Investigating the Authenticity & Attributions of Works of Art believed to be by:

Jan Davidszoon de Heem & Workshop

Jan Davidsz. De Heem also called Johannes de Heem ~ Johannes van Antwerpen & Jan Davidsz de Hem

Sig: J. De heem

(UTRECHT 1606 - 1683/4 ANTWERP)

FLEMISH

 Here was a man who could not have had a better teacher in van der Ast and he was destined to be a successful artist, one that was popular with both the public and his peers.

His early works in principal were monochromatic still life works and his subjects included books and musical instruments. Only latterly did he  change his style and his palette to service the modern and fashionable trend of the times with the bright and colourful floral and fruit combinations that he became acknowledged for.

 Without question, his works fetch exceptionally high values at auction today and as some of the examples indicate below, many far outstrip their auction estimates. But as with all artists that achieve such high monetary values, this is open to incorrect attribution, either mistakenly made or deliberately devised to decieve, or to straightforward faking, most often by the addition of a forged signature to an otherwise similar work of type and of age created by a follower.

 We are able to assist and advise you in all fine art related matters, particularly issues of the legitimacy and attributions of International and European old and modern master fine art, including the works of Jan Davidsz. de Heem, his direct circle and any other work of art that you need assistance or advice with.

Some examples associated with his name appear below simply as comparative illustrations.

*No inference is made, nor is it intended as to the question of legitimacy here. Moreover they are an across the board, representational view of the differing types of works of art that have, are, or may in the future be offered and advertised for sale at auction internationally in the public domain that you may need specialist advise on.

   The duration and the direction of any authenticity investigation or inquiry into an attribution of a work of art, will inevitably vary from project to project. But there are clear and very well defined expert professional formalities, responsibilities and areas of scrutiny that we can formally assist you with. These include:

• Authentication: Authentification:   Conducting comprehensive investigations and in depth research into a work of art, with a view to establishing a correct, complete and formally recognized certification. One absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or given expert on that artist. Directing detailed and complicated inquiries, with multilingual capability, including any international academic research and forensic applications that are required.
  

•  Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or is currently formally doubted.
  

•  Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its accuracy and own legitimacy.
  
  

•  Scrutiny: Examen minutieux:  Identifying fake or faux works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previously given, incorrect attributions.
  
  

•  Prosecution: Poursuite:  Investigating alleged art fraud and forgery and assisting and advising those who are currently, or may be considering litigating or prosecuting the fact. This includes colleagues who are legal professionals and individual private clients.
  
  

•  Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating well balanced future family distribution.

•  Appraisal: Évaluation -  Valuations and condition reports.

Step one in the Art Authentication and Attribution process.

The Pre-Authentication Assessment

 We strongly advise clients before embarking on a full investigation of legitimacy or an artist or studio attribution inquiry, that it is always wise to have an impartial preliminary assessment conducted first. One made to balance any issues that may be present that could make the longer term exercise unviable.

 This is a professional advisory service that we provide, based upon the images you supply, the full details of work of arts acquisition, its history and provenance as is known to you, along with sight of any documentation, previous research or analysis that you may have had formerly conducted on it. You should then have a far better understanding of both the prospects or any pitfalls we might face, before making a decision.

This is a logical and cost effective professional review and advisory for which there is a modest set fee.

Our FAQ section covers this in more detail.

FAQs

CONTACT US

CONTACTEZ NOUS

We will respond to you promptly.

ABOUT A WORK OF ARTS DESCRIPTOR AND ITS TERMINOLOGY

As if in this case as if they were defining the works of the artist;  

Jan Davidsz. de Heem (1606 - 1683/4)

  *It is very important to clearly understand the general auction terms that are widely used in a published descriptor and to be cautious of works that may just be created in the 'manner of' the artist, or those which could be variants of the artists works of art that 'bear an applied signature' or monogram.

•  Where the name, Jan Davidsz. de Heem (1606 - 1683/4) is given with the first name/s and surname of the artist, usually cited as, Jan Davidsz. de Heem .   including the dates to be specific, then in their qualified and professional opinion, they are in no doubt, it is a genuine and authentic item and one painted by that specific artist. This is usually fully qualified by its inclusion in any catalogue raissone, or by the guarantee of the opinion given by appropriate and internationally recognized expert authority on that artist.

•  When Jan Davidsz. de Heem (1606 - 1683/4) is the term used, or it is similarly defined as Attrib. to ' [abbreviated,] or Attribue, or ascribed to, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It is only an opinion that it 'possibly' may be by the artist.

•  But if the term Jan Davidsz. de Heem (1606 - 1683/4) - circle of, entourage, or “Circle of ” Jan Davidsz. de Heem . is specifically used, then in their opinion, it is a work only of the period of the artist, but showing their influence. Or by someone closely associated with the artist, BUT not necessarily by their pupil or student.

•  When the name is given thus; Painted in the “Style of or “Follower of Jan Davidsz. de Heem (1606 - 1683/4) is used, this means that in their opinion it is a work of art executed only in the artist’s way, in their 'style', but not necessarily by a pupil. Yet it may be a contemporary, or nearly a contemporary of the artist.

•  If the phrase in the “Manner of Jan Davidsz. de Heem is used or is defined….” then in their opinion it is also only a work painted in the style of the artist, but of a later date and definitely not by the artist as named.

•  When the term “After…. Jan Davidsz. de Heem "; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist or another artist/ printmaker.

•  Signed - Jan Davidsz. de Heem; “Dated….” or “Inscribed ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.

•  When the term 'Bears signature', is used or the name, Jan Davidsz. de Heem is specified followed by the words; "With signature ….”, or “With date ….” or “With ......inscription….” or “Bears signature of Jan Davidsz. de Heem . / date / or inscription” Then in 'their opinion,' either the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.
  

We can assist and advise you in all fine art related matters.

ART AUTHENTICATION EXPERTISE LINKS - LISTED BY ARTIST NATIONALITY

VOIR L'EXPERTISE EN AUTHENTIFICATION D'ART PAR L'ARTISTE

British Artist Authentication

WILLS James Rev

HAYEZ Francesco

LIENS D'AUTHENTIFICATION D'ART PAR GENRE

OLD  MASTER  ART

Art Ancien

Authentification d'art européen

ALTARPIECE &  PANEL  PAINTINGS

Retable et peintures de panneaux

IMPRESSIONIST   &  MODERN  ART

Art impressionniste et moderne

BRITISH  ART   AUTHENTICATION

Authentification d'art britannique

FRENCH  ART   AUTHENTICATION

Authentification d'art français

SCOTTISH  ART

Authentification de l'art écossais

Art hollandais et flamand

JUDAICA- JEWISH ART

Judaica - Authentification de l'art juif

IRISH ART AUTHENTICATION

Authentification d'art irlandais

AMERICAN ART AUTHENTICATION

Authentification d'art américain

RUSSIAN ART AUTHENTICATION

Authentification d'art russe

SPANISH ART

Authentification d'art espagnol

CUBAN ART

Authentification d'art cubain

Authentification d'art canadien

HUNGARIAN ART

Authentification d'art hongrois

NORDIC - SCANDINAVIAN ART

Art nordique et scandinave

ISRAELI  ART

Authentification d'art israélien

ITALIAN ART AUTHENTICATION

Authentification d'art italien

CORNISH ART

INTERNATIONAL PORTRAITURE

TERMES ET CONDITIONS

CURRENT INVESTIGATIONS

ENQUÊTES ACTUELLES

LISTE DES CLIENTS D'ENTREPRISE

REGIONS