Casas
Lorenzo Lippi John Singleton Copley
Jean-Paul Riopell Leon Spilliaert
Arthur Lismer Lawren Harris
Frank (Franz) Johnston J E H MacDonald  

 

 

 

 

ART AUTHENTICATION LINKS BY GENRE

LIENS D'AUTHENTIFICATION D'ART PAR GENRE

 
 

OLD  MASTER  ART

Art Ancien

17-18C EUROPEAN ROCOCO ART

17-18C Rococo Européen

EUROPEAN  ART   AUTHENTICATION

Authentification d'art européen

GERMAN  ART   AUTHENTICATION
Authentification de l'art allemand

ALTARPIECE &  PANEL  PAINTINGS

Retable et peintures de panneaux

IMPRESSIONIST   &  MODERN  ART

Art impressionniste et moderne

PONT- AVEN  ECOLE D'ARTE

BRITISH  ART   AUTHENTICATION

Authentification d'art britannique

FRENCH  ART   AUTHENTICATION

Authentification d'art français

SCOTTISH  ART

Authentification de l'art écossais

Art hollandais et flamand

JUDAICA- JEWISH ART

Judaica - Authentification de l'art juif

IRISH ART AUTHENTICATION

Authentification d'art irlandais

AMERICAN ART AUTHENTICATION

Authentification d'art américain

RUSSIAN ART AUTHENTICATION

Authentification d'art russe

SPANISH ART

Authentification d'art espagnol

CUBAN ART

Authentification d'art cubain

CANADIAN ART AUTHENTICATION

Authentification d'art canadien

HUNGARIAN ART

Authentification d'art hongrois

NORDIC - SCANDINAVIAN ART

Art nordique et scandinave

ISRAELI  ART

Authentification d'art israélien

MINIATURE PORTRAITS

ITALIAN ART AUTHENTICATION

Authentification d'art italien

CORNISH ART

INTERNATIONAL PORTRAITURE

 


 

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Emily Carr Expert Authentication ~ Attribution Investigations . Canadian Art Experts and  Specialist Researchers. Fake Identification ~ Due Diligence – Provenance Verification

Emily Carr Expert Authentication ~Attribution Investigations || Canadian Fine Art Experts – Specialist Researchers || Provenance Verification Investigation - International Art Fraud Investigators

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Emily Carr Authentication & Attribution Investigation Experts Canadian art experts and specialist art researchers and investigators. Expert in Provenance Verification Services. Due dilignec and faux and forgery identification

Emily Carr Authentication & Workshop Attribution Investigation Experts - Expert Investigators & Researchers. Provenance Verification Services.